good things to write a story about

104 Of The Best Short Story Ideas And Prompts To Grab Your Readers

So, you want to write a short story — and not just a mildly entertaining short story but one your readers can’t put down until they’ve finished it.

You want a story that gets reactions like “Wow!” and “How did you do that?” and “Do you have more like this?”

What writer doesn’t want that kind of reaction, right?

And since short stories are short, you have less time to wait for your readers’ reactions — but you also have less time to grab their attention.

That’s why a great topic is worth its weight in gold when it comes to writing these little gems.

Even with the challenges inherent to short story writing, you’ll most likely finish a short story in far less time than you would a novel.

So, you’ll get to explore more story topics in less time than if you were writing longer works.

But how do you generate short story ideas that are worth the time you’ll invest in crafting a short story your readers will love?

If you’ve been writing for long enough, you already know good story ideas are everywhere, and you might even have some in mind as you read this.

But which of those ideas should be on your shortlist for story writing projects?

And if you don’t have any great ideas at the moment, where do you get some?

Short Story Idea Generator (how to generate story ideas)

Short story writing exercises, generating story ideas with the short story formula, timeless themes and emotional impact, 35 short story ideas, 69 short story writing prompts.

When it comes to generating new story ideas, you can take more than one approach. You might try these three:

• Writing exercises
• Writing prompts
• The Short Story Formula

Think of your school days when your English teacher assigned an essay or invited you to write a paragraph in answer to a question.

Maybe all you had to do was write one complete sentence. Or maybe your teacher wanted a haiku — or a rhyming couplet.

School isn’t the only place for writing exercises , though. If you’ve ever joined a creative writing group, your leader may have encouraged you to spend some time each day freewriting or writing a character sketch .

The purpose of writing exercises is to practice writing — or to practice a specific kind of writing (voice journaling, essays, persuasive ad copy, song lyrics, etc.).

So, whether it’s NaNoWriMo, Twitter’s #VSS (Very Short Story) challenge, or writing sprints, the more time you invest in these exercises, and the more you open yourself up to constructive criticism, the more quickly your writing will improve.

The most effective writing prompts and writing exercises make use of themes with a history of captivating and inspiring others. Because of this, either one might lead you to a story idea that you can hardly wait to explore.

Take one (or more) of those popular themes and combine them with a context that is both unique and relatable, and you have the formula for a compelling story idea.

Story writing ideas are generally more fully developed than writing prompts. It’s not unusual, for example, to begin with a writing prompt , develop it into a story idea, and then write the actual story.

And don’t beat yourself up if the first idea that comes to mind is a cliché. You’re human, and familiar ideas are the easiest to think of. Nothing wrong with that. The first idea is like a first draft , in that it gives you something to start with.

And don’t be afraid to mix it up — literally. Take one idea, mix it up with another, and play with it for a while. Who knows how you might juice up your story idea without even trying?

The best fiction story ideas make use of timeless themes. You’ll find one or more of the ten themes that follow in most stories that have been written, read, and shared over the centuries.

• The End of a Relationship
• Rags to Riches
• Scars / Wounds
• Ghosts / the Paranormal
• Deepest Fears
• A Soulmate Encounter
• A Journey Interrupted
• Monsters (human or otherwise)

The story idea itself — in its simplest form — doesn’t have to be original, and in fact, it shouldn’t be. But the way you embody and develop that idea should surprise your readers and evoke an emotional response in them.

It’s that emotional impact that makes your story not only worth finishing but memorable.

Short story ideas will look different from novel ideas, though — mainly because short stories have to make a big impact with fewer words. And because of this, the most powerful short stories have what James Scott Bell describes as the “one shattering moment.”

In his book, How to Write Short Stories and Use Them to Further Your Writing Career, Bell describes that moment as “something that happens to a character, an emotional blast which they cannot ignore. It changes them, in a large or a subtle way — in a way that cannot be ignored.”

Any one of the popular themes listed above could you give your main character a shattering moment that would change that character’s life or perspective.

Take a look at the following creative story ideas, many of which combine two or more of the popular themes listed, and feel free to modify any of them to create your next unputdownable short story.

1. Your character’s loved one has died , and he learns while going through that loved one’s belongings that the latter had a terrible secret that unnervingly correlates to your character’s deepest fear.

The rest of the story explores your character’s reaction to this discovery and how it affects his/her relationships and decision-making.

2. Your character has married the man she saw as her “soulmate.” During their honeymoon, he shows her his list of goals for their first five years together, and they have their first real argument over one of those goals — which requires something of her that she never agreed to.

She has a sudden memory of their first date and of the moment when she first decided he was the one, but she sees it now from his perspective, and it changes everything.

3. Your orphaned character inherits a house and moves in to find that it’s already occupied — by the spirits of the character’s long-deceased parents, who aren’t at all like the people other relatives have described.

4. Your character is having trouble getting past his anger over the wounds inflicted by those who raised him and by those with whom he had one failed relationship after the next.

After losing his job, he goes on a journey to change the direction of his life, but that journey is interrupted by the death of one of his parents — the one who hurt him the most.

5. Your character is widely regarded as a monster and doesn’t deny or hide from that designation.

When his closest confidante gets fed up with him, tells him off, and leaves the company they founded together, your character finds himself disoriented by grief and does something different.

6. Your character is content with her life but suddenly inherits a large sum of money and a palatial estate on the east coast.

She sees the inheritance as proof that the Law of Attraction works, and she invites family and a few close friends to move with her and share the wealth. On the first night of their stay, someone dies.

7. Your character’s snake-loving neighbor has just been found in the belly of her pet boa constrictor (who she swore was a better “snuggler” than her ex).

The ex shows up and is angry when he finds out that your neighbor left the house and everything in it to your character. He threatens to ruin her life if she doesn’t turn the house over to him.

8. Your character meets his/her soulmate on a flight that almost doesn’t make it to its destination; both of them respond to emergencies on the plane (one as a cop and the other as a doctor).

Once at the airport, your character learns that this soulmate is already in a relationship with a well-known philanthropist. But your character notices something odd and calls the philanthropist out.

9. Your character’s best friend just announced the end of a relationship, and your character is surprised to find this friend in a celebratory state of mind (rather than heartbroken).

Your character then finds out the disturbing reason for the friend’s manic behavior.

10. One of your character’s siblings is getting married, and during wedding preparations, your character learns something she was never meant to know. This discovery changes her relationships with everyone.

11. The happy couple living next door to your character has died in a horrific accident, and when the parents show up for the funeral, you find out why the couple always changed the subject whenever you asked them about their families.

12. Your character starts receiving messages from someone who knows his/her deepest fears and intends to exploit them. At the same time, your character is discovering a latent ability that relates to those fears but might also help him overcome them. Or they might change him into something the messenger never saw coming.

13. Your character meets a soulmate at a community grief counseling group meeting and learns that this soulmate also attends AA meetings (like your mc) — though with a different group and with a friend who doesn’t particularly like your main character.

The surprising reason comes out when your character goes on a first date with this soulmate. The soulmate’s friend swears he/she knows your mc from a different reality — which he/she visits in dreams.

14. Your character breaks free of a painful relationship and embarks on a journey to discover what she’s capable of. After volunteering at a nursing home — reading to vision-impaired residents and writing letters for them — she agrees to personally deliver one of those letters to the resident’s estranged son.

15. After avoiding close relationships because of deep scars from his childhood, your main character learns something about one of his parents that changes everything for him. He then has an opportunity to take a step off his accustomed path.

16. Your character has been married for 19 years before her spouse — after a weekend that reminds her of when they met and why she married him — hands her divorce papers.

17. Your character is making a list of reasons to break up with her boyfriend of two years when the latter comes home early and tells her he’s won the lottery jackpot.

18. Your character is a locally famous writer whose hero story ideas come from his freewheeling lifestyle and insatiable curiosity about others.

One day, out of boredom, he offers a homeless man $100 to propose to the first woman he takes a fancy to, while he watches from a safe distance. The proposal goes terrifyingly wrong.

19. Your character has just lost a child by miscarriage , and when she comes home, her married life has changed. Her husband, who was always the more talkative of the two, spends their time together quietly grieving in his own way.

Your character, on the other hand, becomes more outgoing and starts spending more time (and money) on her appearance.

20. Your young adult character finds himself suddenly orphaned when his parents die in a plane crash. The funeral is the beginning of a dramatic shift in his perspective and in the choices he makes.

He breaks off a relationship with a woman his parents adored, he quits the lucrative job that he hates, and he leaves the country.

21. Your character has just learned that his spouse has been cheating on him, and he confronts her when she gets home that night.

She reveals that what he saw as proof of her infidelity was something completely innocent — but that she’s already decided to make a permanent and dramatic end to their marriage.

22. The only child of your character is diagnosed with a fatal illness, and your character doesn’t know how to deal with the worry and dread that now consumes her.

Her doctor suggests one anti-anxiety med after another, and her husband and his family urge her to try one — for her husband’s and her son’s sakes. She goes into a fugue state with the experimental drug she tries, and she wakes up to the consequences.

23. Your character’s new glasses — created as a free gift from an old friend with unusual connections — reveal more than the physical objects in his field of vision.

After looking at a coworker and seeing the latter’s death just hours before it happens, he goes to replace the glasses with a plain pair from a local chain. Then he catches his full-length reflection in a window.

24. Your character wakes up alone in an unfamiliar place and is told by everyone he encounters that the life he thought he’d lived for the past six years — with a wife and three kids and with the job that barely paid the bills — must have been a dream.

He’s actually stunningly wealthy, treated with respect by everyone he meets, and desired by more than one woman. So, why is there a picture of him with his nonexistent family on his desk?

25. A year ago, your character met someone who offered her the power to transform the interior of her home to anything she wants — in exchange for a DNA sample from her only child, who is a gifted storyteller.

During the year after she accepted the offer, her home becomes everything she wants it to be, but her son stops telling stories, and one day she finds out why.

26. Your character makes drastic changes to his diet and adopts new habits that alienate him from his usual circle of friends but lead him to a new one.

He then wins a large sum of money from a scratch ticket that an estranged friend (a compulsive gambler) slipped under his door.

27. Your character has returned from a successful quest to find his home empty, with no sign of his loved ones other than a note left on the refrigerator.

Not only does he now have no one with whom to share his victory, but what he learns calls that very victory into question.

28. Your character has spent eleven years living with the consequences of a vow she has taken. When she forges a new friendship with a counselor, she learns something about herself that scares her and makes her avoid the counselor, for his own sake.

Keenly aware of her own vulnerability, she brands herself to ward off unwelcome attention.

29. Your character, after 15 years of living in a house chosen mainly to fit her spouse’s preferences, sees an ad for an apartment in town that represents the life she gave up to make her husband happy.

After hearing him complain about his life and their house for one too many times, she goes to look at this apartment and finds it has almost everything she wants. The apartment manager, a well-dressed woman close to her own age, hears your character’s last name and appears shaken by it.

30. Your character splurges on a new rug for her living room floor — the kind of rug she’s coveted for years — and her S.O. criticizes it and later “accidentally” spills his drink on it.

The final straw is his suggestion that she wait ‘til it dries and return it to the store for a refund or exchange it for something more practical.

31. Your character has recently broken free from a cult that had drawn him in when he was vulnerable from a family tragedy. His new support system — a group of other cult survivors — is having varying degrees of difficulty re-entering society and repairing damaged relationships.

Your character meets with them one evening at their accustomed café table and confronts a server whose off-handed comment provokes him. What begins as a calm request for respectful treatment escalates as other members of the group chime in and the server’s manager gets involved.

32. Your character has joined a church and finds herself under the tutelage of a church member who leans toward the traditionalist end of the spectrum and who regards her as the daughter he never had.

When he decides to renounce the church’s leadership and join an extreme traditionalist group, she backs away from him — after explaining to him why she won’t do the same. His behavior toward her changes and she makes a change of her own.

33. Your character is so desperate for money that he does something he never would have done otherwise. He doesn’t get caught, but he doesn’t get away with it, either. Consumed by guilt, he undergoes a penance of his choosing, which spirals out of control.

34. Your character walks into a tourist shop and buys a homemade “tonic” freshly mixed by the owner, after tasting and enjoying an innocuous sample in the same flavor. The tonic changes him in a way he can’t ignore or undo.

35. Your character inherits an old music shop with a secret back room where his uncle kept a few instruments that can make even someone like him — who has never played an instrument — a virtuoso in seconds. He takes the piano to his apartment and learns why his uncle (in a letter he’d written before his death) had warned him not to — and why his uncle kept the door to that secret room locked.

With writing prompts , you get a launching pad of sorts: a question, an idea, a provocative quote, or something that inspires a reaction — specifically a written one. Maybe that reaction is an argument, or maybe it’s an impassioned defense of an idea.

Whatever it is, the purpose here is to take that prompt and use it to generate a written response in one form or another. The aim of writing prompts for short stories is to get you started on a new short story .

The prompt could be as simple as a word or as detailed as a character sketch or an elevator pitch. It could even be a picture or a song. It could be an observation you make while (discreetly) people-watching.

We’ve create 69 short story writing prompts that flesh out an idea more thoroughly, giving you a good headstart for your story.

1. You get a new job, and your new boss approaches you on the first day with an invitation to the “After Hours Club.” He tells you it’s no big deal if you decline, but you get a strong impression that it would be.

2. One day, on the way home from work, your new car takes over and drives you to a remote area, stopping beside other cars in a clearing underneath a new moon. You wake up underneath a full moon and drive yourself home. But much has changed in your absence — and so have you.

3. You bake pies for a local bakery, and when a celebrity comes to town and tastes your locally famous turtle pie, he invites you to go on tour with him — to a movie set somewhere in Europe — to be his personal pie maker. You say yes.

4. You buy a single rose from a street vendor, and it lasts a week, then two weeks, then three, and then a full month. Only then does someone point out to you that previously healthy people in the neighborhood have been falling ill and dying at an abnormal rate.

5. It’s time for your 10-year-old daughter to make her First Confession, but when her turn comes to go into the confessional, she panics and won’t be persuaded to go in.

6. You’re stranded in a small village down a winding road from Burgos (Spain) on a Sunday. A stranger comes by on a motorcycle and goes to fetch a taxi for you. You’re waiting at the bus station when he tells you he knows you’re meant to replace his recently deceased wife.

7. The bartender brings you your first Irish coffee in what looks like a candy dish. Halfway through, you notice the whole cafe seems to be floating, and since you can’t put the rest into a to-go cup (alas), you pay your tab and head out. You think you’re doing fine until your key doesn’t work in the front door of your apartment building. Someone else kindly lets you in, and you recognize him as the bartender from that cafe.

8. You’re exploring an old Spanish town, and you realize someone is following you. You turn and find an old woman who asks if you’ll help her find her hotel. You help her, and she invites you in, telling you she has a son who shares your interest in all things Tolkien. You’re not in a hurry to get back to your hotel room, so you go up with her.

9. Your fingers don’t respond to you the way they used to, and you’ve been having other difficulties. You go see your doctor, and they run some tests to check for neurological diseases but don’t find anything. They think it’s probably stress-related. Your life has been stressful lately, and it doesn’t help that your new roommate has been acting strangely toward you.

10. You wake up with your heart racing, but you don’t remember why. You almost never remember your dreams but often wake up covered in sweat with your heart pounding. You’re tired of having to shower every morning and feeling sick for the rest of the day, so you decide to undergo hypnosis, hoping to find out what’s going on.

11. Your neighbors have been up to some strange shenanigans lately, and their lights are on well into the wee hours of the morning. You’d like to know why, but every neighbor you’ve talked to who have gone over there to ask about it has, later on, told you that nothing suspicious is going on and that those neighbors are “very spiritual, and so, so nice!”

12. The street lamps that light up your cul de sac have gone dark, and you’re outside waiting for your spouse to get home when something large and dark brushes past you, almost knocking you off balance. Then a man appears and asks, “Have you seen my cat?”

13. Someone has broken into your house while you were away and has taken all the religious articles out of it — every statue, every picture, and every holy water bottle. The thief left everything else alone.

14. You move into an apartment that used to be a hoarder’s paradise, and your manager gives you permission to paint the walls a different color and add some new flooring. You get to work removing the kitchen’s linoleum floor and find something you never expected.

15. You joined a wine delivery service, and the delivery person is every bit as charming as the labels on the posh wine he brings to you each week. When you lose your job and cancel the service, the wine keeps coming.

16. You buy a pound of gourmet coffee beans at a local food festival, and as you’re sipping the first cup from the first pot you’ve brewed, you have a vision, which feels as real as though it were actually happening to you. When the vision ends, you’re still in your kitchen, holding your cup. You take another sip.

17. You’re about ready to gather up all the ceramic village pieces that have been cluttering up your living room and toss them in the trash bin, but your spouse, who knows you hate them, insists you should try selling them on eBay, instead. That’s when the fight starts.

18. You buy a new pair of Bluetooth earbuds that are supposed to enhance your listening experience. You plug them in and use them while watching a movie, and suddenly, you’re there on the scene, about to get flattened (or eaten) by a dinosaur.

19. You need a new toilet, and someone shows up at the door (as though sent by heaven) to sell you a toilet that will flush down ANYTHING. Oddly enough, it doesn’t even need to be hooked up to your septic system. “All you have to do is remove and empty the dust tray at the base every evening, reinsert it for the next day’s flushes, and voila!”

20. You buy a new keyboard , and after typing a few sentences of a new story, it starts typing on its own, and you watch in surprise as it types out a new short story. You submit it to a contest you’ve never won and win first prize. You start thinking you’ll never have trouble paying the rent again! Then you accidentally spill wine on the keyboard, and even stranger things start happening.

Related:  55 Funny Writing Prompts To Inspire Your Inner Comedian

21. Your famous stew recipe has won an award. You go to collect it (a cash prize), and meet the next runner-up, who believes she should have won the first prize instead with her three-bean salad. She warns you not to spend the money, because she will prove you won unfairly. You go home and find a bowl of three-bean salad and a note.

22. You suggest at the breakfast table one morning that you might actually have too many books, and your SO seizes upon this and offers to help you thin out your collection. After breaking up with him, you cull a few volumes for donation and run into the author of one of them.

23. Your first issue of Real Simple magazine has finally arrived, but something has come with it — something you can’t see but that makes your life anything but simpler.

24. A girl scout comes to the door selling cookies, and you tell her you already bought some from her at the table outside your grocery store, and you’ve spent enough for the year. Suddenly, all the food in your house (including the canned food) becomes moldy or rotten. And every bit of food that passes your threshold becomes inedible.

25. You buy a new whiteboard to help you keep track of your writing assignments, but you wake up one morning, and new items have somehow been added to your list. And the new titles have a sinister edge to them. You live alone.

26. You buy a new poster that looks exactly like the TARDIS door, and you put it up on your bedroom wall. One night, right at midnight (you’re up working at your computer), the door opens and you walk through it.

27. You buy a CD with music that’s supposed to help you write more creatively and also lose weight more easily. You start playing it during your writing time, and sure enough, the words flow without effort, and you love what you’ve written. You also start losing ten pounds a week, and soon you can’t afford to lose another ten, but you’ve come to depend on that music CD.

28. You’re a carpenter who has joined a construction team to build a new development of 3,000+ square foot houses. All is going well until someone on the team discovers something buried in the lot for the third house. The foreman removes it and tells everyone to get back to work, but you have a bad feeling. And you’re right to have it.

29. Your boss announces they’re having a potluck and you’re all expected to show up and bring something. He also tells you it has to be homemade. You tell him you can’t cook, but he tells you, “Well, learn, then!” Strangely enough, you do, and you create an entree that has everyone’s mouth-watering when you open the lid at the potluck. But your boss is conspicuously absent.

30. You wake up in the middle of the night and rush to the bathroom, where you empty your stomach of everything you ate that day. Something else comes out, and it’s moving.

31. You stop at a coffee shop while making stops to apply for a new job, and the barista tells you the new bed and breakfast is looking for someone to handle their advertising. You apply, are accepted, and agree to start immediately. But the owner, who openly admires your bicycle, offers you a room at the B&B, so you’ll be more accessible.

32. You have way too much time on your hands since your latest project has earned you enough to more than double your previous year’s salary, and you’re taking a sabbatical. You see an ad for an opportunity to spend a month at a castle in Wales, with full room and board and a bicycle for exploring the countryside. You call the agent and book a flight.

33. One night, as you’re coming back from the bathroom, you see a bright light and follow it to see that your front window is wide open and bugs are swarming in and out. You rush to close it but then you see the view from it — which is not your usual view of the front yard. You see something you want to investigate.

34. Sometimes, people stare when you pull out an index card and start scribbling furiously onto it, but you don’t care. Then someone accuses you of writing something about him and, pulling out a gun, demands you hand the card over to him.

35. You’re starting a new job, and one of your co-workers tells you it’s up to the new guy to keep the coffee pot full for his first week. While you’re brewing the latest refill, muttering to yourself about how little you’re getting done that day, one of your co-workers starts choking and accuses you of trying to poison her.

36. Your home-brewed ale is the talk of the neighborhood, but your next-door neighbor frequently buys up your newest batch. You start imposing limits. He then starts telling other neighbors that your secret is adding pee from your pet guinea pigs, “But it’s cool, because urine is sterile. And that guinea pig pee really adds something!”

37. You inherit a lighthouse from your deceased uncle — along with the small living quarters attached to it. You move right in, looking forward to the solitude. But whenever you’re up at the top scanning the surface of the ocean, you see things that can’t possibly be there. And one of them sees you — and comes to visit.

38. You stop at the local nursery and pick up a new houseplant — a tiny, adorable succulent. The cashier looks nervous as she rings you up. “That plant isn’t normal. If you want to pick another one, I would totally understand.” She’s nodding with wide eyes as she says this, clearly hoping you’ll agree.

39. You live in a studio apartment. Your boss comes to bring you soup when you call in sick and sees the quilt on your bed, which you won at a raffle. “That’s the quilt my mom made!” she says. “She told me someone stole it.”

40. You take your kids trick-or-treating, and you go to your boss’s neighborhood (your boss suggested it). Most houses gave out full-sized candy bars, but one gave out treasure maps, and your kids want to find their treasures before you leave the neighborhood.

41. Someone offers you a chance to win a million dollars just by visiting his website and typing in your address. “I don’t need your checking account info. It’s not safe to give that to just anyone. I’ll just mail the check to you,”he writes.

42. You wonder what it would be like to be a famous actor, and someone, out of the blue, invites you to perform in his movie as an extra — “and, who knows, maybe something more… prominent.”

43. You get a call from the principal’s office that your daughter has been involved in a bullying incident. Someone was bullying her, and she punched him. There were witnesses, and the principal reminds you of their zero-tolerance policy for physical violence…

44. You get a call from the principal’s office that your son has been acting out toward his classmates (who, according to what he’s told you, have been behaving aggressively toward him) and had brought a weapon to school to protect himself. They’ve confiscated the weapon (a paring knife) and have called the police.

45. Your kid has an IEP, and the Special Ed staff at the school always sound so caring and professional at the meetings you attend with them. But your son tells you they behave very differently toward him. The principal assures you that she knows the staff would never do what your son has accused them of doing. She suggests your son may be lying.

46. Your young daughter notices that one of your trees is “sick,” and she goes to visit the tree, talks to it, leans against it, and tells it to please get better. It responds by growing stronger and larger, spreading its branches out and downward to create a sort of cave for your daughter to rest in when she wants to be alone. It becomes her haven.

47. You wake up one morning and start loading your excess possessions into boxes and bags and hauling it off to Goodwill to donate it. That’s when you find the tiny cameras hidden in the bathroom, and bugs hidden in every room.

48. Your favorite coffee mug has broken, and you’re in mourning. The mug you just bought as your “second” just doesn’t feel the same in your hand, but it surprises you by magically refilling your drink with every sip — and keeping it hot for you.

49. The moth on your ceiling doesn’t bother you — much. But every time you look, it’s there. And you wonder why it never leaves. When you finally get a step ladder to get a closer look at it, you can hardly believe what you’re seeing.

50. Your neighbors on the home office side of your house have never been friendly, but one day, the wife comes over with a pie and tells you she made it herself and that she’s tired of being cooped up in the house with no one but her husband to talk to. You look over and see the outline of her husband in an upstairs window.

51. Tired of getting hair in your face, you take an electric hair-trimmer and run it all over your head with the one-inch attachment. You look at the results with satisfaction.

52. Your spouse, who has never done or said a romantic thing since your honeymoon, suddenly comes home with an expensive bouquet and a travel brochure for a place you’ve always wanted to visit. Later on, someone delivers the car you’ve always wanted, and your husband unconvincingly feigns surprise. You ask him if he won the lottery, but he shakes his head and says, “This is way better. You’ll see.”

53. You’re out in your backyard and stumble over something, which turns out to be a small brick half-buried in the grass. You see initials etched into the brick, along with a crudely-shaped heart. You wonder what — or whom — might be buried beneath. Soon, you find other markers like it, and you wonder how you failed to notice them before.

54. Your neighbor invites you over to her house, and you see that every wall has a cross painted on it with crude, hurried strokes. You ask why, and she nervously clears her throat and says, “This place needs them.”

55. You watch an infomercial and order a new face cream, hoping it will restore a youthful look to your face. It does more than that.

56. Your teenage son gets a job and, on his first day, he encounters a rude customer. Unaccustomed to responding with calmness and diplomacy, he lashes out at the customer and gets himself fired. Instead of calling home for a ride, though, he takes a walk through town and runs into the same customer holding up a cardboard sign.

57. You put your headphones on when you start on your writing project, and, at some point, an unfamiliar voice interrupts your playlist to tell you he likes what you’ve written so far. And he thinks you’d get along great.

58. Your spouse starts trying different paint samples on walls all over the house, and you don’t like any of the colors; they’re either too bright or too dark. One day, you paint patches of a pale green-gray that you like next to his acid-bright or dark color patches, and he tells you it’s boring, and that he’s painting the house his way.

59. Someone keeps writing fortune-cookie phrases on your new whiteboard at work, and it’s irritating you. You ask around, and no one knows who keeps writing the messages. Then, one of the predictions comes true.

60. You look out the window while you’re working and you see one neighbor attacking his spouse, knocking her down and then kicking her. You call 9-1-1, but later on, the wife comes over and says, “I know it was you who called. And you’ve made everything worse!”

61. Every time you look outside and see the wind in the trees, you take a deep breath and feel calmer. When the air is still, you feel as though the whole world is holding its breath and that something bad is about to happen. So, when it’s calm outside, you picture wind in the trees and take a deep breath.

62. You see movement in the corner of your eye and whenever you look, you see a huge, black dog in the neighbor’s yard, running back and forth. This time, though, he runs into your yard and starts barking at your front door.

63. Your eight-year-old son gets up and immediately goes for his Kindle Fire to play Minecraft. You’ve found some educational apps you want him to try, so you’ve installed them on his Kindle. He comes to you a few minutes later and says, “This app is telling me to do things I’m not supposed to do.”

64. You try a new recipe for a potluck, hoping it will wow your boss and coworkers, but it turns out terrible, and you end up rushing to a restaurant for something to bring before arriving (late) to find out everyone has already eaten the entree you were most looking forward to trying. When the cops show up later to ask why everyone is violently ill except you, you tell them everything you know.

65. You take your teenage son to his orientation for a new job, and when you come back to pick him up an hour later, you find out no one has seen him — though you saw him walk in the door before you drove off.

66. You’re living in a world where everyone is born with a birthmark that matches that of their soulmate. But you are born without one.

67. You and your best friend are in a terrible car accident, and you both die. Your friend, however, has a very different account of what he saw on the other side.

68. You’re born with the ability to mentally manipulate DNA. You started with plants and moved on to your pets, who now have unique abilities. For the past few years, you’ve been hacking your own DNA.

69. You were raised in the deep South where manners and feigned politeness were a thin veneer covering your family’s questionable history and lingering dysfunction.

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107 Character Mannerisms For Writers

Did you find these short story ideas and prompts useful?

I hope your mind is buzzing with an idea you can’t wait to start playing with. Keep this article handy, so you can return to it when you’re looking for a new short story idea. You don’t have to follow any of them verbatim; take one and change the details however you like to make the idea your own.

Just don’t forget the “one shattering moment” for your character — and the importance of making an emotional impact on your reader. You make this impact as much with dialogue as with description and the structure of your story. Make it all count.

And when it comes time to edit, cut everything that dampens the impact of your story. Your readers will love you for it!

If you found value from this list of short story prompts, please share it and encourage others to pass it on to support and inspire as many fellow writers out there as possible. Why not even invite them to share their new short stories with you after they’ve written them?

And may your creative energy and goodwill infuse everything else you do today.

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301 Short Story Ideas Guaranteed to Kick Your Writing into High Gear

With shorter attention spans and increasingly hectic lives, it's no wonder readers love short stories now as much as ever. The Curious Case of Benjamin Button , The Shawshank Redemption , Minority Report , and Brokeback Mountain —even Hollywood has taken a renewed interest in short stories.

Below are 301 short story prompts and starters to help you become inspired, get past writer's block and explore the fascinating process of writing in a genre that Stephen King famously once compared to a kiss in the dark from a stranger.

Please feel free to use any of these ideas to spark your next creative project. You don't have to credit us, but it would be much appreciated if you do! A simple link to ServiceScape is the best way to do that.

Need more writing prompts? Check out our writing prompt videos below or try out our Writing Prompt Generator .

• A group of hunters are on a hunt. Their dress and actions are completely primitive until the end when they change back into suits and leave the area in modern vehicles.
• Weather patterns across the globe suddenly shift, causing natural law to go haywire. A family tries to make sense of it while getting to safety.
• A flood swept away an entire town, leaving only the library and its strange secret.
• Your main character is evicted from their home and forced to call in some favors. Although, those favors take him/her on a wild ride they never expected.
• The night before an important social function, your main character is tasked with saving the world.
• Your main character's boat is sinking in the middle of the ocean and he/she only has 1 hour to make a raft from parts of the vessel.
• Your main character joins the communist regime and leads the party to glorious victory over the capitalist bourgeoisie funded by your antagonist's Super-PAC.
• Your main character has a change of heart and partners up with your antagonist, joining their evil organization and proving a much more capable evil overlord than your antagonist could ever hope to be.
• Your character's things are packed up and they are ready to leave town tomorrow. Before they say goodbye to their town, they decide to stop by at their favorite bar just to say goodbye. Something that happens at the bar makes them question whether or not leaving is the right decision.
• When your character is hanging out at their favorite coffee shop, they notice someone loitering outside. As your character leaves, they see a black SUV pull up and a very handsome man gets out. The loiterer goes to lunge for the man, but your character instinctively decides to jump on him, blocking him from attacking the unsuspecting man. It turns out that the handsome man is the governor of the state. What happens next?
• Two giant fingers reach down and pluck your main character away from what they were just doing, and unceremoniously deposit them on a pirate ship.
• Your main character finds an abandoned car, keys still inside, parked outside their home.
• Your protagonist is a corporate CEO who suddenly must hunt and forage his own food.
• Your characters are trapped in a structure that constantly shifts and changes. How do they find their way out?

Sci-fi, Fantasy, and Supernatural

• Your main character wakes up in the body of the person he/she most despises.
• An outdoor music festival receives strange, otherworldly visitors who decide to take the stage for their own performance.
• A man wakes up to discover he can no longer hear but can see things he's never seen before.
• A man and his dog go to the dog park to play and the dog finds a bone with strange carvings on it that reacts to the environment in unexpected ways.
• A group of high school friends cross paths 10 years after graduation to catch up, only to learn that one in their midst has developed special, superhuman powers.
• A secondary character stumbles upon a talking blade, and they begin behaving suspiciously.
• Your character wakes one morning and finds that they are physically stronger, faster, and have greater reflexes than when they went to sleep. Each time they sleep, they become stronger.
• As if losing everything she owned in the tornado wasn't enough, Lila learned that she'd been laid off from her job. And that's when she started noticing the monsters.
• A tertiary character is revealed to be "The chosen one," and your main character must help them to succeed in fulfilling their destiny.
• The antagonist dies, but the story doesn't end.
• Your main character is given a suit that protects them from danger—unfortunately it has a different threshold for safety than seems ideal.
• A character in your story becomes aware that they are in a story.
• our character wakes up deaf and mute but sees more colors than he or she knew was possible.
• Your main character finds that time has slowed for them. Each year they age only several weeks, and slowly those nearest them are beginning to take notice.
• Your main character makes a pact with an alien visitor to trade bodies for the day to tour around unnoticed.
• Your main character wakes up in an unrecognizable city that is at least 100 years more advanced in technology than we are today.
• Lightning strikes your main character and he/she wakes up in the hospital with a small black goblin perched on their shoulder, which no one else can see.
• The sun goes out, replaced by building-sized lights in the sky over each major city. Across the world, beams of light descend from the sky, and each points toward your main character.
• A secondary character is visited by aliens. They are told that they have been chosen as a representative of humanity amongst the interstellar accord. They need your main character's advice.
• Your main character has a theme song which plays for ten seconds every time they enter a room.
• Your protagonist is visited by a comic book hero who needs their help.
• Your character cannot wake from a series of back-to-back dreams that feel like he or she is awake.
• All rhinos have gone extinct except for two, and your main character has been granted guardianship of the last two of their kind.
• Your character notices a weird growth on their arm one morning. They brush it off as a weird bump or scratch—until it turns into something else entirely.
• Your character has always thought of their parents in a certain way, but here lately they're doing something unusual that changes your character's opinion of them.
• Your main character is the owner of a variety store and an invisible car crashes through the wall, driven by an invisible person.
• Your antagonist and protagonist meet in the afterlife, hundreds of thousands of years after your story takes place.
• Your antagonist and protagonist get freaky-Friday-ed. When they wake up, each is in the other's body.
• Your main character is suddenly invisible, but they don't know how long it will last.
• Your main character wakes up, in high school again, and finds that they are late for an important test.
• Your main character is granted a single wish, but must be careful, because the genie granting the wish will attempt to misinterpret any wish they make.
• Your main character finds himself/herself in the video game they were playing.
• Your main character is the leader of a random group of apocalypse survivors who must now forage for food.
• A cell phone is found locked inside a cabinet in a home recently purchased by newlyweds. On it is a recorded message from their future children. What does the message say and how did it get there?
• Your main character and the three people standing closest to them, are thrown backwards in time three hundred years.
• Your protagonist can see the future and doesn't want to leave his/her home.
• Your main character discovers that they are a wizard, and that this means they will have to leave their family to learn how to safely practice magic, in a school they have never heard of.
• Suddenly, your main character can hear the thoughts of everyone who is wearing the same color shirt as they are.
• Your protagonist dies. The story doesn't end.
• Your main character is really a guardian angel in human form.
• Your protagonist meets a man claiming to be God. He/she doesn't believe the man, but then miracles ensue.
• Two adult sisters discuss a fateful night when they were teenagers and ran away from home, only to encounter a pack of vampires waiting to take them in.
• A family comes together for Christmas, only to discover that they have somehow switched bodies and perspectives over the course of the meal.
• A man or woman wakes up as his/her dog or cat and it's breakfast time.
• Two writers discover they've written the exact same text, word for word, 1,000 miles apart from each other.
• A parent and child encounter their ancestor, who has been dead for centuries, and they go on a walk through the city/the woods.
• A lost Incan treasure is found in the basement of a school in Ohio. How did it get there? And more importantly, how is it glowing?
• Your main character suddenly loses his ability to see but can hear things he hadn't heard before.
• .It's 2050 and most of America has become one large city except for a small area in the middle of the country, considered uninhabitable by most people except for a few. Who are they and how do they survive?

Romance and Drama

• A secondary character starts their own business and enlists your main character to help it succeed but falls in love instead.
• Your antagonist wins over your main character's best friend, convincing that friend of their good intentions.
• Your main character gets a new job, working at the evil corporation run by your antagonist—but the work they would be doing could really help people.
• Your main character and their best friend find themselves in a love triangle with your antagonist.
• A couple is having an argument at the table beside your character at a restaurant. Although they are trying to avoid eye contact, your character realizes that one of them is the ex that the other never quite got over.
• A tertiary character is seriously stressing out, and your protagonist feels the need to reach out to them with a kind gesture. It does the opposite of help.
• Your character is talked into going to their romantic interest's mother's dance recital, and their romantic interest doesn't show up.
• Your character is at a friend's house for a dinner party. Suddenly, someone they absolutely despise walks in. What do they do now?
• Your character's boyfriend of five years surprises them with an engagement ring at a dinner with their whole family. They pause for a minute before they answer him. But if he knew their secret, there is no way he would be proposing right now. The whole room is waiting for the response.
• Your character gets matched up with a famous person on Tinder. What happens on their date?
• Your character's friend introduces them to someone at a party. It turns out that your character and the other person actually know each other quite well. However, neither of them acknowledges this fact. The friend steps away. What do they say to each other now?
• Your character's mom seems really tense when they are out to dinner with her one evening. They ask her what's wrong. "I have something to tell you," she says gravely.
• Write a story about a father and son reuniting for the first time in 20 years. Why did they go so long without talking? What finally brought them together?
• Your main character's romantic interest finds one day that they are much more interested in your antagonist.
• Suddenly, a tertiary character confesses their love for your protagonist, getting down on one knee and producing a ring. But your protagonist loves someone else.
• One night when your character is at a bar with all of their friends, a mysteriously charming stranger starts talking to them. They are instantly captivated by their every word. They ask for your character's number, but there's just one (major) problem.

Mystery and Horror

• A writer's manuscript contains words he didn't write…ghostwriting in its truest form. But who is his co-author and what does the ghost want?
• Your main character comes home to find that their family is missing.
• Your character wakes up covered with strange tattoos and can't remember how he/she got them.
• Your protagonist awoke from a nightmare to find an object from his/her dream laying on the pillow.
• Two cousins hitchhike along a deserted country road, following a stream of black smoke to an abandoned house, where there is no one tending the steadily burning fire.
• Your main character wakes up in the trunk of a car, their head throbbing.
• An escaped convict leaves behind evidence of his innocence for the search party to find.
• Your protagonist wakes up aged considerably, after a Rip Van Winkle-esque 20-year nap, and his friends don't believe his story.
• There's no way out of the concert hall but the concert-goers tried to find it anyway. Behind them, the snarling monster prowled.
• Lost in the woods, two teens encounter a witch-like woman who offers them all they've ever wanted in exchange for one small thing—their baby sister.
• Your main character discovers a long-lost sibling who is down on their luck.
• Your main character is given an important heirloom, an item passed down for generations in their family. But it is cursed.
• Your main character finds a black mahogany door in their basement, shut tight with chains.
• One night while your character is camping in the woods with their family, there's a loud noise from inside the tent. At first everyone thinks it's an animal, but this sounds like nothing they've ever heard before.
• Your main character has a conversation with a ghost from their past, either literally or figuratively.
• Your main character goes broke drinking and gambling and wakes up the next morning with a small white rabbit perched on their chest, possibly stolen from the magic act they saw the night before.
• Your main character wakes up on a rooftop, in their underwear.
• Your main character inherits a vast fortune, but they must stay in a creepy old house for an entire night in order to earn it.
• Your main character sells their soul and seems to have all of their problems solved, only to find out that the devil is a blood relation, and there are no catches.
• Your main character wakes up to find that ¾ of the world's population has suddenly disappeared without a trace.
• Two adopted twin sisters embark on a journey to find their birth father, only to find that he's been close to them all along.
• Your main character's dog goes missing in the night, and they aren't the only one missing a pet. After some sleuthing they discover that a friend has become a werewolf, and that their best friend is the cause of the missing animals.
• Your main character wakes up wearing a strange ring which glows with sparks of blue electricity.
• People find that if they don't concentrate on keeping their soul attached to their body, it begins to separate. Without continuous concentration, everyone becomes ghosts of themselves.
• Your character discovers that there's something really mysterious happening at the neighborhood park. Your character finally works up the nerve to go down there one evening, and what they find is even more peculiar than what they originally thought.
• Your main character is trapped in a dream that is quickly becoming a nightmare.
• After a particularly grueling day at work, your character groggily returns to work the next morning. The secretary, who your character has said hello to every morning for about five years, suddenly has no idea who they are. When they tell her their name, she responds: "No one by that name has ever worked here."
• Your character wakes up one morning in what looks to be a hospital. They try to move, but it appears they are strapped into the bed. A nurse suddenly enters the room and calls them by the wrong name. What happened to them? What happens next?
• The doorbell rings. No one is there, but a mysterious package was left behind. Your character opens it up and find something inside that's very unexpected.
• Write about a scenario where a character does something terrible and gets away with it completely.
• Your character's sibling is wanted for a serious crime. They swear that they didn't do it, but your character is not so sure.
• A ghost of your antagonist's great-great-great-grandmother visits your protagonist, warning him to stay away from her great-great-great-grandchild.
• On your character's walk to work, they notice that the streets are suspiciously empty. Brushing it off, they finally get to their office. There's no one inside at all. They walk around searching for someone, anyone to ask what's happening. They find no one and nothing.
• A child draws scenes that end up happening exactly as he/she draws them. His/her parents try to understand what is happening.
• Your main character has been knocked unconscious, and another character from your story needs to step up and take their place.
• At the library one afternoon doing some research, your character notices an unusual photograph. Your character is immediately captivated by it. What's in the photograph?
• Your character's grandma recently passed away. In her will, she left your character something very strange.
• Your main character has just come face to face with their worst enemy, and they are monologuing.
• Your antagonist has finally won, accomplishing their greatest feat. Now what?
• Your antagonist and protagonist swap places for a day.
• Your antagonist and protagonists are placed in the same dorm room at university. Hilarity ensues.
• It turns out your antagonist was right the whole time, and now your protagonist has some explaining to do.
• Your main character or antagonist wins the lottery, a jackpot of 3.4 million dollars. But he/she doesn't want it.
• Your main character is contemplating suicide until a stranger stops him/her.
• The king dies, and your antagonist's best friend becomes the new ruling monarch. The catch is, they don't seem too bad, other than the fact that your antagonist keeps whispering in their ear.
• Your protagonist is incredibly late for their next scheduled meeting, and he or she just keeps running into obstacles which stall them further.
• Your character's birthday wish that they made when they were blowing out the candles actually comes true. What is it? Is it everything that they hoped for?
• Your character's home is a little worse for wear. It seems like everything is broken and your character has no more money to invest in this money pit. In the garage, they see an old can of gasoline. Would they do the unthinkable? What is going through their mind right now?
• Your character's family has a lot of traditions. They go along with them, except for one. If their parents knew your character broke this rule, they would likely disown them. What is it? What would your character do if they found out?
• Your character is a pretty shy, introspective person. One day they wake up and realize that they are saying everything that they think. They can't control the words that are coming out of their mouth at all. While this is helpful when they are trying to talk to friends and acquaintances at work, it really starts to get them into trouble.
• Your character is a member of a family that has always feuded with their neighbors over trivial issues, and now must ask his/her neighbors for help in an emergency. How do the neighbors respond?

Story Starters

• The place where the world stopped was not so strange, but the vertigo was overwhelming. The girl could not decide whether or not it would be wise to jump.
• The gear turned, interlaced with another, and another. His eyes traced the inner workings of the machine to the place where the light shone.
• Static played between the cracks of the monitor, the spark and hiss of the television muffled as the living room filled with water.
• The hand was pale, as if circulation had long stopped; and the ring upon the creature's finger seemed to glow with a spark of interior fire.
• They say that when you die in a dream, you die in real life. I can tell you that isn't true; because I died in a dream, and what happened to me was much stranger than that.
• The girl spun, dragged by the momentum of her backpack, tilting from one foot to the next so that her balance was tenuous, her motions growing wilder.
• The face in the mirror was not his own. It was handsomer, his eyes more vibrant, his skin clearer. He frowned, uncertain, but his reflection smiled.
• Once upon a time, in a night with no stars and no moon, there was a shadow in the darkness.
• Bright blue water held the stars' reflections, until she dove beneath the surface. Then for a long moment the lake was still, until I began to grow nervous. When she finally returned, she held aloft over her head the star which had hung in the North, the wish-making star.
• It was, as the wave of mud descended, sprayed by the wheels of a yellow taxi – it was that moment which made that day the worst of her life.
• Again, try again. Concentrate now, it will not come easily.
• Strange, to see her here. She seemed out of place. Not the soft out-of-place, like an uncle entertaining unfamiliar nieces and nephews, but the hard of out-of-place which drew every eye in the room.
• It was a trick of the fingers, and a twist of the wrist, which changed the shape of the shifting cloak. One moment the garment was a heavy green wool, and the next it was black satin, suitable for the night's entertainments.
• I have been many things: a pawn, a dancer, a master of the blade; but none of these in the way you might think, and none of them for less than a moment.
• The torch hissed as he plunged it into the river and let the current sweep the light away. Then he was alone in the dark with the red-ember eyes.
• Like a dream she had drifted from the room, and like a dream she seemed unreal, and like a dream she was gone.
• The pencil was now stuck in the ceiling, the glob of green hanging precariously from it; and before I could dash across the room, or throw the stapler again to dislodge it, Mr. Smythe reentered the classroom.
• The lower level was waist-deep already, flooding from a number of breaches along the starboard hull. Younger crewmen were wading through the water in search of bailing buckets. Older crewmates were racing toward the ladders, offering prayers beneath their breath.
• The river was home to a great many, and together they drifted along it. It was never fast, never sudden, but always full to brimming of fish, and always clean to drink.
• The sphere was some metal he had never seen before, like steel but with a faint blue hue. It stood out nearly three feet from the earth; and where it was exposed to the air, lightning struck it repeatedly, illuminating his surroundings with each strike.
• The woman swung her scythe with the steady clockwork motion of a pendulum.
• Frost spread across the ground. Slowly at first, with the lingering laziness of autumn, but then with greater fervor; and the creature flew along behind it as it spread across the field.
• Doom blanketed the town, like silence might have on a more peaceful night.
• Typical, he thought. Another throwaway evening. Not a soul in town, and not a sound to be heard; but that night was anything but typical.
• She didn't blink. Not when he made faces, or when he screamed; not when he brought out the joke about the garden gnomes, or the one about the flea circus. She didn't even blink when he resorted to the feather, or when he made a motion like he might poke her in the eye.
• His favorite color had always been blue. Not because it was depressing or anything – it wasn't – but because it seemed to soak in the light, and then give some of it back. Like black, he thought, but less dead, less drab.
• The ballet slipper would not fit, and that would never do. Only moments now, before they knocked on her dressing room door, and her sister's slipper would not slide onto her foot.
• You aren't supposed to have conversations through the wall of the changing rooms, especially not the fancy kind where a woman waits outside to ask if everything fits just right. And yet, here she was, knee deep in the most awkward conversation she could imagine.
• There was no gravity here, and so she floated, waiting to come close enough to something solid that she could push off from it, and toward the exit.
• They say bleach for blood but the odor is too strong. Best to take it out with hydrogen peroxide. Then again, it looks strange buying thirty bottles of hydrogen peroxide at three in the morning, so I settle for a couple gallons of bleach.
• The doctor looked up from the manila folder in his hands and said, "Your test results are positive."
• Just as she settled into the backseat with her suitcase and carry-on bag, an oncoming headlight illuminated the driver's face and she realized this wasn't her Uber driver. He was the man they'd been showing on the news the last few days.
• As the doctor handed the newborn bundle to her, she gasped.
• As she threw her head back to soak up the flowering spring trees, she saw her ex-husband watching her from across the street. How could he have known she was here?
• The young girl was maybe 5 or 6 but there was something about her that chilled me to the bone.
• She might never get the chance to be alone with him again. Her husband was across the country; he'd never find out, so why not?
• "Is this your handwriting?" the policeman asked with a scowl.

• I could have been anything—a doctor, lawyer, architect. Instead, I became a carney.
• When he saw the state troopers standing on his front stoop, he thought they must have the wrong house. But when the troopers took off their hats and one of them asked, "Are you James Cooper?" he couldn't find the strength to answer.
• "I knew you'd come back to me," she whispered. "It's been a lifetime but I knew you'd come back."
• The doctor emerged from the double doors and said, "There were some unexpected complications."
• This was the moment he'd been training for. He strapped on his helmet and got in position.
• She continued running, but as the trail of blood got thicker and the splattered drops got closer together, she started following the blood instead of the greenway path. She had to find the source of all this blood. Was it animal blood... or human?
• When he looked around, he froze. He'd been here before. This was the same place where he kept getting stuck in his dreams. Would he be able to find his way out in waking life?
• She shut off the kitchen light and turned to go upstairs to bed, unaware that two sets of eyes were watching her every move.
• He frantically searched his lab, but he found no sign of the invisibility potion. How could someone have stolen it before he even got the chance to use it?
• As she listened to him snore on the pillow next to her, she wondered how much longer she could stay married to him. She prayed he would die in his sleep or get hit by a car. Then her eyes fell on the pillow at the foot of the bed.
• "Mr. Dempsey, they're not both going to make it. We can save your wife or the baby, but we can't save both. You need to let us know your decision in the next two minutes, or we may lose them both."
• "Are you sure you want to do this?" the man asked as he positioned the needle over her heart.
• Nothing had grown in that patch of grass for 50 years. It had been a barren dirt patch ever since that stranger had conjured a fire bolt and scorched the ground. But Tommy definitely saw a green sprout growing in the middle of the barren square. What was it, and how could it produce life in a place that nothing else could?
• The car rattled as if she'd gone over a speed bump, but she knew there were no speed bumps on this road. She looked in her rear view mirror and thought she saw blonde hair… and maybe a human form on the road. She wondered if she should turn back. Had anyone seen her?
• "If you walk out that door right now, I don't ever want to see your face in my home again," his mother said.
• "I will get my money back one way or another," he growled, as he pinned her arms beneath her back.
• "The price of freedom depends on what you're willing to pay. Tell me, sir: how much is your freedom worth to you?
• She fumbled in her purse for her keys, but her hands were clumsy with fear. Just as her fingers grazed the familiar key fob, a sweaty hand grabbed her shoulder.
• He'd seen her. She could tell by the smirk on his lips. She pushed through the thick crowd in hopes of making it to the exit before he blocked her way.
• She glared at the thick bracelet on her bicep. Why did her parents make such a big deal about never taking off? It was heavy and not even stylish. She found clasp and fiddled with it for a moment. Surely her parents were exaggerating about all the awful things that would happen to her if she ever took this off.
• He extended his hand to her and said, "Hi, I'm Finkel Wolfson." She looked at his outstretched hand as if it was crawling with spiders and roaches. "Oh, I've heard about you," she said with a sniff. Finkel panicked. He was 3000 miles away from home; how could she have heard about him?
• "One of us has to try it," Amir said as he pointed to the lumpy, unfamiliar fruit on the tree in front of them. If we don't, we'll starve to death. Death by poison seems worth the risk in case it's edible, doesn't it?"
• The night winds rustled as the door to the old woman's home slowly opened.
• She laughed when he told her the news. It was exactly what she expected and she knew the lie was over.
• He glanced in his rearview mirror and saw that the blue sedan was still following him.
• She stepped off the elevator with a sense of purpose. This time, she would succeed.
• He flicked the stub of his cigarette onto the pile and walked away without a second look.
• Just as they got to the edge of town, the car started making a terrible clunking sound.
• "What's that smell?"
• He rolled down his window and called out, "Hey—do you want a ride?"
• "You better get down to the station. It happened again."
• The dog raced toward her with such intensity that she didn't have time to get out of his way.
• "I don't think you're capable of love."
• He picked up the glowing rock and inspected it. Where had it come from, and how had it ended up in his backyard?
• By the time Johnny got home, thousands of sheets of paper had piled up on the floor beside the printer, each with only one sentence printed in bold type: "I am coming for you, and there's nothing you can do."
• "How could you have married him? You promised you'd wait for me."
• "I've lost him," she screamed, but none of us knew what she'd lost.
• For a moment, time slowed, and the sound of the approaching storm was all that we could hear.
• "Look out!" he shouted.
• I'd never last long in the slammer. I get all frantic when I'm in tight spaces, start tryin' to climb the walls and such.
• Tears filled her eyes as she scanned the list a second time. She didn't make the team.
• "I'm pregnant."
• He watched her leave, knowing that she only locked the flimsy doorknob behind her. He had at least two hours before she'd be back home.
• "Where am I?"
• "What happened to you?" She asked.
• There are three things you never mess with if you know what's good for you: heroin, border patrol, and the Valdez cartel.
• She fell to the floor when she heard the first explosion. She didn't know if she should try to escape or try to hide.
• "We're sending you to live with another family. It's for your own safety."
• As she watched this hulking, hairy animal lope across her backyard, she wondered what two creatures collaborated to make this tremendous beast, and what was it looking for?
• "She hasn't spoken a word since the accident. Our friend said that you might be able to help her."
• "Don't lie to me. I already know the truth."
• As he walked away, his smile grew from a smirk to an all-out grin.
• "Why is all of Daddy's stuff in the front yard?"
• He counted his register drawer again. How could he be short $2500?
• The teacher looked at his gaping shoes and tattered clothes and knew she had to find out what was really going on at home or this kid would end up in the system. She called him up to her desk and asked, "Do you want to help me on a project this weekend?"
• If he hurried, he might be able to get back to work before anyone found out what he had done.
• "Do you have experience with demons?" she whispered from under the table.
• "This medicine numbs the pain, but it will also permanently numb your ability to feel pleasure. Do you want it?"
• "Mr. Whipple, we've just learned that your wife is an undercover agent with the Russian government. We need your help apprehending her."
• Once she'd confirmed that no one was looking, she ducked into the unmarked building.
• When she walked outside the next morning, she realized his curse must have worked.
• He pulled his hat low over his brow and tried to blend in with the crowd, hoping no one would realize who he was.
• He was inside the video game! But wait—if he was in here... who had the controls?
• She bent down to pick up the strange-looking shell from the sand, but as soon as her hand touched it, the earth started to shake.
• He opened the letter and sunk to his knees in the middle of the driveway.
• "What are we going to do once the last of this food is gone?" he asked.
• She looked closer and realized that this tree was growing dollar bills instead of leaves and quarters instead of acorns.
• There is never a better time to say "I'm sorry" than when karma is kicking you good.
• When the pigeon swooped down in front of her, she realized it had a note attached to its right leg.
• "I'll need to speak to at least three of your ex-girlfriends to check your references before I'll go on a date with you."
• "Mommy, there's a ghost in my room!"
• Something wasn't right. No one seemed to recognize her. No one even really seemed to see her. Could he have erased her existence?
• They had never been this high before. As she reached for the next rock outcropping, she wondered if it was actually close enough to reach, or if she was about to fall into the canyon.
• "This is something we don't usually show visitors," the museum docent whispered as she unlocked the door marked "DANGER!"
• He looked both ways before crossing the street, not realizing that he had just made the worst decision of his life.
• "How did you get that scar?"
• He muttered a few extra spells as he stirred the potion. He couldn't risk it malfunctioning this time.
• Every person on the street and in the mall looked identical. They were all wearing red shirts and blue shorts, and every single one was a man with light skin and short brown hair. What had happened, and how was she the only one who was still different?
• "You don't understand," she said, looking at him sadly. "I am not who you think I am."
• All the lights in the city went out and they knew the monsters were surrounding them.
• "If you take one step closer, it'll be the last step you ever take," he said, pointing the weapon at the strange figure in front of him. But his threat was useless, since the creature had no feet.
• There, nestled within the grove of trees, was the thing he'd been waiting for since he was 12 years old.
• "Who's there?" Her words bounced off of the metal walls of shipping containers when she awoke. But there was only the echo of her own voice to answer her.
• They were lost in the woods and they knew it, although this time was different. This time, they were hunted.
• Looking into the fire was the wrong thing to do. He found he couldn't drag his stare away.
• It wasn't until my father pushed me off the cliff that I believed he was telling the truth.
• The sign hit them like an inanimate object.
• The pumpkin would not stop growing, despite the application of the second potion. The witch had lied.
• All four tires were on the ground, but I had started floating toward the surface.
• Smoke leaked from the exhaust pipes of the Mustang as the plane began to descend. She looked into the jungle below, dreading the impact.
• Picture us, standing against the world, armed to the teeth, walking out into that blizzard.
• If romance is dead, then I suppose there are none to blame but the hopeless romantics. It was a boy, not too long ago, that taught me romance – real romance—isn't something hopeless, or unenergetic like stale poetry, or futile like canned compliments.
• It's impossible to tell really, just how many times I've come back.
• When a pet passes away, the moment is strangely dense. That moment as I held the shoebox was the longest of my young life, but there were harder times to come.
• The girl crept past the open door, listening with piqued interests for clues revealed in the voices beyond it.
• Thunder does not crash like a wave, but ripples outward like a pebble tossed into a pond. When the lightning struck, I was the first to hear that thunder.
• Heroes wear masks for all kinds of reasons. I wear the mask so they can't see the grey at my temples or the weariness of age in my eyes.
• The sun never shone like it did that day. It baked my skin until I felt I might burn in the shade, but I never did. Nothing went wrong that day.
• The paper tore once, twice, three times. I shredded it and scattered it to the wind.
• Ma always told me not to climb so high. Always lookin' out for me 'cause I ain't look out for myself. Too bad Ma ain't here now.
• They think they know me, but they don't really. I hunt only at night and only when I know I have the advantage over my prey.
• City slicker like myself doesn't have a wit of business in the country. They knew it. I knew it. Not a one of us in that room was happy I'd purchased the land.
• Here's the thing about family. Family sticks together, but it's almost never roses and sunshine. Family sticks together when you have nothing; so when you have it all, well, things get complicated in a different way.
• It wasn't my idea to paint the damn cow, it was Johnny's; but I suppose I'm to blame for going along with it.
• Stars spin real slow. So slow you can't see it, unless you have the time and the resources to take a really close look.
• I can't say I ever much liked gym class. I've never seen the point of running unless you were being chased. But I'm running now, aren't I? I guess I'm glad I never skipped gym.
• It's been a few years since the guns got off the street, and the drugs. Didn't happen all at once, but it did happen fast. Not sure I like it.
• My dad raised me believing that time is money. Now that money is time though, I'm not sure anything he taught me means what I thought it would.
• I realized that something was wrong when I thought "I'm getting married," instead of "I'm getting married to John."
• It wasn't a happy winter, but it wasn't so sad either, considering.
• "Blood is thicker than water," we all heard that. What people don't do is say it out full: "The blood of the covenant is thicker than the water of the womb," which, (if you ask me, which you didn't) means almost the opposite.
• Never thought I'd dance on his grave, not really.
• Clouds parted that night, while I was bending picking weeds in the dark—fool thing to do—and the moon shone down on my garden.
• There are dreamers like me, but none as vivid, and none who know the clouds and sunshine of my mind as I do.
• You can't sing—can't really sing—a happy song when you are sad; but I know now that you can sing a sad song, and fill that song with life, when you are happy.
• All it took was one step into the water and I knew I was home.
• If love stories begin with wonder and end with tragedy, this isn't really a love story.
• She looked out the window and saw moving shadows, as far as the eye could see, and was thankful at least for the light from the window on the house on the hill.
• "I'm falling for you," he said. But he knew that look and he regretted it immediately.
• Give me five minutes and I'll turn that girl's silly smile into a look of shock.
• At dawn, we were swallowed up by the darkness, but it didn't matter, really. We had waited for it all night long.
• If loss were a taste, you'd spit it out as soon as you were able to. But it isn't. It's a sound and a cry and it goes on forever.
• That night in September, the body count was almost as high as the temperature.
• ."They're not even normal," the little girl whispered. "Look Ma', those men have gills for ears."
• She closed her eyes and remembered the flowers in her mother's yard and how red the roses grew.
• There was nothing left to say but "I love you" as they stood together and watched the world burn.
• "Mamma, there's someone here to see you." I knew from the sound of my daughter's scared voice who that someone was.
• Lost in a wonderland of sorts, I wandered the home's slanted hallways until I found the right room.
• "There he is," she shouted. "I told you he…..!" But before I could turn to look, she screamed and fell silent.
• The explosion could be seen for miles around, but only two people saw it.
• She couldn't identify the lifeforms standing across from her but she knew they weren't human. She also knew they weren't friendly.
• "Here, put on this mask," she said. "They can't know who you really are."
• It took 15 days and 11 hours to reach the mountain range on foot, but there it was in front of us, big as we knew it would be.
• "I don't know how you handle this type of thing on Earth," she spat, "but here on Mars, we don't let killers run free."
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72 Short Story Ideas To Supercharge Your Writing

Are you ready to write a short story , but not sure where to start? Get some new ideas today with these diverse and engaging short story ideas. 

Though I’ve broken them up into subcategories, don’t feel limited by the headings. Feel free to add some romance to a supernatural story, or frame a family tale in a historical or dystopian setting.

The key to using these short story ideas is an open, flexible mind. Use these prompts as springboards, and then follow your inspiration.

The first half of these short story ideas are general categories — Humor, Family, Power, Plot Twist — while the second half offers story ideas in specific genres — Fantasy, Horror, Dystopian, Crime, Sci-Fi, Romance .

And when you’re ready to write a novel, I have resources for you, too. This thorough guide to novel writing will give you all the tools and techniques you need to write an exquisite novel.

• Substitute teachers are sick of not being taken seriously, so they form a secret society: Subperior.
• Tell the tall tale of a high-fashion penguin who goes shopping for a tuxedo and gets into the modeling industry. Make as many crossovers between fashion and bird life as possible.
• An Elvis impersonator books a concert that is so good, people believe the real Elvis has come back to life. Next thing he knows, he is the leader of a superstitious Elvis cult.
• After a religious cult takes over the government, caffeine is outlawed. Tell the story of a brave and coffee-loving family who opens a #CaffeineSpeakeasy.
• Everyone confuses Fabio the Frog for a toad because of his warts. Explore the struggle.

2 Characters or Less

• Tammy has been in solitary confinement for 2 years and hasn’t experienced any human contact, not even letters, at least until she starts receiving mysterious notes under her door.
• Tired of working as a corporate robot, Gerald uses all of his sick days to spend a week alone hiking in the Appalachian Mountains. Everything seems fine until a blizzard hits.
• A shy web designer thinks he has found the man of his dreams online. It turns out he is being catfished by the member of a competing company who is probing him for information.
• Brenna and James work for two neighboring fast food companies and always take their lunch breaks on the sidewalk bench at the same time. Are they brave enough to pursue something more from this newfound friendship?
• A traveling make-up artist named Brenda and a purse-sized dog go on a cross-country trip to a funeral that Brenda does not want to attend. Tell the story from both Brenda’s and the dog’s point of view.

• Homeschooled Adam has just finished high school and is planning to start college close to his town when suddenly, an attack on his isolated hometown means he is drafted into the army. Even though he is away from the first time and terrified, he doesn’t just survive — he becomes a key strategist thanks to his scientific insight.
• Traveling nature photographer Lindsay happens upon a group of indigenous people who may have found the cure to cancer in a rare, local plant.
• Portuguese foreign exchange student Gabriela’s host parents aren’t as innocent as they seem. Before she knows it, these undercover mob members kidnap her as part of an international conspiracy theory. Halfway across the world and alone, how can she escape and uncover the truth?
• An American actor is cast as the star of a movie about a multi-lingual travel agent. Instead of buying Rosetta Stone, he packs his bags and decides to travel to four different countries across the world, but he doesn’t expect to fall in love with his guide.
• A boy steals a jet packet that can help him fly, and he gets adopted by a flock of birds as they migrate south for winter. Show how his relationship with them evolves until hunters try to kill the birds and shuttle him back home.

And if you’re ready to move from short story writing to bigger writing (NOVELS!), I also have a wonderful resource for you.

Read this comprehensive post on how to write your novel , including ideas on outlining, writing a series, and using the snowflake method.

Friendship/Family

• When 14-year-old Oliver learns that he is the only adopted child of his eight-person family, he feels betrayed and runs away to find his birth parents. However, after 2 months alone on the road, he runs out of money and still has not succeeded. Does he keep looking or go home?
• An unlikely friendship between the 6-year-old sons of feuding parents leads to an unexpected and tense reunion at a playdate. Is this the beginning of a reconciliation, or is it just added fuel to the fire?
• Two childhood friends stopped talking after a high school feud, until they find themselves on the same international flight five years later. What conversations unfold over the next 12 hours, and do they keep in touch, or go their separate ways forever?
• A set of 12-year-old identical twins have gotten away with switching places in class since one is good at math and the other is good at English. They switch outfits at lunch and come back to each other’s desk to find their very strict and observant mom is the substitute teacher.
• When Ali, a Muslim man, falls in love with Rachel, a Jewish girl, both of their families are appalled. What do their families do to keep them apart?

• Federal investigations into an ongoing murder investigation discover that a dangerous coalition of police officers were behind the crime.
• A famous gymnast is under fire for using performance-enhancing steroids. It turns out that she’s the one who leaked the story to detract attention from the fact that she is a drug lord selling a highly addictive and eventually deadly new substance.
• A young television actor is hailed as one of the best of his time. While reporters call him “method” for only interviewing in character, it’s because he doesn’t have an identity outside of his famous characters, three of whom he switches between due to Dissociative Identity Disorder.
• Jenna is backstage at graduation about to make her valedictorian speech when she hears a gunshot in the crowd. Write an account of the next 10 minutes from her perspective.
• An elderly couple keeps all of their money at home between the pages of their books. They’re ready to gather it all and start looking for a retirement home when a fire burns down their house and their cash.

• After only a year in office, Governor Li finds himself tempted by a corrupt organization who wants him to sabotage a public transportation project in exchange for funding his entire reelection.
• Principal Watkins wants to take the promotion to district director, but she knows the new principal will slash all of the arts programs. How does she decide between the promotion that will help her send her kids to college and saving the arts programs she loves so much?
• When General Adams finds that the opposing army will surrender if she hands herself over, does she prioritize her own safety, or sacrifice herself, even if it means torture?
• A successful lawyer knows that his client is guilty of murder, but he can easily lie and win the case, which is getting significant media coverage and would surely guarantee that he would be made a partner at his firm.
• Yvonne has worked hard to build her successful real estate company, and she loves her work. But when a competing realtor starts stealing all of her clients, she has to fight back in unusual ways to keep her business alive. 

Supernatural

• On his 16th birthday, Christopher miraculously survives a head-on car crash without a scratch. A week later when he scrapes his knee playing basketball, it heals within minutes. Where did this power come from, and what can he do with it?
• The Elite Education Society, or EES, is giving out pills to gifted students that give them the power to stay awake for 48 hours and record everything they see, hear, and feel in their minds as if in a notebook. But little do they know, the side effects that appear two weeks later will cause a disaster.
• 63-year-old Emerald is the only member of her family without a superpower. However, when the local police force who relies on superhero power fails to catch a murderer, her down-to-earth perspective ends up being the key to solving the crime.
• After his concussion, Jamal Winston finds he has no control over recurring and vivid dream of his accident. However, while awake, he is able to project images in his mind into the room and change the world around him. Too bad the doctors think it is all in his head, and continuously sedate him. Can he fight the power of a medically induced coma?
• What happens when technology gives animals the power to speak?

• Rachel, a successful defense attorney who was just made a partner at her firm, is working on one of the biggest murder cases in Boston’s history. When she realizes she’s developing feelings for the prosecutor, it’s too late to back out. What’s more important: stay true to her work values, or take a chance at love?
• Jordan’s just a lonely college guy swiping through Tinder when he finds his favorite actress, Geena Davis, has liked him back. But when they meet up, he realizes they have no connection. Rather, it’s her assistant who catches his eye.
• When Alexandra and Amber’s yearlong secret relationship is discovered, they’re expelled from their all-girls high school and forced to attend separate public schools. How to they keep their love alive under the watchful eyes of their judgmental community?
• Two painters have been married for 5 years. How does their relationship change when one of them suddenly goes blind?
• This short love story between an asexual boy and girl will contain three distinct scenes: a cute meeting, a first date, and the first time the two say “I love you.” The challenge is to build romantic tension without any sexual tension whatsoever.

• When the long-running secret order of magicians is discovered, it’s time to fight. But what’s stronger: ancient magic, or advanced, current technology?
• The Pineshore National Forest is home to more than just evergreen trees. It is a haven for werewolves, and though they only come out at night, the fleas that cling to their skin crawl into the lake and transmit the werewolf virus through the town’s water supply — the only people it doesn’t affect are those under 14.
• Vampires and Robots that run on human blood fight over the limited human blood supply in an epic war of the supernatural versus the machines.
• A seemingly ordinary horse is visited by a mystical presence that promises to make her a unicorn, but she must face the dangers of escaping her stable if she wants access to this new and mysterious world.

• A spaceship that can surpass the speed of light allows some humans to escape our solar system with its dying sun. How will humanity decide who gets to be a passenger?
• A special computer virus is engineered by a rogue Apple employee to control human desires and impulses.
• A pet store with an overflow of cats sells them at a very low price. However, what seemed to be normal kittens were actually the offspring of an alien that can body jump from human host to human host, causing each of their hosts to commit suicide after 24 hours.
• A live TV special about the White House has a microphone malfunction that ends up broadcasting a top-secret meeting about an impending alien invasion to the whole nation.
• Scientists develop a new brain scanning device that can read thoughts. Who should have access to this technology? Before they have time to decide, someone has hacked into their computer system and stolen it.

• It’s Halloween, and ghost hunting teenagers wander into an infamous haunted house near a local graveyard, only to find that it’s not ghosts they need to fear, but a poisonous gas that warps their memories and puts them at the hands of the delusional and twisted man who lives upstairs.
• When a disease similar to chicken pox breaks out in a local preschool, it leads to a quarantine. Though it seems harmless at first, it turns out that its symptoms include violent outbreaks that cause the children to break loose and terrorize the town.
• What seems like an ordinary meditation seminar turns out to be the recruiting ground for an extremist cult that hypnotizes members to commit acts of violence. No one is immune, except Margaret Bradshaw.
• Nothing can wake Keith up from his night terrors, which cause him to attack anyone who comes near him, as he cannot distinguish those he loves from the villains he sees in his head.
• JJ has to scuba dive 300 feet down through a genetically modified shark breeding ground in order to rescue his girlfriend in a broken submersible, but a horrifying surprise awaits him in the depths.

Crime (Mystery/Revenge)

• After he discovers another man’s clothes tucked in the back of his girlfriend’s closet, Brad plans a fishing trip to get her far away for the weekend and teach her a lesson.
• The Smithsonian Slasher has caused panic throughout DC. With a new victim every other day within 500 feet of one of the museums, he must have a motive and a method, but how are the police to find him when he has destroyed all of the cameras and keeps escaping?
• A shoplifting dare turns into a case of mistaken identity, and next thing she knows, college junior Amanda is on trial for murder. 
• Officer Turner is three years sober and dedicated to getting his life back on track. That is, until he is called to the scene of what he thought was a theft, but turns out to be a high-profile drug bust. Can he suppress his urges around the mountains of cocaine, especially since he is in charge of collecting evidence?
• What happens when a set of identical twin men commit countless murders that they plan together, but continuously use each other as an alibi?

Dystopian/Futuristic

• In 2150, Aliya becomes pregnant with twins and, in an overpopulated country with an authoritarian government, has to make a choice of which one to keep and which to kill when they are born. Instead, she sets out to escape across the border with her husband.
• When NASA scientist Jose discovers that there is an impending alien attack that is sure to destroy Earth within the month, he becomes the reluctant leader of an uprising and the coordinator of an international planet evacuation.
• When California breaks off of North America and declares independence, it sparks the second US Civil War.
• It turns out the iPhone 26 has been hacked and can be remotely detonated. Key political leaders across the globe are assassinated on the same morning, and the world descends into chaos.

• 20-pound dachshund Kevin stands out among his border collie siblings and is bullied for being different. He is set out to prove that not only can he herd sheep, but befriend them as equals.
• 8-year-old Tanner has been working hard all year to keep his grades up so that he can participate in the annual Teacher-For-A-Day extravaganza.
• What happens when a normal girl discovers a teleportation device in the park across from her house that only she knows how to use?
• An elementary-aged child has a unique talent for understanding animals, so much so that they end up helping out trainers, veterinarians, and wildlife researchers. Work in some animal facts!

If you’re writing a children’s book, then read my post, “ 12 Steps to Writing a Children’s Book .”

• It’s 1955. After Rosa Parks is arrested for sitting in the white section of the bus, a group of Civil Rights Activists of all races come together to start a nonprofit bus business.
• Write a first-person narrative of an Ancient Roman Colosseum showdown between a criminal and a lion.
• World War II is brewing, and Brian wants nothing more than to fight for the Allies, but to do so, he’ll have to make sure no one finds out that he was assigned female at birth.
• Who was Abraham Lincoln without his famous top hat? Write an account of its transformations through the years, paralleling its life with that of the 16th US President.
• It’s love at first sight for a lucky young couple as soon as the Berlin Wall crashes to the ground, but in the days that follow, their parents aren’t so excited.

For advice on writing a historical novel, you should definitely check out 7 Steps to Writing Historical Fiction .

I hope these short story ideas have generated some good stories for you! Leave a note in the comments if a particular short story writing prompt worked well for you.

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250 comments

Can I use one of these fantastic ideas in my book? Do I need to credit your or something?

No need for credit! Go for it.

Thank you! I love writing but always run out of ideas. This was really helpful, Bookfox!

Cam I use this for animation and post it on youtube

These are wondeful ideas but I still dont know what to write for the rest of it

so i dont have to give any credit to you if i use one of youre ideas

Thanks for the story ideas! I started an introduction to one of the ideas, and I think it’s great! Again, thanks for all the ideas! Even though it’s not required, I’m putting you in the credits.

BOOKFOX, I want to use these for a story of mine is it okay or?

Yes, it’s okay. Use away!

Hi Book fox, I’m writing a essay and I want to use the Friendship Feud one. May I use it and do I have to credit you? Thx!

Go for it. No credit necessary.

These are very interesting and nice ideas

heyy! thank you so damn much for these ideas, you have no idea how much helpful these are. thank you so much. stay blessed

Could you please assist me, I’m writing a story about twin high school girls, but I’m out of ideas

this ideas are terriable

You misspelled two words out of four.

The ideas are brilliant.

You misspelled these and terrible.

why would you use them anyway if you can’t write a four word sentence?

Do you have better ideas then?

This comment says a lot more about you than it does the ideas.

If you really can’t turn any of these ideas into a compelling story you may want to take a little time to look at your own shortcomings and how you might address them, instead of attacking the people around you.

Better than a lot I have seen.

i know i’m late but that was the best roast i’ve ever seen

Maybe try looking at your own grammar before criticizing a perfectly good list of ideas for stories. You can’t even write a simple sentence, who are you to call this “terriable?”

i know right i did not find this helpful at all. At least i found someone to agree with me. thank you AARON. I love you for that <3

JULIANA, just because you don’t like them doesn’t mean they’re bad.

Can you do better?

Learn how to write bro

woah this got a little verbally violent for a story writing ideas page

honestly, some of them are great, i could never have thought of these, thank you sm!

I love these! Thank you!

I have to write a children’s book about cells so I’m trying to get inspiration. This is helping so thanks!

dang bookfox savage 😀 I wish I found out about this earlier dang I’m late

These prompts are amazing, they really helped me a lot! I’m a writer, I write all sorts of different genres like Romance, Sci-Fi, Fantasy, Horror, Crime and Murder +more, and I really liked the Adventure, Twist, and Romance prompts, which I will likely write a story or a book off of. Again, thank you so much I love these! <3

These are great ideas and I thank you for sharing.

OMG this is the best thing i’ve ever seen. Thank you for this!!

thx for this. really helpful

omg i love the identical twin story, but do you think it will be appropriate for my school short story

Depends on what level of school you’re at! But as a former teacher, I always loved whatever stories my students came up with, as long as it was a good story.

What section is it in?

Crime, Mystery/Revenge

Wonderful stories…

Did you write the story of the identical twins. Wold you like to share your perspective.

omg i love that one as well

Can I use the one with Rosa Parks? I would love to give it a try for short story.

im triggered.

Why…?

Omg thank you so much this is amazing!

— Janelle Lien

JANELLE LIEN

aka jelly_janelley_lien

I can’t stop writing the story with the 14 year old boy and how he is the adopted one out of eight family members it’s so awesome!!!

I want to write a novel and these are just so inspiring it might just happen!!!!

Bookfox can I change names/ideas a little to make it my own

Of course! Change it in whatever ways you want to.

Amazing Website. I love the ideas. I don’t know how on earth you managed to think of all these ideas because it takes me hours to think of just a simple plot. Thanks a lot. This really helped me. 🙂

I’m actually writing a book

Wow really? I am too, I will soon publish it!!!!

did you publish it yet?

Bookfox,I’m writing a short story for school – 500 words so do you think it’s OK to cut the description in the introduction because if I use description it goes past my limit. Any ideas for what to do?

Bookfox, this is pretty amazing. I’m writing a story right now, and I’m almost finished. I promise that I’m going to give you credit for these *amazing* story ideas. I wouldn’t have done it without you, or the Random Name Generator…

Hey, Bookfox. I positively love these story ideas. I’m going to write a story off of one of these ideas, but I’m going to put a small twist to it. Is that okay and do I have to give you credit?

No credit necessary! Have fun with the story!

I love how diverse this is, most of these types of prompt lists have no mention of LGBT+ people whatsoever, this is so great!

Don’t you have anything better to do then complain? If it bothers you so much then replace the sexuality of the characters with ones you want. It’s just prompts, you don’t have to stick to the script.

Huh? She didn’t complain, she was saying something complimentary….

Why, what’s wrong with LGBT?

she was complementing them for including lgbt?

Nothing. Read her comment and fully understand what she was saying before jumping to conclusions. She was happy the LGBT community was integrated into the post.

What about Black Civil Rights? Sometimes LGBT+ members think their situation is the most important. Don’t get me wrong I think we shouldn’t even be fighting for human rights but we have to. But if you want to stand up for what’s right, stand up for the Civil Rights too.

Wow, I love the way that you’ve presented ideas that spur creativity, and are open to any kind of ending and interpretation. I’m thinking about building off either the idea of Tammy in solitary confinement, or the idea of quarantined children that have a disease like chicken pox, that causes violent outbreaks. Thank you!!

I’m almost done with my story! I’m writing it on Google Docs, and the pages are much longer than real pages. It’s 50 pages, and if any of you have Google Docs or Google Drive in general, can you tell me how much that is? Thanks.

Regards, John

Do you think that I can do a story about a guy who can’t die and seen everyone he loved died? I wanted to see what somebody thinks about that.

Of course! That would be awesome!

Bro this comment is exactly one year old.

And that comment is almost one year old

And that comment is just over one year old

i love these story ideas THANK YOU SO MUCH YOU HAVE A GREAT MIND I LOVE THEM SO MUCH thank you for inspiring me

This was…… amazing!!!

I love this website! It’s so helpful and great. Just wondering can I please use the graduation, gunshots one? I really like that one. Thanks

Absolutely!

How do you get such amazing ideas? I get ideas too but very VERY slowly. AND, I don’t know whether I should write the story as a novel or a short story. Also, Love you for such amazing ideas; Even more so for sharing them! Hats off

These stories ideas are great! I will definitely use them. Does any credit need to go to book fox?

No, no credit necessary. Enjoy!

So I can use one of these and not give you credit?!

I LOVED THE IDEA ABOUT THE TRUTH OR DARE MISTAKE I HAVE 13 PARTS TO IT

I would love to hear it.

With the portal in the park,what should i call it?

Here’s a story idea… A girl gets raped at 16 and has a baby boy named Ryan. She gets married later to a man that she thinks works at an office building but he really works as a secret agent, saving people everyday. The woman then gets pregnant with twin girls. Later she gets kidnapped by someone trying to get revenge at her husband. Her husband then gets the message at the work place and is surprised that it’s his wife. He then goes on a mission to find his wife.

All that ‘she gets pregnant’ is just unneeded in the main story. She doesn’t even have to get raped, as it has no meaning to the story whatsoever. Make her husband a normal guy who then goes to save his wife after she gets kidnapped by the man she was raped by as he’s afraid of being convicted.

It is the best story idea thingamibob ever

Book Fox is best

So I was wondering if it was okay that I altered a few story ideas to make my own. If it isn’t I can always use the ones written down, which are amazing, by the way. Thank you for the help! I’ll be booked all Summer with writing now!

Completely fine! Alter away.

I would just like to say I used the Graduation/gunfire prompt in a school contest and the story I wrote was selected as the top story written throughout the school. This is my favorite list for writing and one I continually return to. Thanks for making it!

I use your ideas all of the time they are so inspiring. You should start up a youtube channel telling stories u have written. 🙂

I wrote a couple of private-eye e-book novels: “Midnight Whiskey” and “Angel Eyes” that nobody is reading, so I don’t know if they are any good or not. Anyway, no more private-eye novels from me. Now I want to try humor but need some ideas to get started. You provided me with nine suggestions to consider. Thanks much, J. G. Curtiss

Hi I’m doing a stop motion for my project at school and I was wondering if it would be ok if I used one of your ideas and if you wanted me to credit you or something?

No, you don’t have to credit. Good luck with the project!

Ok thank you

These are all fantastic story ideas, however the one about the dachshund seems to be very similar to the plot of Babe the Sheep Pig?

“A successful lawyer knows that his client is guilty of murder, but he can easily lie and win the case, which is getting significant media coverage and would surely guarantee that he would be made a partner at his firm”

Change murder to child molestation, and this is the basic plot of ‘The Devil’s Advocate’ (Keanu Reeves/Al Pacino film).

Hey, do you want to write a book together?

Thank you, but I’m not much of an author. I dabble, but a book? No, I’m not even close to being in that league.

These are some absolutely brilliant ideas! Thank you so much for sharing them, they definitely got the creative juices flowing!

Wow! These are brilliant ideas.

i love these so much!

Thanks so much! Love it!

Wow these ideas are fantastic but I am a teenager (13) and well can I write

Do you have any internships available? I am a Journalism major, but I enjoy writing short stories for fun. I haven’t written a short story in a while but I am trying to start back up again. I would love to be your intern if you would give me a chance. Thank you

Not any internships available right now, sorry. But keep writing!

Wow. The ideas are fantastic! Thank you so much! I love the one about identical twins. Most of my story ideas come from other books I’ve read, then I combine different books. Is that cheating?

Hi bookfox, what would the conflict and antagonist be for the one about the kid who has healing powers? Thanks!

Conflict could be that there’s an unpleasant side effect and he must decide whether or not to seek help and risk losing his powers. Alternate possiblility: someone finds out about his powers and he becomes a human science experiment. Hope this helps!

Thank you book fox love the ideas

These are really good and great for a short story

I REALLY like the idea about the substitute teachers. You are the MOST AWESOME person ever. Thanks BOOKFOX ! Does this count as plagiarism if I use the idea because it didn’t come from me?

No, it’s not plagiarism. Enjoy!

This is really creative and helpful!!! :)) I want to use the identical twin one. But I love sci-fi too and those prompts are really good ones. Thank you so much for all these ideas!

This is by far the best list of writing prompts I have found online; thank you so much!

Hey is it ok if i use one of ur really good syories in this creative story tests thing or is that plagerisim 9 (Like if its plagerisim ill change it a bit)

Sure, go right ahead.

Thank you so much!! You just helped me with ideas for the short story for homework!! (He said we could look up ideas and we don’t have to come up with it ourselves)

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I love your story ideas. I want to give you story credentials. Do you want it?

If you’d like to, sure!

Can I use the one with the hearing dogs , and what should It be called?

Yes, you can! And name it whatever you want to.

Thank you so much bookfox your the best you should write a book, about book ideas Marry Christmas

You are amazingly talented at writing books thanks

you good at this thing

Desperately been looking for inspiration these days. Used to come so much quicker- story after story! But now that I’m determined to write a full length novel, my inspiration just goes away. I think I’m a bit intimidated by the sheer work a book is, so I just shut down, but I’m determined! Now I just have to pick the perfect idea.

So helpful! I was thinking how to spend my winter holidays, and as I enjoy writing, I thought I would write 1 short story every day. If I would have thought of a good idea on my own I would have been surprised. These are great ideas. I came across this website today and I’ve written a story using one of these guidelines. Thank you once again.

At 82 years young my own ideas are few and far between. I’ve just joined a small writing group in my small town in NZ and am inspired by your great ideas. My fingers are itching to get going, just have to get past Christmas with all the Grandies. Merry Christmas to you all.

these stories are great thanks so much

these are amazing i am definitely using one of these in my short story!!! do i need to credit you?

No need! Please enjoy.

i want to use so many, im a huge fan of writing, and i may enter one in my school short story contest. do i need to give you credit???

You offer such a variety of diverse prompts! It’s not often that someone gets to see such unflinching representation of LGBTQ and other marginalized people in literature. Thank you!

Hi! I am coming up with tis really cool story about a fairy, but now I’m stuck, any ideas?

Some ideas: 1.) Murder a character 2.) Have one go missing 3.) Injure your main charater (trip, fall, get stabbed, ect) 4.) Take a look at some dialog prompts and work them into the scene 5.) PLOT TWIST

Do you have any other suggestions for horror?

A scream echos across the street. One by one, the houses go dark. Mine is next.

Thanks 4 the feedback!

and I’m going to do a short story semester in ELA, mind if I use one of the short story ideas for my writing?

Omg, I love these! Thank you so much! How do you even come up with all of these ideas???

How awesome is this?! I love this idea page so much. I’m in elementary school, so do you think the one about Brenda and her dog would be good for my writing class? We are doing our own stories; every theme!

hi just wondering – like the idea of the identical twins murder story but can you explain how they use each other as an alibi? i dont really understand that part of the prompt. thanks

I’ve got to write a 5-600 worder for my beginners creative writing class by tomorrow afternoon. I was stuck so I started trawling sites for prompts. Your’s is the best I’ve found yet. I usually write dark and heavy stuff but I wanted to try humor for a change. I’m going to go with the Elvis one; I love it! Thought I might work as many Elvis song titles into the narrative that I can. Thankyou, you’ve turned a frustrating day into fun.

Here are ideas that i want to see in a novel: A young boy who becomes the leader of the residence, fighting zombies. The story tells how he grows up and how every event makes him stronger.

An event that makes almost every person gain a power to manipulate pacific things. The story is told by a school boy who can manipulate everything. He tackles through difficult problems as growing into a teenager. Many people relly on him for protection but he doesnt know how to use his ability.

A knew idea for mass production of electricity causes all the power in the world to run out. Nothing can turn it back on. The story tells of a war between the president and ordinary people. The story is post apocolyptic. The moon blows up, global warming occurs, cyclones occur almost everywhere. Everywhere is a dead zone. The story is of a normal person who falls inlove with the leader of the resistance. In the end, the leader betrays them. Many more events occur but it is up to you to find out.

A fantasy story where most mythical creatures become extinct. The story is of a basted whos father was the king. After the king dies, his half brother becomes king. He was raised as a slave. He tries to excape but is captured and tortured. He manages to excape under great sacrifice. He becomes friends with the rest of the mythical creatures. Creates an army and manages to become a king. After long effort he manages to overcome his brother.

A story where a boys spy father dies. After the boy grows into a man he becomes a spy too. He is tasked with a small enemy but he finds out that it can dedtroy the world. The villian kills almost everyone he knows. He finds another spy service and joins them. He manages to……………..(insert your thoughts)

cool ideas!

wow great ideas!

hey if i used these ideas would it be plagiarism???????

No. Use away.

These are so inspiring!!!! I am writing a book on Wattpad for a reward and I want to use the plot of the one with DID, can I borrow it??

I’m stuck on a story any tips?

I love the one with the overflow of alien cats, but is it ok if I change the part about commiting suicide?

Sure, change away!

what type of story is appropriate for 4th grade

Great idea’s thanks and can i use some of these idea’s for my story???

This is by far one of the best short stories website I have come across! I’m thinking about doing the Caffeine Speakeasy one, although can you give me some tips o how to build on the plot? 🙂 Thanks.

that was cool but its not helping

Can I use one of the topics for my short story? If I can do I have to use credits or something like that?

hi I like sci-fi stories and and thigs to do with superheros as I am a big marvel fan. However I am not sure which of your supernatural ideas I like best please could you give me a suggestion of which one to do. thank you

I think the one with Emerald would be a good pick

(If you don’t like her age, I’m sure you will be able to change it!)

I love this I really love writing but am not very good but these are amazing i’d love for my teacher and classmate to see them cause my teacher loves using story starters like this thank you so much for the inspiring ideas

This is such a great list of short story ideas! I love how this was put together, categorized and included the LGBT+ community. This personally helped me a lot with my writer’s block. Thank you!

WOW! Thank u so much BOOKFOX! Can I take one or two storylines and mix them together to make one story?? Do I have to give you some credits???

Thank you so much for these great ideas! I am currently trying to write a short story about a girl who’s 18th birthday is on the 31st December 1999. Your suggestions really helped me realise that it was getting boring and that I had not researched at all!!

So, do we have to give credit because i like these ideas. I’m already writing two books right now and im only 12.

Lol I write lots of books too!! 🙂

Any writing tips I’ve been stuck on a story and I don’t know if I should give up or keep going.

Try coming up with the backstory before you write your outline. Once you have the backstory down, the outline tends to just piece itself together. Also, focus on how the external events push the internal conflict of the character. External conflicts are boring and flat if you don’t connect them to the internal conflict.

This was cool, but didn’t really help.

Thank you so much for creating this site! I’m ALWAYS running out of good ideas for story writing! I love all of the different catagories that you sorted these story ideas into! It made it so much easier to find what I was looking for!

Hi. Can I use one of your ideas? They are all equally creative and non-cliché.

I am in middle school, and I needed ideas for a book. I love writing but I can never figure out what to write about. Thank you for all these ideas!

They are just mind blowing

they are great ideas, but alot of them seem better for a longer story. either way, i love writing, and these are great ideas. thank you!

the ideas are so great, i have no clue which ones to chose however i am still am learning about writing so if anyone ca give me advice on writing that would be great, thank you.

thank you so much this has helped me write a terrifying story and it was easy thanks to you

I need like a full story idea with chapters and the genre is adventure can someone help me

Thx for the ideas

I think these ideas are genius, I’m Competing in the young writers award writing competition and I’m afraid if I use these ideas, I’ll get caught and say I was “copying” a book that has already been made? Do you think I will??

These ideas are good! Can I use one for my short story!Please?

I want to use one of these prompts for a short story competition at school. Can I do this or is it considered ‘copying’?

Go for it! Your story will be very original.

I want to write a short story and the word limit is 1000 words can you please give me some more ideas

This is great!

List like this are good to get the mind flowing. The real value is reading an idea and thinking “Not bad… you know, a better idea is…”

My problem is everything I write winds up as porn. The guy hiking into the blizzard will meet an ice nymph on my head.

It’s good porn, but still…

I’m really interested in a story idea for a Wattpad story I would like to write. Can I use it? and If I can do I need to credit you or anything?

Please use it. No credit necessary.

These are all great ideas but I still don’t know what to write!

Sir, All are good concpet. I like to take one from the list. Can I use it…?

Can you post more historical fiction prompts?

Hi, have you checked out my historical fiction prompts?

https://thejohnfox.com/2016/06/historical-fiction-writing-prompts-and-ideas/

I absolutely LOVE those ideas. They are sensational, epic, insane, perfect. But whenever I try to write something under a specific catergory, I can’t seem to stick to one idea and I think I trail off a lot.

Great Post.!!!! Thanks for sharing this post with us it was really very informative and quite helpful for my small research. Thanks again.

Great ideas thank you! Do you have any ideas on animals? I would like to do a short using horses or dogs and am looking for more ideas. All ideas welcome!

These ideas were wonderful, but I have a problem. I’m having writer’s block, and even looking at short story ideas isn’t helping. Do you have any tips?

Sign up for my email list and you’ll get a free copy of my PDF on how to defeat writer’s block.

I’m meant to write a 500-word story for school, which has to happen over the period of 1 day and can’t be fantasy or even a bit fictional. I have no idea what to do. Help!

hey thanks you help with a project i have at school and i think im gonna get an A+

I have a story idea of my own that any of you could try! When the main character, Emily, is diagnosed with schizophrenia at 15, her whole world changes. Not only does she hear and see people no one else can see, but she is suddenly caught up in a wild adventure that may end up with her dead.

These stories are amazing! Could I use one or two of them for a new story?

These are great thank you so much, helped with my block!

These are so great there’s so many ideas I have for some of them. Definitely great for inspiration!

Do You have an Post apocalyptic short story ideas, I am completely stuck.

TO ANY AUTHORS: Please write stories appropriate for young teens, no grisly murders or anything that my Mom would balk at.

I go to the library and can’t find any books that interest me and get past my parents’ once-over.

These ideas just saved me, I wanted to submit a short story, for a contest, and the deadline is in 9 days!

I love this website! This is so helpful. I have already figured out 100 stories in my head to write.

Im doing an Ext Eng 2 course in year 12 at the moment, and i need to find original content that would not bore the HSC markers. As much as these ideas intrigued me, would it intrigue the HSC markers, or are these stories on the touchline of being too cliche and predictable?

Hi thank you for sharing to write short story ideas You know I’m a beginner in writing a story as before I wrote many blog posts for clients now start for short story writing.

Thanks again Michel Joachim

Great collection of ideas! The horror and fantasy sections are my favorites.

I’ve also found that art is also a great source of story ideas. If I look at a piece of art and ask myself “What are these people talking about? How did they get here? What will they do next?”, my mind starts filling with ideas for possible stories.

As an actor who uses a similar acting technique to the one in the dissociative identity disorder idea, I’d be careful portraying that. It’s not as simple as it sounds, and of course, it’s always important to research disorders before writing them.

I’m currently trying to write a story and I’m stuck, any ideas?

These are amazing ideas, and I’ve been in love with writing since I was in 2nd grade. However, I’m having a hard time building off of them. Not that they’re bad ideas, I’m just having a hard time writing recently and I really want to write a story. The last time I wrote a story was at the beginning of 8th grade this year. Any tips for being able to kick off a good story when you have a lot on your mind?

maybe pick the best stories in mind idk i am not a writer

I love these ideas they really helpful, I always needed a kick start for writing and this really helped

Help! I have no clue on what to write about, I like to write about fun stuff like thriller and adventure but to push me even further I would like to do some romance novels. Any ideas?

The first short story in the ‘romance’ section could be appropriate to what you are looking for. You could add in some more thriller action as that story is really for romance. Hope that helped! HAPPY WRITING 🙂

I loved this so many cool ideas and there very mysterious so you can always think of things.

Wow!! Thank you SO SO SOOOOO much!! I loved the ones about twins, like many other people also said. Here’s a fun fact you’ll probably find really interesting about me that’ll make you say “No way. REALLY?” Well, I’m actually a twin who’s 12, so the idea about 12 year old twins switching classes for each other would be PERFECT. Thank you again, this page was lifesaving!!

Hey BookFox, I was wondering if I could use one of the mentioned ideas. If so would you like me to write a citation for you?

Just go ahead and use it.

I want a story and the romance section is a great idea thank you BookFox

I used the one about a girl finding a teleportation device outside. This page saved my life. Thank you so much.

Help can you please teach me how to write story about 15/9

I love to make stories, but I can’t stay in one story. I get bored easily and I have trouble staying on one topic. I am a HUGE fan of horror. Are there any prompts you can give me?

Those that say these are bad ideas have to think about their own imagination with it! I was able to come up with multiple spin offs from these, thanks to you of course! Absolutely love them. Were some of them not exactly in my interests? Yes, but no ones going to love everything 100%. And even with them not being in my interests, I can still see them being turned into great story ideas with the right person.

Hey, I know I might have come a little late but…. I absolutely love your ideas! If it is not asking a lot do can you guys upload a few more story ideas, just for the reason that I have used almost every one of them in my writing!! Thank you,

Hi I was wondering if this is a good start to a book or does it need a lot of work cause I need all the help I can get so … here is what I got so far

Hi my name is Kaylon Klinglesmith I am about to turn 18. I am working as a maid for this cute, rich, but shy college guy named Blake. So the way I met him is kind of funny. It started when I was walking to college. I am living by the collage I ran into while I was looking for an important green math book. I fell on the ground and by the time I was getting up a boy with blue hair and blue eyes was saying something but I could not understand It sounded like blue bla bla blue ha ah ht. See I don’t understand anything but then I finally came to my senses and he was talking Korean. I am so lucky I studied Korean. He was actually saying “ Hey what do you think you are doing… you got my shoe dirty.” I was so busy trying to understand what he was saying I did not look at him until he said meanly “hey you look at me!” so I looked at him. He said sarcastically “ Do you understand me or do I need someone to translate for me” I said sadly “ um I am so so sorry about your shoe” He smiled and said with joy “what is your name“ I was so nervous sooo I sounded like “Me my um Kaylon Klinglesmith what is your name?” He said he would not tell me until I do something for him so I asked what he wanted. He said “I need someone to be my maid” I said “me or do you want me to find someone for you?” He said, “I want you to do it for my friend. Oh and my name is Byeong-ho” Which means bright and great in Korean. “Well bye Ohh and my friend should be here any minute ” He said with a smile

So …. I finally found my book and I bet 100$ you don’t know where it is … you’re not getting 100$ but it was in another book. Anyways I was sitting on a bench thinking that we have no school today !!!!!!!!! That was me being mad at my self for going out of my house now I am a maid

These are SO the best ideas I have seen! All others pale beside them. They just get you thinking and that’s what I want. Thank you!

I love to write stories. Your ideas are amazing! I’m starting a new grade and want to write fresh stories. Could I use some ideas? I would definitely mention you in credits.

Btw you have really creative ideas! Have you written any books? I would totally read them.

THESE PROMPTS ARE AMAZING THANK YOU ✨ Also, are there any restrictions on changing them slightly?

If I use any of these, do I have to credit you ? really like the Oliver one, btw.

Nope, just go for it!

These are really good, but not the scary ones (I don’t like scary things). I might use one of these ideas in the play I’m writing, thank you BookFox!

This is my first adventure. After being retired for a few years, I was bored and decided to return to work on a seasonal position with a well-known company. Work was good until COVID-19 entered the world and everything changed. My job closed its doors forever; so now here I am unemployed at an age that employment is hard to find unless you are well experienced in what may be offered. This is when writing came to mind. I’m glad that Google helped me to find this online writing course. I think it’s great! Perhaps from the lessons explored and learned I will be able to actually have my first short story published. I look forward to this with great anticipation.

Salve! As one author to another, love this! Perfect ideas for my story. I am writing a mafia story and I think I shall use the mistake equals unhappiness. I appreciate the ideas! Vale!

Hey Bookfox, love all of these ideas! out of curiosity, could any of them be used for a book?

Sure, use away!

BOOKFOX i have to thank you for giving me such wonderful ideas #3 childrens was very helpful for my writing assignment.

this is my book that I made using #3 childrens

(made with modified writing prompt)

4 year old Bean the corgi is your average stray dog. He is known all around town as the dream dog. Every day Bean must put up with people trying to adopt him but bean turns them all down. Here is Beans story…

It was a bright and warm day in the park where we see BEan the dog strolling around sniffing things when Beans sees a shiny thing on the ground it looked like a round beetle made of clay and silicon. So he watched it for 7 minutes when he saw a girl walking towards the beetle bean thought that the girl was going to take it so bean and the girl simultaneously pounced onto the beetle. The beetle split in half right as they pounced but the beetle the girl landed on was smaller than the one Bean captured. Bean and the girl(Amanda) were stunned when right before their eyes the beetles started crawling into their stomach, Strangely enough, it didnt hurt. The reason for this was that bean and Amanda’s brain had never felt this feeling of crawling beetle made of silicon before so it put up a weak tingle instead of pain.

A week later Bean discovered that whenever he thought hard enough he could do any of the following things: cut off gravity for any one thing, Change the density of himself and anything metal and could use telepathy or swim through anything like it was water. But as we all know bean is a dog so he would not be using these powers for being a superhero or wooing a girl as he does not care because he is a dog. So Bean started using his telepathy to play fetch with himself and make the ball very light so it would go farther. Sometimes he would just make himself light so he could bound around happily.

Amanda was very confused when a week later she was able to teleport so the first thing she did was see how far she could go and she realized that as long as she could see where she would be able to go there so she decided to see if the corgi also got powers.

3 months later beans unique abilities were discovered by nasa and area 51 and they sent a soldier team after him armed with tranquilizers and dog treats that would sedate him if he ate them.

Bean was minding his own business when he felt a spark go through him suddenly he felt…sophisticated And so he went outside to play fetch and calm his mind when suddenly it felt unnecessary and tiring. A couple of minutes later he was craving earl gray tea 2 cream 1 sugar and half sweetener. When there was a creaking noise and Suddenly 5 humans flooded in at the door all wielding dog treats now even though bean was more sophisticated he still loved treats and so when the humans started waving the treats bean went up without hesitation and started inhaling as many as he could.

He woke up in a white room with many people in white coats staring at him. Bean was confused but he did not really care where he was because the coat – people smelled nice and friendly when to his surprise one of the people started talking and to beans surprise: he could actually understand them! So once the conversation was over bean said: “hello my good sirs wonderful day out isn’t it? But I am feeling like I could fancy some caviar and tea. Do any of you good chaps know where I could find some?“ All of the people were stunned when one said “did that dog just speak?” then another person said “and he spoke like a fancy person!”.

Eventually Bean introduced himself and the scientist also did and explained why they wanted him there they said “Bean we brought you here because of your ability to manipulate gravity so we thought well gravity prevents us from launching our massive ships off of earth so you could cut off gravity for our ship and we could launch it into space”. Bean suddenly spoke something that would change history forever. “Well my good chaps if you are scientists then you would know that gravity transcends space and time so i could theoretically send a message back in time and advance humanity massively if i sent a message back in time that would contain all of our research of this era and humanity would be ahead of its normal schedule”. “He’s a genius!” They all chorused. When one of the people said: “well couldn’t he use his telepathy to move our solar system to a different place? Or push a black hole away? Or defend earth from meteors?” The answer is yes, said bean. In addition to all my other unique abilities i have the ability to zoom in with my eyes so i can tell you that i have already tried those things with no advancements for anyone or anything.

Amanda had managed to track bean all the way to a mysterious shack she guessed that this was beans house but when she went in she saw walls that looked as if they were bleached when she looked harder she saw around 6 people that looked like scientists and a fancy voice from the middle of the group she decided to teleport into the middle of the circle so she did using her tele-balls which is a tiny camera she throws and if it land somewhere she cant see she lokes through the camera and can teleport there so thats what she did and once she was in the middle of the circle she saw a dog with an ornate collar eating caviar and drinking tea. The collar showed that the dogs name was bean and that this was the dog she was looking for. Suddenly the scientists realized that someone had just teleported into their circle and very very surprised so they sat amanda down and started asking questions but she answered nothing and suddenly: bean spoke, Chaps my far-sight detects an asteroid the size of the moon hurtling towards us we must do something!.

Now normally this would be no problem because bean could just slap it away with his telekinesis but this one was much too big for that so the scientists made a chamber that would supercharge bean with enough power to destroy the asteroid. So bean stepped into the chamber and started absorbing energy rapidly so rapid that the machine could not supply energy fast enough. So bean started absorbing energy from the scientists and from amanda and the earth and finally once bean had absorbed every trace of energy on earth he was finished so he flew into space using his telekinesis and started absorbing the asteroid and then the moon and finally… the sun and the galaxy when Bean finally had enough energy he transformed into a ball of light and sped off into the unknown.

Hi these are really good ideas thank you cuz I want to try and get better at writing stories and finishing them

With this help I just wrote such a good book! Thank you so much😆

Every writer NEEDS this book.

It’s a guide to writing the pivotal moments of your novel.

Whether writing your book or revising it, this will be the most helpful book you’ll ever buy.

100 Story Ideas

Since I have more story ideas than I can possibly explore in a lifetime, please allow me to offer some to you in this post.

Pick the idea that excites you the most, and you’ll find that its momentum will conjure up a whole new story world, replete with fascinating new characters!

Story Ideas

Here are 100 story ideas you can steal right now. And if that’s not enough, generate your own with the Idea Engine , or peruse these lists of scene ideas , flash fiction prompts , and writing prompts .

Write a story about…

• A character with an addiction who discovers that they’re someone else’s addiction.
• A historical character who travels to the present day and causes chaos when they steal back something that originally belonged to them.
• An alien species that lands on earth but is only detectable through literature.
• A world where every other person is born with wings and the history of how this came about.
• A magical object that teleports into the hand of anyone who thinks about it, and the difficulties this causes for its owner.
• A character who’s seeking justice for a murder they committed but can’t prove.
• A faustian musician who’s trying to resurrect a dead musician so they can jam together.
• A character who’s trying to win back their partner who ran away with their best friend.
• A spirit animal’s quest to choose their human.
• A mythical drug that’s at the root of someone’s family tree.
• A fountain pen collector who’s found murdered, and the murder weapon is a fountain pen that was rumoured to have belonged to a famous historical figure.
• A teenage boy who dreams of marrying a(n alien) princess.
• A wedding planner who bears a secret grudge against happily married (or engaged) couples.
• The history of a family who are committed to resurrecting an ancient art.
• A character whose obsession with entomology threatens to unleash a plague of biblical proportions.
• A group of archeologists who discover the ruins of Atlantis on a newly-formed volcanic island.
• A knight who spends five years trying to break a spell cast on him by a witch, only to slowly fall in love with her.
• A character whose family and friends believe that they are a mythological figure resurrected, even though they don’t believe it themselves.
• A sailor who is shipwrecked on an artificial island-kingdom owned by an eccentric billionaire who has been presumed dead for ten years.
• A character making friends while waiting for a hurricane to hit the hotel where they’re staying.
• A graveyard that’s besieged by the souls of those who were buried outside its walls.
• A bookshop that’s the last refuge of a group of fans of an unusual (and very specific) genre.
• An occultist who develops a sudden interest in science.
• A vintner who mans an interplanetary expedition to solve the mystery of a grape blight.
• A dragon who’s in love with a rain deity and wants to find them the perfect gift.
• A guest who begins to suspect that they’re not the only guest.
• The founders of a town where the average IQ of the residents is abnormally high.
• A warrior who discovers that their clan has been at war for centuries because of a typographical error that may have ben deliberate.
• A magical world where all of the magic turns out to be an elaborate illusion.
• A teacher who takes attendance and finds that there’s an extra student in their class.
• An innkeeper who hires a magus, a troll, and an elf to guard their secret recipe, but finds they’ve put their trust in the wrong people.
• A blind date that’s interrupted by a guardian angel.
• A psychic tour guide who organises tours that help people turn their lives around.
• A painter who travels to another planet in search of a rare pigment.
• A character who discovers a strange calendar which appears to prophesy important events in their life.
• A teenager who has to choose between two very different schools.
• A builder who specialises in magical doors, extensions, and passages.
• A character who gets trapped in their memory palace and has to find a way out in order to save someone else.
• A character who accidentally discovers the world’s best pencil and spends the rest of their life trying to keep it secret at all cost.
• A goddess who wakes up and finds that her religion has been abandoned, and sets out to seek the cause, and convert people back.
• A miner who hits a vein of a strange new rock and becomes a target for a government agency that wants to keep the discovery a secret.
• A florist who sends flowers to a wrong address and initiates a chain of events that leads to two people meeting and falling in love.
• A country where citizens vote AI into leadership, rather than people.
• A character who is obsessed with perfecting their life story by travelling back in time to correct mistakes or flaws.
• A character who has to fall in love with someone from an enemy clan in order to lift a curse.
• A book critic who is writing their first book but becomes paralysed by the fear of receiving vengeful reviews.
• A character whose job is to create treasure hunts, but who finds themselves on someone else’s treasure hunt, and ends up discovering an old coffin.
• A knitter who unravels a ball of yarn only to find it stained with blood, and helps the police investigate a possible murder.
• A character who is afraid to leave their house, but needs to travel to see a loved one who is critically ill in hospital.
• A character who steals what they think are the questions to an exam, and finds that they’re actually an application form for a secret, mythical order of scholars.
• A protest that’s staged as cover for a huge heist.
• A character who regains their sanity through chess.
• The history of the most valuable dress in the world.
• A character who discovers a secret message on a bottle of shampoo while showering, and is driven by curiosity to investigate it.
• A peace treaty that’s signed on board a dirigible over no-man’s-land, and the people who fought for it.
• A wealthy character who goes on a daytrip with a poor, homeless person, and switches places with them without realising.
• Two people who fall in love but come from planets where time runs very differently.
• A character who is the “chosen one” and discovers that they were the one who created the prophecy.
• A society that’s organised according to an ancient symbol that they’ve misinterpreted.
• A character who learns that the omens in their life are created by beings trying to guide them from another dimension.
• A character who finds a baby abandoned in a bus shelter and embarks on a roadtrip with a wet nurse to try to find its parents.
• A time-travelling antique dealer who steals their favourite author’s writing desk.
• A detective who has to overcome their fear of flying in order to investigate the murder of a flight attendant.
• A character who is biologically attracted to danger.
• A character who is preparing to go through a rite of passage that involves death but not resurrection.
• A character whose lover breaks up with them and then secretly follows them for a decade.
• A gamer who has to rescue a real princess.
• Two characters who leave to seek their fortunes in order to get married.
• A rock band that tours the world and investigates crimes.
• A psychologist who’s trying to hide their agoraphobia.
• The crew of a spaceship that have been trying to find their way back to their home planet for centuries.
• A vampire who gives blood rather than drinking it.
• A private letter that falls into the hands of an influential leader and changes their outlook on life.
• A character who learns that their parents were guilty of a terrible crime, and sets out to collect evidence against them.
• A character who has been living as a recluse for many years, and learns that the people of a nearby settlement regard them as a guru, and have written books and made films about them.
• What Romeo and Juliet get up to in the afterlife.
• A character who stumbles upon a strange machine that their science teacher has been building in the school basement, and decides to help.
• A character who reads their first book at the age of 81.
• A character who awakens an ancient mythical beast while scouting for a movie location at a remote monastery.
• Another planet’s space race.
• A tattoo artist who helps a detective solve murders that involve tattooed victims.
• Two lovers who are separated by a bridge that can’t be maintained much longer.
• A fortune teller who becomes a suspect in a murder when it’s discovered that they foretold the victim’s death.
• A retired hitman who resolves to atone for his work by saving people who are being targeted by their former employer.
• A world where the gods of several pantheons join forces to eradicate their worshippers.
• A character who is addicted to seeking out experiences of extreme solitude, and their eventual “healing”.
• A memoirist whose distinction between their life story and the life they’re living begins to dissolve until their friends stage an intervention for them.
• A diplomat to the fairy realm whose task is to negotiate a trade agreement.
• A decorator who becomes increasingly convinced that the owner of the house they’re working on is trying to cover up a murder, even as they fall in love with them.
• A character who works on a telephone helpline develops a relationship with one of the callers, and arranges to meet them only to be stood up.
• A doctor investigating a rare disease that they specialise in who discovers that it’s artificially engineered, just as they begin to show symptoms themselves.
• A character whose job is to clean up people’s imaginations.
• A world where the people develop space travel in order to communicate with their deities who live on another planet, but find that the gods have vanished mysteriously.
• A character living in a nursing home who wakes up one day to find themselves inundated with fan mail.
• A character whose commute lasts a lightyear.
• A character whose fear of missing out drives them to establish a surveillance network.
• A character who has a fascination with all kinds of forgery, and how this interest will eventually lead to their death.
• A film star who is actually two film stars.
• A society that encourages and rewards mistakes and failure over success.
• A writer who’s trying to give up their writing addiction.

How to Develop Your Story Ideas

This  free writing workshop  walks you through a STEP by STEP method to develop your story idea. Grab a sheet of paper and press play !

Where to Find More Story Ideas

• Generate even more ideas by transposing the story ideas above into different genres , by replacing words or clauses, or by combining 2 or more ideas together.
• My friend, Emma Welsh, has an ENORMOUS list of 365 story ideas here . My favourites: #8, #17, #111, #213, #273 & #360!
• Watch this fun video to see how easy it is to invent 100 story ideas in an hour.
• Self Publishing School has some great story prompts divided by genre.
• I have another list of 52 romance story ideas  with built-in conflict!
• Bestselling author, Jerry Jenkins, has an excellent post on finding story ideas and developing them into a full story (+ the Greyhound Bus Challenge)!
• Too many story ideas? Try the Idea Ranker .

I write about literature, language, love, and living off your pen. Also, fortifying fiction, personal amelioration, and tea.

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Build a framework for stronger characters.

Form a paper model of your story world.

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How to Write a Short Story: 5 Major Steps from Start to Finish

by Sarah Gribble | 81 comments

Do you want to learn how to write a short story ? Maybe you'd like to try writing a short story instead of a novel-length work, or maybe you're hoping to get more writing practice without the lengthy time commitment that a novel requires.

The reality of writing stories? Not every short story writer wants to write a novel, but every novelist can benefit from writing short stories. However, short stories and novels are different—so naturally, how you write them has its differences, too.

Short stories are often a fiction writer’s first introduction to writing, but they can be frustrating to write and difficult to master. How do you fit everything that makes a great story into something so short?

And then, once you do finish a short story you’re proud of, what do you do with it?

That's what we'll cover in this article, along with additional resources I'll link to that will help you get started step-by-step with shorts.

Short Stories Made Me a Better Writer

I fell into writing short stories when I first started writing.

I'd written a book , and it was terrible. But it opened up my mind and I kept having all these story ideas I just had to get out.

Before long, I had dozens of stories and within about two years, I had around three dozen of them published traditionally. That first book went nowhere, by the way. But my short stories surely did.

And I learned a whole lot about the writing craft because I spent so much time practicing writing with my short stories. This is why, whether you want to make money as a short story writer or experiment writing them, I think writing short stories is important for every writer who wants to become a novelist.

But how do you write a short story? And what do you do afterwards? I hope that by sharing my personal experiences and suggestions, I can help you write your own short stories with confidence.

Why Should You Write Short Stories?

I get a lot of pushback when I suggest new writers should write short stories.

Everyone wants to write a book. (Okay, maybe not everyone, but if you ask a hundred people if they’d like to write one, I’d bet seventy-something of them would say yes.) Anthologies and short story collections don’t make a ton of money because no one really wants to read them. So why waste time writing short stories when books are what people read ?

There are three main reasons you should be a short story writer:

1. Training

Short stories help you hone your writing skills .

Short stories are often only one scene and about one character. That’s a level of focus you can’t have in a novel. Writing short stories forces you to focus on writing clearly and concisely while still making a scene entertaining.

You’re working with the basic level of structure here (a scene) and learning to perfect it .

Short stories are a place to experiment with your creative process, to play with character development techniques, to dabble in different kinds of writing styles. 

And you're learning what a finished story feels like. So many aspiring novelists have only half-done drafts in drawers. A short is training yourself to finish.

2. Building contacts and readers

Most writers I know do not want to hear this, but this whole writing thing is the same as any other industry: if you want to make it, you better network.

When my first book, Surviving Death , was released, I had hundreds of people on my launch team. How? I’d had about three dozen short stories published traditionally by that time. I’d gathered a readership base, and not only that, I’d become acquainted with some fellow writers in my genre along the way. And those people were more than willing to help me get the word out about my book.

You want loyal readers and you want friends in the industry. And the way to get those is to continuously be writing.

Writing is like working out. If you take a ton of time off, you’re going to hurt when you get back into it.

It’s a little difficult to be working on a novel all the time. Most writers have one or two in them a year, and those aren’t written without a bit of a break in between.

Short story writing helps you keep up your writing habit , or develop one, and they make for a nice break in between larger projects.

I always write short stories between novels, and even between drafts of my novels. It keeps me going and puts use to all the random story ideas I had while working on the larger project. I've found over the years that keeping up the writing habit is the only way to actually keep yourself in “writer mode.”

All the cool kids are doing it. Stephen King, Neil Gaiman, Edgar Allan Poe, Kurt Vonnegut, Margaret Atwood . . . Google your favorite writers and they probably have a short story collection or two out there. Most successful authors have cut their teeth on short stories.

What is a Short Story?

Now that you know why you should be writing short stories, let’s talk about what a short story is. This might seem obvious, but it’s a question I’ve gotten a lot. A short story is short, right? Essentially, yes. But how short is short?

You can Google how long a short story is and get a bunch of different answers. There are a lot of different editors out there running a lot of different anthologies, magazines, ezines, podcasts, you name it. They all have slightly different definitions of what a short story is because they all have slightly different needs when it comes to providing content on their platform and meeting the expectations of their audiences.

A podcast, for instance, often wants a story to take up about thirty minutes of airtime. They know how long it takes their producers to read a story, so that thirty minutes means they’re looking for a very specific word count. An ezine might aim for a certain estimated reading time. A magazine or anthology might have a certain number of pages they’re trying to fill.

Everyone has a different definition of how short a short story is, so for the purpose of this series, I’m going to be broad in my definition of a short story.

What qualifies as a short story?

A short story word count normally falls somewhere between 1,000 words and 10,000 words. If you’re over ten thousand, you’re running into novelette territory, though some publications consider up to 20,000 words to be a short story. If you’re under a thousand words, you’re looking at flash fiction.

The sweet spot is between 2,000 and 5,000 words. The majority of short stories I’ve had published were between 2,500 words and 3,500 words.

That’s not a lot of words, and you’ve got a lot to fit in—backstory, world-building, a character arc—in that tiny amount of space. (A book, by the way, is normally 60,000 to 90,000 words or longer. Big difference.)

A short story is one to three scenes. That’s it. Think of it as a “slice of life,” as in someone peeked into your life for maybe an hour or two and this is what they saw.

You’re not going to flesh out every detail about your characters. (I normally don’t even know the last names of my short story characters, and it doesn’t matter.) You’re not trying to build a Tolkien-level world. You don’t need to worry about subplots.

To focus your writing, think of a short story as a short series of events happening to a single character. The rest of the cast of characters should be small.

How to Write a Short Story: The Short Version

Throughout this blog series, I’ll take a deep dive into the process of writing short stories. If you’re looking for the fast answer, here it is:

• Write the story in one sitting.
• Take a break.
• Edit with a mind for brevity.
• Get feedback and do a final edit.

Write the story in one sitting

For the most part, short stories are meant to be read in one sitting, so it makes sense that you should write them in one sitting.

Obviously, if you’re in the 10K range, that’s probably going to take more than one writing session, but a 2,500-word short story can easily be written in one sitting. This might seem a little daunting, but you’ll find your enthusiasm will drive you to the ending and your story will flow better for it.

You’re not aiming for prize-winning writing during this stage. You’re aiming to get the basic story out of your head and on paper.

Forget about grammar . Forget about beautiful prose. Forget about even making a ton of sense.

You’re not worrying about word count at this stage, either. Don’t research and don’t pause over trying to find the exact right word. Don't agonize over the perfect story title.

Just get the basic story out. You can’t edit a blank page.

Take a break

Don’t immediately begin the editing process. After you’ve written anything, books included, you need to take a step back . Your brain needs to shift from “writer mode” to “reader mode.” With a short story, I normally recommend a three-day break.

If you have research to do, this is the time to do it, though I highly recommend not thinking about your story at all.

The further away you can get from it, the better you’ll edit.

Edit with a mind for brevity

Now that you’ve had a break, you’re ready to come back with a vengeance. This is the part where you “kill your darlings” and have absolutely no mercy for the story you produced less than a week ago. The second draft is where you get critical.

Remember we’re writing a short story here, not a novel. You don’t have time to go into each and every detail about your characters’ lives. You don’t have time for B-plots, a ton of characters, or Stephen King-level droning on.

Short stories should have a beginning, a middle, and an end, though. They’re short, but they’re still stories.

As you edit , ask yourself if each bit of backstory, world building, and anything else is something your reader needs to know. If they do, do they need to know it right at that moment? If they don’t, cut it.

Get feedback

If this is your first time letting other people see your writing, this can be a scary step. No one wants to be given criticism. But getting feedback is the most important step in the writing process next to writing.

The more eyes you can get on a piece of writing, the better.

I highly recommend getting feedback from someone who knows about writing, not your mother or your best friend. People we love are great, but they love you and won’t give you honest feedback. If you want praise, go to them. If you want to grow as a writer, join a writing community and get feedback from other writers.

When you’ve gotten some feedback from a handful of people, make any changes you deem necessary and do a final edit for smaller issues like grammar and punctuation.

Here at The Write Practice, we’re huge fans of publishing your work . In fact, we don’t quite consider a story finished until it’s published.

Whether you’re going the traditional route and submitting your short story to anthologies and magazines, or you’re more into self- publishing , don’t let your story languish on your computer. Get it out into the world so you can build your reader base.

And it’s pretty cool getting to say you’re a published author.

That’s the short version of how to go about writing short stories. Throughout this series, I’ll be taking a more in-depth look at different elements of these steps. Stick with me throughout the series, and you’ll have a short story of your own ready to publish by the end.

A Preview of My How to Write a Short Story Series

My goal in this blog series is to walk you through the process of writing a short story from start to finish and then point you in the right direction for getting that story published.

By the end of this series, you’ll have a story ready to submit to publishers and a plan for how to submit.

Below is a list of topics I’ll be covering during this blog series. Keep coming back as these topics are updated over the coming months.

How to Come up With Ideas For Short Stories

Creative writing is like a muscle: use it or lose it. Coming up with ideas is part of the development of that muscle. In this post , I’ll go over how to train your mind to put out ideas consistently.

How to Plan a Short Story (Without Really Planning It)

Short stories often don’t require extensive planning. They’re short, after all. But a little bit of outlining can help. Don’t worry, I’m mostly a pantser! I promise this won’t be an intense method of planning. It will, however, give you a start with the elements of story structure—and motivation to get you to finish (and publish) your story. Read this article to see how a little planning can go a long way toward writing a successful story.

What You Need in a Short Story/Elements of a Short Story

One of the biggest mistakes I see from new writers is their short stories aren’t actually stories. They're often missing a climax, don't have an ending, or just ramble on in a stream-of-consciousness way without any story structure. In this article , I’ll show you what you need to make sure your short is a complete story.

Writing Strategies for Short Stories

The writing process varies from person to person, and often from project to project. In this blog , I’ll talk about different writing strategies you can use to write short stories.

How to Edit a Short Story

Editing is my least favorite part of writing. It’s overwhelming and often tedious. I’ll talk about short story editing strategies to take the confusion out of the process, and ensure you can edit with confidence.Learn how to confidently edit your story here .

Writing a Better Short Story

Short stories are their own art form, mainly because of the small word count. In this post, I’ll discuss ways to write a better short, including fitting everything you want and need into that tiny word count.

Weaving backstory and worldbuilding into your story without overdoing it. Remember, you don't need every detail about the world or a character's life in a short story—but the setting shouldn't be ignored. How your protagonist interacts with it should be significant and interesting.

How to Submit a Short Story to Publications

There are plenty of literary magazines, ezines, anthologies, etc. out there that accept short stories for publication (and you can self-publish your stories, too). In this article, I’ll demystify the submission process so you can submit your own stories to publications and start getting your work out there. You'll see your work in a short story anthology soon after using the tips in this article !

Professionalism in the Writing Industry

Emotions can run high when you put your work out there for others to see. In this article, I’ll talk about what’s expected of you in this profession and how to maintain professionalism so that you don't shoot yourself in the foot when you approach publishers, editors, and agents.

Write, Write, Write!

As you follow this series, I challenge you to begin writing at least one short story a week. I'll be giving you in-depth tips on creating a compelling story as we go along, but for now, I want you to write. That habit is the hardest thing to start and the hardest thing to keep up.

You may not use all the stories you're going to write over the next months. You may hate them and never want them to see the light of day. But you can't get better if you don't practice. Start practicing now.

As Ray Bradbury says:

“Write a short story every week. It's not possible to write 52 bad short stories in a row.”

When it comes to writing short stories, what do you find most challenging? Let me know in the comments .

For today’s practice, let’s just take on Step #1 (and begin tackling the challenge I laid down a moment ago): Write the basic story idea, the gist of the premise, as you’d tell it to a friend. Don’t think about it too much, and don’t worry about going into detail. Just write.

Write for fifteen minutes .

When your time is up, share your practice in the Pro Practice Workshop. And after you post, please be sure to give feedback to your fellow writers.

Happy writing!

Sarah Gribble

Sarah Gribble is the author of dozens of short stories that explore uncomfortable situations, basic fears, and the general awe and fascination of the unknown. She just released Surviving Death , her first novel, and is currently working on her next book.

Follow her on Instagram or join her email list for free scares.

Work with Sarah Gribble?

Bestselling author with over five years of coaching experience. Sarah Gribble specializes in working with Dark Fantasy, Fantasy, Horror, Speculative Fiction, and Thriller books. Sound like a good fit for you?

81 Comments

! ! ! JACKPOT ! ! !

I mean it! Finally, after months and months of reading literally hundreds of blog posts and comments, I find that you have addressed the writing of short stories in a manner that is direct, practical, and clear.

It is not my intention to write TGAN. It never was.

I hope, rather, to entertain with short stories drawn from the experiences of my living. This post has illuminated a clear path through the (often valuable, genuinely valid, but – for me, anyway – not-directly-relevant) facts, experiences and anecdotes of other writers and would-be practitioners of the art that all seem focused on novel-length work.

I would encourage you to entertain the possibility of more posts on the art form and production of short stories.

Wow, Bob. That’s so good to hear.

Speaking of short story articles, have you read my book Let’s Write a Short Story? You might enjoy it! Check out letswriteashortstory.com.

The picture on how to write a short story is pretty much how I wrote my first one and have started my second. I had my first one critiqued, then revised it to the critters suggestions (they made perfect sense) and my story has improved considerably. I thought I was being lame on how I came to write them, but I see now, I accidentally stumbled on the formula for writing. Thanks Joe. I’m writing easier now.

Love that, Susan. Like Neil said, there is no formula. You have to write the story the way it wants to be written. But I find that I need structure to keep myself motivated and moving, so this process usually helps me stay focused. Glad you’re finding the writing process easier!

This is such a great post, Joe! I used to be primarily a short story writer but have been working on a novel for so long I feel as though I can’t remember how short stories work – but this brought it all back, and in a much better more clear cut manner than my old ways! I used to meander through a short story like a blind woman in the dark until I bumped into the ending – but I had a lot more time on my hands to do such meandering than I do now, so I’ll definitely give this technique a try!

I’ve done the same, Dana. However haltingly and messy my process has been, though, it usually follows this rough pattern I listed above. Has that been true for you as well?

I was always a “pantser” for stories, and would start with a concept or opening scene, and then feel my way through. It could take weeks to get a first draft. Then I’d edit. The first step of yours blew me away, the idea of writing a “story” without any pressure to make it great, to just get to the gist of it, is pretty brilliant. I often put so much pressure on myself to get it right on the page that it slows me down. I’m already at work (in my head) on part 1 of a story I’ve been meaning to rewrite, and I feel very confident about it thanks to your advice 🙂

There is nothing wrong with pantsing it! I would be labeled a “pantser” but as I tell every one, it only looks that way. Outlines form around character so quickly in my head, it seems to be unplanned, but that is not true. I always have an outline, I just don’t spend a lot of time on it. The important thing is to write to end before doing any re-writing!

I’ve never been a big fan of writing short stories. They’ve always seemed like “a good start on a novel-length story”.

But your outline for writing a short story has me rethinking that philosophy. I may just give it a try.

Thanks for a new idea on a Saturday morning!

DO IT! And let me know how it goes, Carrie. 🙂

Agreed! ….on a Saturday afternoon! Fabulous tips to try. Thanks, Joe.

Short stories are an important marketing tool for all writers. And so is flash fiction. Lee Goldberg, creator/head writer for Monk and several other TV mystery series, writes short stories and novels using the Monk character. I hate the TV show Monk, but loved the short story Mr. Monk and The Seventeen Steps in the Dec 2010 Ellery Queen Mystery Magazine. I plan to read some of novels. Lee Goldberg is an excellent writer. The stories and novels support the TV series and the TV series supports the short stories and novel.

If you plan to traditionally publish, published short stories can get you a better agent and open door that may otherwise stay shut.

If you plan to self-publish, free short stories using your characters can be a good way to turn non-fans in customers for your wears. Think on them as test for readers–but don’t think it while you are writing the story.

I play to use this strategy to publish my Old West book series.

Wow, this is a very creepy story, Tom! You should work on it!

Reading this post made me reflect on my own writing routine. I tend to do steps 1-5 in one sitting, pumping out ~2,500-3,500 words in an hour, which is usually all I have for a short story. It’s the editing that definitely takes up the most time. I give it a day before going back and seeing how I can optimize the plot and the finer details.

The number one motivating factor for me to finish writing is my initial interest and excitement of the original idea for the story itself. A wasted story is such a shame, after all.

Impressive Patrick. I could do Steps 1-3 in one sitting, but breaking it into scenes, and especially the research, take me a lot of time.

Scrivener is a great tool for breaking it into workable chances. My second most favorite thing about it!

Agreed Cynthia! Have you seen my review of it? https://thewritepractice.com/scrivener

I had the exact same experience! I need to learn about the word count goals. My favorite feature is the ability to move scenes around and then read it as one long document without actually moving anything.

I am new at it, but look forward to learning more! Great review!

How to write short story? For me he only way is to order it on custom essay writing services reviews pa . To write something you need to be creative person, and it’s not about me 🙁

Love this post! Your first point, write the entire story, is great piece of advice. I say this all this time, “Write the story from beginning to end before doing any re-writing!”

Research being the #5 is great! I don’t find many other writer’s agreeing with on this. They will insist on doing the research upfront. I will see them a year later and ask how the project is going and the answer will be, “I’m still doing research.” I call it The Blackhole of Research and many writers get sucked it. I fell into it once myself when working on a play based on Shakespeare’s Sonnets. I got caught up it wanting to know if Shakespeare wrote the sonnets or not. I never wrote the play. The research thoroughly obscured what I believe would have been an interesting musical. For my series of novel set in the old west, I’m using a time line of events with scant details. I found I need this for the storytelling. But that is it.

I agree with you 100% about Scrivener. It has a bit of learning curve, but is worth it. I started to using it on my last story and now am using it to edit my novel. You can rearrange your scenes any way you want and then read is if it was a continuous document, but without changing the original order of scenes. Valuable in the editing process. It made me happy!

The Only Story They’ll Ever Read. This is excellent advice. It is where many talented writer’s fail.

How I Write Short Stories It takes me about 30 hours to do a draft of a story and then three times that to edit. If I have a real deadline (Not the self imposed kind) I can write it in 8 hours or less and edit it in 12.

I have learned that all I have to do is start writing and a story will emerge. Every time I do a writing prompt, I end up with a story. Every time I write for practice or to take a break from another project, I end up with a story. They are not always good.

Something unusual about me. I hate writing first drafts and love, love, love re-writing them.

How is that “unusual?” I know lots of people who enjoy rewriting over first drafts…? (There’s always someone who believes their “strange” in their habits. You must be from a small town or something lol

Once again, Joe, you cut through all the garbage that’s usually out there about writing to make the process simple. I especially like the idea of doing research after fleshing out the story. I was doing research before starting and I drove myself into a sticky mess. Thank you for pointing out the obvious – even though it wasn’t obvious to me.

I was alone, sitting next to a window on a commercial flight paid for by another who I was convinced cared little for my well being while offering an all expense paid year in a foreign land, no strings attached accept the one holding the sword of Damocles.

One thing I would add, and it’s the best practice I’ve picked up over the years, is to start with the ending. So for number #3, I would suggest come up with both the open and close and fill in the rest.

Thank you so much for this post. It finally got me started on a short story I have been wanting to write for more than a year. Writing down the basic story helped me see the story first.

Thank You… the guide is helpful. Our Lecturer gave an assignment she obliged that we must write a short story in our Journal but i think with your guide i’m going to make it great in the procedure of writing my short story…Thank Alot.

Thank you for this guide! My son is in eighth grade and assigned to write a short story in his honors English class. He’s very analytical and excelling in science and math. He does well in English but this short story has him flummoxed. He keeps saying he doesn’t know how to write a story, which is perplexing because throughout elementary school he wrote long, imaginative stories well above his grade level.

He desperately wants to write this short story but It’s as if his analytical mind has blocked access to his imagination and creativity. What served him well as a child has been squashed by puberty and the inevitable march to maturity. Oh, the sadness.

I just have a feeling though your guide will provide the structure he’s seeking and reopen the pathway to his creativity. It’s still there. We see it all the time. Your guide is organized around the process with time frames to boot! What more could an analytical mind want.

Thank you so much for this post. Sometimes the story gets lost while spending time researching. I always believed the story benefited from a little brewing time before taking on a life outside of my mind. I see now that I’ve been missing out on the valuable steps that can take place once the story is down and the transformation that can take place to form a short story. Your advice is elegant in it’s simplicity.

Great post, but I have one question though to the numer 5.

What am I supposed to research? Research for what? I just don’t understand this.

To me you research for different things. Location and setting of the storiy, maybe it in La Havana, Cuba you should know they speak Spanish, they were in a economy regression so the building are not painted. Maybe one character has some type of illness (PTSD, Lupus, etc.) You would have to know how would that influence how they act, are perceive or look in a story. If he has PTSD he may have flashback’s, or deprecion, ect.

Maybe is a historical fiction you need to know how people acted in that time, what they wore, what was happening, etc.

It give you a better understanding of what is happening. So what you write is believed or make senses.

Thanks for breaking this process down into simple steps! I naturally tend to sit down and spill out the whole story but often don’t know where to go from there. Your post gives me guidelines on how to approach the editing process that I know my work needs.

The best part is your distinction between “the story” and “the short story”. Knowing that makes it so much easier to write that first draft – without agonizing over a sloppy beginning or the overly vague details that require more research.

What a great way to get into your writing with the confidence that you’ll know how to make it better later!

Wow! You make it sound soo easy. Got a load of stories at different stages and feel I should try your steps.

Thanks, Mwai Gichimu http://www.creativeheritage.org

I didn’t realize until fairly recently that short stories were . . . well, so short. I typically write fanfiction that would be consider more of a novella at least 40,000 words. I actually don’t like reading short stories less than 7 chapters and/or 10,000 words. I don’t know I just like more meat on my books than the typical 7 chapter deal.

A Day in the Life of the Samurai.

It was an ordinary day — in the life of the samurai, that is. Samurai and heir to the Hagi residential, Kento Kadesheke, was engaged in a duel with his well recognized, self esteemed master.

“Dodge,” commanded his brain as he curled into a ball and escaped a fatal blow by what marked his people, the sword. Then he leapt up and swished his sword here and there, in defence. Next, he went all-out in a sword batting contest with his master. This gave his time to regain his breath. Now, as many know, the more experienced mostly comes on top, so was the case here. Tired and impatient, Kento tried to disarm his master and opponent. His master expected it and dodged it, not so long before launching a barrage of sword hits, disarming Kento.

Per the rules, disarms end battles, so Kento bowed and fetched his sword. He asked “What did I do wrong, milord,” His master smiled and gently said ” Nothing but thou were a bit impatient,” he added “I can see quick and great improvement,” Now all of this was said in Japanese, but I daren’t mention in imagined sesquipedalophobia

The importance of step six cannot be overstated. I think a second pair of eyes is essential for editing. For example, this non-sentence is from Joe’s promo for his book: http://letswriteashortstory.com/why-short-stories/ “Even more importantly, to practice deliberately have to put your writing skills to the test.” See what I mean?

“Run Isola!”

Isola’s mother yelled over the wind. Isola’s heart was pounding, and she felt as if she might faint. Her brown hair whipped fast, stinging her face. Her mother was rushing her into the safe house. They prepared it a month before when they heard about the Vortex Storm. The name was fitting because there was a big whirl of dark, ravenous clouds. They seemed to eat the whole sky.

“Where is Will and Dad?” Isola asked. “I thought they were coming with us!”

“I am going to get them,” Isola’s mother answered. “Just go and get there before you get hurt!”

She turned and went back to the house while Gloria went toward the safe house.

The wind was so strong, Isola felt as if it would lift her and pick her off her feet. Debris flew everywhere. Other people in her neighborhood were gathering belongings, children, pets, and driving away to the community safe house. Isola was tempted to follow them.

Isola finally made it to the safe house. Its interior was located underground and the door were made of steel. Underground Isola knew there were also steel bars to support the roof the steel ceiling. The lock on the door was located inside. Her father was a construction worker so getting the materials to build it was easy. Isola’s mind flashed back to the time her father stayed up for weeks at a time making sure everything was secure. When she asked if she could help or see what he was working on, he simply told her that it wasn’t time yet. Whatever that meant.

Isola began to open the door, when she heard familiar voices behind her.

“Isola! Watch out!”

Relief comforted her heart for a moment. It was Will’s voice, and he was okay. He’s head popped out around the corner. His brown curly hair waving on his face in the harsh wind. But, that relief was replaced with panic when she saw a big massive tree branch about to fall. On her.

Maybe it wasn’t a good idea to build a safe house by a tree Isola thought. Maybe it wasn’t a good idea to build a safe house, period.

That was all Isola had time to think about before the tree branch fell, and she was forced back by some invisible force. It felt like a hand grabbing her. She stumbled backwards and bumped into something.

Or someone.

“Isola, what are you crazy? You just stand there watching it fall on you, and do absolutely nothing while the branch almost crushes you!”

She turned around to the look to who was speaking to her. And a concerned, upset, face was peering down back at her. Her father. Despite her father scolding at her, she was relieved to see he was okay. Her mother came running in after them.

“Are you okay? What happened?” She turned to Isola’s father. “Mark.”

Mark put a hand on his wife’s arm. “Anna, she’s fine” He started toward the safe house again. “Let’s just hurry and all go inside-” Mark stopped.

“What? What is it?”

Isola followed to where he was staring. The tree branch was on top of the safe house. Blocking the only entrance inside.

Mark shook his head. Swore a few latin words. Anna shot daggers at him covering Will’s ears.

Will looked to me with eyes of confusion. I shrugged.

“Why are we going in here? Why don’t we go in with the other kids and adults?” Will asked.

Will spoke with an accent that his mom said came from his father. When he said ‘adults’ he pronounced it adoolts He pulled his mother’s hands off his ears.

“Will-” His father said will a warning tone in his voice.

“There is a branch on blocking the door. Besides, everybody else is going!” Will argued.

“They don’t want to go to the Community safe house, Will.” Isola told him.

“But, all my friends are there! I wanna go too!” Will whined.

“We have a safe house right here.” Anna said ignoring Will.

Isola made a motion to the safe house which was still stable, but had an impossible entrance. She opened her mouth to say something sarcastic but her mother must of saw the expression on her face because she held up her hand.

“That is enough Isola.” Her mother yelled over the wind. “You have been complaining about this the whole time, and show no appreciation for what your father is doing for you-”

“Dad what are you doing?” Will interrupted.

Gloria and her mom turned around to see what Will was talking about. Mark was pushing the branch-or at least trying to-off the entrance. Anna looked to Will and Isola.

“Come on, don’t just stand there, go help out your father!”

They didn’t need to be asked twice. They all went over and helped Mark push the branch. They pushed, pulled, lifted, but the branch didn’t move more than a couple of inches. But, even by then they were all tired and each second they stayed outside was each second to their death.

Mark reached through one of the openings of the branch and opened the door. “Will or Gloria, one of you can fit in here. Try to go through.”

Will crosses his arms. “No way! I want to go to the Community safe house. Besides you guys could lock us in there and go without us so you can go have fun.” Will stared at his mom and dad with accusing eyes. He had his jaw set in way that showed he wasn’t going to budge.

“Will” His father said angrily.

Isola started toward the entrance. “I’ll go, if you won’t go. Let’s just get in before we get hit by one of those meteorites.” She pointed to the sky. It was darker now blocking out so much sun, the light detectors triggered on the street lights for night time.

Isola started in, going feet first, having a little of a hard time getting in. When she felt her feet touch the ground she called up.

“Okay I’m in!”

There was no response. She looked up to see if anyone was looking in but she saw no one there.

“Mom? Dad?”

She heard something up there that sound like arguing, then panic, and then a moment of silence.

“Isola, are okay down there?” Her mom asked.

“Yeah, what are you guys waiting for?”

“We are going to the Community shelter.”

Isola didn’t know whether to laugh or scream.

“Isola, don’t worry you can wait down there-”

“Wait here? No!” Isola said shaking her head. “Bring me up with you guys.”

“The branch is stuck here, and plus we are running out of time, we are going to see if we can make it-”

Isola heard her father’s voice in the background. She only caught a few words and sentences like: ‘he said’ and ‘not good idea’ and ‘listen’

“I don’t care about what Jem thinks, we are leaving.” Isola heard her mom say.

And the door shut.

Isola heard screams outside. She heard some of Will’s screams, mixed with her mother’s, and other screams of children, frightened animals, and other people. She didn’t want to think about going out there. She knew she couldn’t. So, when the door shut Isola locked the door and went to the furthest corner of the room.

There were blankets, food, water, first aid items, and a radio there. The food and water was packed into four different black book bags. Looking at them made her feel anxious and worried. They’ll be okay. Everything is fine. She thought. When she still didn’t feel any better, she said out loud, “It’s okay. Everything is fine.” Even she knew the words sounded empty and unconvincing.

She wasn’t hungry at the moment. Fatigue washed over Isola so suddenly, that she felt dizzy. Grabbing her blanket from the corner she moved the rest of the items by the door. After, she walked to the corner, sat putting her knees up to her chin, and wrapped the blanket around herself, over her head and ears. She tried to huddle as far as she could into the corner. She wanted to be as far away from the screams as possible. Isola shivered. Though it wasn’t against the cold.

( For more or the rest of the story email me at [email protected] ) 🙂 Tell what you think.

This has been incrediably helpful! Making myself put off researching wasn’t something I would have thought would make a big difference but it really has.

I might be a bit late to the party…my 15 mins.

———- Hugh set the knife against his knee and started sawing through the skin.

As the pain coursed through his nerves, he lost his grip. “Damn bugs,” he hissed as his fingers failed to listen to his brain.

Laying his head against the cold metal of the bathtub, Hugh swore he could feel the lowjack implant in his spinal cord thrumming. A few moments later, the door opened on rusty hinges, allowing the light from the rest of the apartment in.

A falsetto voice spoke from the doorway. “Human, you have sustained an injury to your right knee. Medical personnel have been summoned.”

Hugh turned suddenly, knocking the knife to the floor. “Don’t you dare let those butchers in here!” Sitting up, he started to sob. “I’ve got nothing left for them to take.”

A six foot tall mechanical figure strode calmly into the room. “Human, I’m going to freeze you until the medical personnel arrive.” A green light started blinking in its eye socket. “Do not be alarmed, it is for your own safety.”

Hugh was half way out of the bathtub before the lowjack cut off any control he had over his body.

The android moved to the tub, and gingerly picked Hugh up, moving him through the spacious apartment to a chair by the front door.

“I will be in stasis until they arrive,” the android stated.

Hugh couldn’t detect any difference from a few moments ago. The android stood stone still, the only difference an irregular pattern to the blinking green light.

Waiting a full minute to ensure the thing wasn’t aware, Hugh tried moving his hand. The fingers twitched.

i have a short story , would it be too late to post here , i need some opinion

I opened my eyes to see a dark shadow in my bedroom, it looked like a figure of a man. I had been thinking a lot about my uncle Herbert who had died in the first world war ,l was stunned! Could he be the person on my bed? To stunned to talk to him l recalled speaking to a medium early on in the day about Herbert he came through and said he wondered what his life would have been like if he had lived he died aged 26 . I looked more closely at this figure on my bed then he said come on Pam get up!! We’re on holiday now!!! Pew!!!

Thanks for the great advice Joe Bunting. What I read, helps me know what’s ahead of me to be a writer. I love how you explained about it being hard to finish a story, when you are in the middle of the story. As to rowing a boat to an island. I’ve started stories, got to the middle and didn’t know where to go. Now I know that’s common to happen. I’ll close at this point and get started writing something that I wrote in High School that others loved. Thanks again for inspiring me with what you wrote.

Rick Olmsted

Nice blog here. I think this would be more helpful in my writing career. But if you really need a professional to write a children short story for you, I would recommend a gig I use on Fiverr https://www.fiverr.com/sophiebrown/write-kindle-children-bestseller-book-for-publishing

This is a great intro in short story writing! Usually the only writing I do is assignments and essays. I’ve been toying with the idea of writing a story for a while and this post provided great motivation. So here it is.. my first 15 minute attempt at putting ideas down in words.

The time had come to meet face to face with her biggest rival. She had never met her before but the stories were enough for her to realise the threat that she posed. The environment wasn’t one which forged the women together, to bond. It promoted rivalry. Only the fittest would survive the night and walk away with cash in the hand. Tonight was the same as every other night. It started out with the usual routine. She would meticulously apply her make up to accentuate her pale blue eyes. Her greatest asset, or at least that’s what they told her. The blackness of the eyeliner was unforgiving; no amount of it could cover up the turbulent storm brewing in her blue eyes. Her reflection showed no hint of the emotions she was trying to deny. Her hair was down around her shoulders, glistening from the heat in the room. The air was muggy despite it being a cool night. She looked around the room wondering how her life had brought her to be here in this moment. The walls were as red as bitten lips, that’s what they reminded her of. The other girls were getting impatient that she had taken so much time in the one mirror, which covered the wall above the alcove. There was barely enough room for all four of them to get ready in there. Bags of make up, shoes and dresses, if you could call them that, were scattered at their feet. The buzz of the dryer in the adjoining room reminded her that there was work to be done. Fresh sheets and towels needed to be put out in the rooms before the men arrived. This job gave her a reprieve from being in that suffocating red room. She left the girls to decide on the dresses they would wear tonight.

I was fine, good in fact, realizing that I was stuck in a rut of step 1, Telling my stories. I can do step two, even three. Now I’m lost at step four: I’m writing a short story, not a novel. I’m stopping here; lost my interest, for the moment.

Tara is unhappy with her life. She always has been. No one ever understood why. Tara comes from a great home, with a great family; yet she always seemed to be downtrodden and meloncholic. At 21 Tara isn’t even doing things that her peers enjoy. This should be the time in her life where fun, adventure and discovery are a must. Tara doesn’t follow crowds, has no real friends to speak of and is always quiet; except if called on in a class setting. John and lydia French, tara’s parents have sought help for her from many professionals, and none have been able to point out a diagnoses to fit tara’s personality flaws. There was a time once when tara was younger perhaps four or five when she was at summer camp. She showed light in her eye and a possibility of hope glimmered that maybe she had found her niche. The latter part of that camping trip showed the worst side of tara yet. It seemed she regressed even more than when she arrived. Fisher is a guy who grew up with tara and has know her and her family for many years. He has concocted this plan to attempt to court tara with these simple steps that he has been putting together to turn who he sees as the love of his life into a more loving and joyful human being. The first step was to be seen accidently by tara at more than one occation during her day. Of course it’s not accidental, he’s planned the whole thing, but in fisher’s mind maybe tara never got the attention she needed. On Saturdays tara frequents the same internet cafe near her University, then she goes running at a nearby park, following this she heads back to campus. Fisher was sure to be seen by tara in all but the last place her home, so as not to seem to creepy. He pb believes he may have saw tara grin or smirk once or maybe, he just wants to make her happy so badly that he imagined it. He did this for three saturdays, then finally askds tara to the movies. To his surprise tara says yes. Fisher is ecstatic. They schedule their date for the following week. Fisher picked tara up on time from her dorm and they stap for a street car meal before heading to the movies. He excorts her home and when he reaches in for a kiss tara scream can be heard throughout the city. Campus security arrives and tara is take

Sarah was shaking over the little table staring at her coffee. Her eyes looked as black s the liquid in the cup. She couldn’t speak, it was too much for her at the moment. Besides apart of maybe weak squick nothing else would come out from her mouth. She was so scared to go back home but she couldn’t stay in this coffee shop forever. Sarah didn’t have any idea what to do. She quit her job without finding the new one, all of her savings were gone already so she couldn’t really afford to move right now. But she also couldn’t face her landlord from hell and his crazy family. It was like the worst nightmare.

Sarah moved in to this house thinking it’s going to be a lovely place to live. She would share it with two friends and probably rent the third bedroom to another familiar face. At least that was the plan. The landlord was white with black hair and spoke good English. She assumed he was an English man. After seeing the place with her two mates they made the decision instantly. Paid cash for deposit to black haired man and received the keys. When asked for receipt he said he will provide it next time as he had no receipt book on him. Fair enough.

A few days later Sarah, Daniel and Becky lived together in the lovely semi-detached house with good sized garden. The trio opened some beers and decided to celebrate their new nest completely unaware of what is yet to come…

love your book! Keep on the good job

“Do you think Petraeus will like the red hood, or the blue hood?” Charlene aksed her brother, “or is the yellow one better? Hmm… the orange one is also very appealing. What do you think, Eustace?”

“I think you should just take one and go see him before it gets late, sister.” He sighed, annoyed.

The tall brunnette, turned around to face her brother. Why was she even asking him that kind of stuff anyway? He’s a boy, he wouldn’t care one bit. “If you are going to be such a ogre, why should I even ask?”

“I wish I could understand that too, you know.” he said, preparing himself for the trip. Lifting his simple dark brown hood from the floor, he sat down to fix his boots. “But I personally think I am not the best person to help you change the color of a piece of cloth, Charlene. It’s just a piece of cloth, you do not have to make such a big deal about it.”

She groaned angrily, while taking the red one.”I do not understand what is your probllem, really.”

“Guess what? Me neither.” he laughed as he ran through the door. Eustace could hear the angry blabbing of her sister, but decided to ignore.

(UGH IM SLOOOOOOOW!!!)

Wanted Child (FULL VERSION)

The siren’s screaming to the neighbors, waking them from their peaceful slumber. The red and blue lights blinding everyone who looks in its way. A little girl, not later of the age of 9, being carried out of a home in the arms of a police officer. Her crying silencing everything else to the man’s ears. The child clutching onto his navy-blue shirt, begging for the awful image out of her head. He looks at the girl in pain, wishing for a miracle to break through. He sighs and looks forward, his face a mask of pain. He looks around and spots a woman with her back turned to her, talking to one of the girl’s neighbors. He approaches her and acknowledges her. “Corrine,” he started. The woman turns around and lightly nods. “Chief Jacob Ray.” She states, concern written in her strained voice. She is a lawyer working on a case where she is defending a man who was framed for the murder of his brother. She might have been yelling at a court trial. She spoke, “What do you need? Poor child. She didn’t deserve to witness that.” She is right. She never deserved to witness such a horrible thing. “I need a blanket for her. And, also, give her water.” He looks down at her to see her asleep. He sighs and looks back at the woman. “She will stay with me until we find her a home.” She slightly widened her eyes, looking at Jacob confusedly. She replied, “Are you sure you can take care of a child? Jacob, you don’t have anyone else to help take care of this girl.”

She stopped when she heard the girl sighing. She looked at her with both pain and hope for her. Jacob also had hope. Hope that her life was going to change for the better and not for the worse. “I’ll go get the blanket and water.” He heard Corrine say. He didn’t acknowledge her, to let her know that he heard her. She sighed in content and walked away, yelling for a blanket and water. He looked down at her. Her blue eyes fluttered open, looking around. She looked up at him and smiled. She let go of her shirt and hugged him. His eyes widened slightly as she hugged him. His eyes slowly went back down as she started crying. He started shushing her, whispering that it is all over. That she doesn’t have to worry anymore. He was going to make sure of it. He was going to be on a hiatus to take care of her. A few moments later he hears a distant voice saying, “Here we go dear.” Corrine’s voice makes the girl look up. She sniffs and wipes her eyes, muttering a quick thank you while doing so. Corrine looks at the poor girl in despair and calmly says, “Drink. You must be thirsty.” Corrine holds a glass up, showing her that she has something for her to drink. The little girl nods, agreeing with the woman. Corrine gives the glass to her, holding it to her lips. The little girl drinks happily, sighing in content with the refreshing feeling, soothing her parched throat. Jacob asks, “So, what’s your name?” The girl stops drinking and looks at the man. She replies, “Elly, but my real name is Elizabeth. My parents used to call me “Elly”, but after their.” She stops, closing her eyes

This is all I have and I am writing 2 different versions. One is for a short story contest and one is for publishing (which is this one)

I love writing short stories. I believe what turns me on to the format is the fact that it makes for quick reading. At the same time, you can get so much out of it like you would a novel.

I do think I’ve been writing short stories the wrong way. It takes me a couple of weeks to get a story down. Most of it is due to time constraints. But I have tools to lessen that time. And I’m so worried about getting it right the first time that I miss the point of the process. It takes diligence and patience to write a great story.

I will take these tips to heart and work as hard as I can to write the best stories possible.

This story is about Rafa, a five-year-old boy born during the final years of Israel’s wandering in the wilderness. His father, Duriel, is a Levite who serves the tabernacle. His mother, Ronit, has just died. His older sister, Miriam, is ten years old.

Duriel is a bitter, heartbroken man. His wife is dead. His firstborn is a girl, and his only son will never be a man, have a family, or serve the tabernacle. There will be no one to continue his lineage. He feels that God has ruined his life, and it angers him. He is often critical, unkind, and angry at home, especially with his young daughter, who is desperately and imperfectly performing her dead mother’s duties: cooking food, caring for the household, and tending Rafa.

Rafa has Down’s Syndrome. He doesn’t understand death and believes his mother has abandoned him. He thinks she’s hiding somewhere in the camp. He keeps running off to find her, which causes stress and anger for his family and his Levite relatives.

Miriam cooks the meals, cares for the household, and tends Rafa while her father is at the tabernacle. Miriam is also learning to spin and weave. Her grandmother, a former slave in Egypt, is a master weaver. She is going blind and feels a desperate urgency to teach her granddaughter everything she can before she can no longer see. Miriam is caught between her grandmother’s insistence that she spend her time weaving and keeping track of Rafa. Her friends complain that she’s always working and never has time for fun.

One night, after Duriel has lost his temper and spanked Rafa, Miriam comforts him in bed. She tells him that their mother lives with Adonai. Rafa’s father has impressed both his children that Adonai lives in the tabernacle, the place where Moses speaks with Adonai. Miriam falls asleep, but Rafa doesn’t. He now knows where his mother is, and he leaves the house to find her.

Rafa wanders through the camp, unsure of where to go. When he sees torchlight, he follows it to the tabernacle. The guards are not at the door. Rafa parts the curtains and looks inside. A man’s voice tells him to come in. When he enters the Holy of Holies, he sees a shining man, Adonai, sitting on the ark. The man holds out his arms, and Rafa comes running to him. The man puts Rafa on his lap and asks what he wants. Rafa says he wants his mother.

The man calls Ronit. She appears in a pillar of light. Laughing and crying for joy, she gathers Rafa into her arms, carries back into the light, and they both disappear.

Adonai summons Moses and Duriel. They both come to the tabernacle. Moses enters; Duriel stands outside the door. Adonai tells Moses how to handle the situation. Duriel is not to be punished because Rafa entered the tabernacle. Instead, Duriel is to be relieved of his work for one year to spend the time mourning for his wife and son, caring for his mother, and comforting his daughter, Miriam. If he humbles himself sufficiently, Adonai will receive his service again, give him a woman to love, and more children, including sons to carry on his family line.

When Moses comes out of the tabernacle, he carries Rafa’s body wrapped in a new woolen blanket. Duriel recognizes the blanket as something his wife was making when she died. It had lain unfinished in their tent since her death. He examines it. The blanket is now completely finished. Taking his son’s body in his arms, Duriel falls to his knees sobbing. Moses lays his hands on Duriel’s head and begins blessing him.

Suddenly, there was a strange noise outside. Clare tiptoed across the creaky floor. She looked from behind the curtains. Strange shadows lurked from the misty town. They were unlike anything she’s ever seen before. As tall as a telephone booth but the limbs were strange… the legs were lean while the arms were strong. Clare lit a torch and went downstairs to investigate. The door slowly creaked open and into the ghostly streets she went.

There was suddenly a crack of lightning, and behind her, were the shadows. She ran as fast as her little legs could carry her but they were fast. She jumped into a nearby bush and waited. She saw the go into a tree. She decided to follow along. Pure curiosity powered her.

“Aaaaaaaaaaaaaahhhhhhh!….” She whispered screamed as she fell down a big hole.

She saw some vines in front of her. Her heart was racing. What was she going to see, a mystical land, an evil lair or the centre of the earth? She pushed aside the vines and thoughts and gaped at what she saw. Everything was unspeakable, she had to get out of this nightmare. Left was right, up was down, good was bad. She couldn’t breathe. Where was the exit? What is this place? Why did the men go here? Why? Why? Why?! She was trapped in her own thoughts and in the world.

She woke up. “It was too real..” She muttered.

Clare opened the curtains and screamed. Her heart was thumping hard and her brain was numb. Her eyes were frozen. Little did she know that this was just the beginning of mass terror and horror. Would she live or would she die? That is the question that remains unanswered…

Ignore this

The first time I noticed her was a rainy day. She was sitting in a chair and talked to herself. I was so curious about her who behaved strangely. I thought she was a weird person, but I wanna know her stories. I was sure she had a story, at least one. I said” Hi, you are beautiful.” She answered” My mom always says that, but she is gone.” “Where is she?” She said with a sweet smile” She is there. ” She pointed to her heart with small and thin hands.”In my heart and my dream.”

In a moment, I remembered that I was so jealous when I saw my friends and their mom hold hands. I understood this girl who missed her mom. But I thought her mom had a good reason to leave. We all have a reason when we make a choice. Sometimes we think only for ourselves. Sometimes we choose to sacrifice for love. Sometimes we are selfish. But no matter what decisions we have made, we still have hope and belief, and we have to.

I told the girl” Your mom lives happily. Your mom loves you.” She said” I always know that, but when will she be bak to see me ? I only wanna see her.” I said” She is already on her way to look for. She needs time.” The girl smiled like an angel.

But I lied to her, I have to.

She sought refuge in all except what she knew she could possibly thrive at. The fears, the shaky voice, the anger in her eyes and the misery in her soul. Nothing could begin to explain to the world how tortured and jaded her spirit had become. She never asked for this and loathed those who felt she could learn to live life differently.

How does one learn to live life? Is it in the way we were raised? Is it the choices we make? Is it how we perceive things? She was not raised like this. No one would make choices to feel like this and perception is reality, no? If her scars were on the outside instead of on the inside, she would be immediately raced to a hospital. The room would fill with doctors and nurses scurrying to make her lively. But the scars remained on the inside so the world did not see the wounds. The pain remained unseen and the rush for help was nowhere to be found.

Dying was the answer. Of course! She’d read the bubbly bullshit quotes about death being a permanent solution to a temporary problem. Who is to say it’s temporary? Cancer may be temporary. A patient may go into remission but no one judges them for feeling like death may be a better way. Why would she be judged? Demons are revolting things to handle and some, like the girl, simply cannot handle them alone. Would one allow their child to be tormented by another person, or would they help them? Why didn’t they help her? Why were her bullies not confronted?

This was a short short story I wrote that was submitted for a contest. It had to be 150 or less….

She could not explain the feeling she got when she saw him, and he touched her. Every time she tried, the words would just fall out in random order.

One day as they were laying on a blanket watching the drifting clouds, she looked at him and whispered, “I love you.” As he smiled he said, “I know you do,” his hand gripping hers tighter. “No, I mean I really love you. Do you remember when you were a kid and you would swing? The feeling you got in your tummy the higher you went,if there were a million pterodactyl-sized butterflies in there?” He rolled to his side and said, “Yes, that was the best feeling as a kid.” She smiled and said, “That’s the way I feel about you.” He reached over and sighed as he placed his lips to her forehead and whispered, “I love you.”

Short stories, to me, are the perfect literary form. The most amazing way to get across complex and critical concepts without bogging stories down with unnecessary melodrama. I’m actually looking at putting together an anthology-type short story periodical in the next few months. Anyone who’d be interested in being printed, maybe, shoot me a message nmoo651 (at) aucklanduni (dot) ac (dot) nz

It’s a dark night, unknown figure runs across the cold wet streets, flooded by intense rain. There’s a curfew, and this character is breaking it. Running across the stone alleyways and switching corners so swiftly is easy to mistake them for a shadow. Look. An officer. The figure expertly knocks them out by hitting when they are not looking, then hides the body Faster now, the hooded figure is speeding in the darkness, remember why they’re here. They have to escort a parcel across the country in a relay manner, and the figure is an amateur, and want to succeed they’re first true test. Everything’s going fine currently Until they slip. Makes a clanky noise as they fall and attracts numerous guards to their location, but before they can reach, hides in a crate. That was close. But his leg is hurt after the fall, and he is know limping, still needing to deliver his package to the other side of this county. Behind them by a couple 100 meters, a man of somewhat authority walks past. in his hand, a revolver. He enters the area where the figure knocked out an officer and hid him, and easily finds where the figure hid him, as he has dealt with his kind before. The figure creeps into an empty restaurant, where the server greets him happily. The figure asks for a map of this county, something they should have probably had earlier, but hey! They’re an amateur. The server in exchange asks for the figure’s name, to which they respond ‘Max’ after glancing at a Maximum Voltage sign. Max escapes by climbing onto the roof via ladder inside. authority guy returns, and hears Max above, and shoots server (NOO), and climbs up. He shoots max, and max almost falls off the tall building, saved by grabbing onto a gutter flowing with water. AG (authority guy) points gun “give me the parcel” Max puts it slowly into the gutter he’s holding on, and it drifts off. AG makes a break for it, trying to get the parcel before it falls, while max jumps off, landing on another ladder outside an adjacent building. When Ag opens the Parcel, he finds nothing (Ha ha!). Max continues to Victory! –Just a draft, and I apologize for any grammar mistakes.–

I found your “How to Write a Short Story from Start to Finish”, very useful. I represent a self-publishing company, Notion press and this information means a lot to our network of writers, to whom we will be sharing it. We also have similar useful content on our academy page. Please feel free to check out and get in touch with us. https://notionpress.com/academy/definitive-guide-on-how-to-write-a-novel/

A fish fought so hard not to know me. I fought harder to know him. We spent hours at our contest. When exhaustion had taken us both, we acquiesced. As he boarded the boat it was apparent his bravery and powerful fight was over and all I had to do was claim victory.

It was a victory that was sour to me. Something inside of my old self changed with meeting this fish. I loved that fish and our fight, it was just what I wanted. What was unexpected was the emotion of caring that poured out afterwards. I lack the skill of caring, not having any experience in how to care or being cared for will do that to a man. Hard life living without those things.

I held him gently in the water for what seemed like eternity, he got his strength back, thrashed and swam away.

goodby and hello, I said.

You have a great idea here, I think you can extend this idea into a short story. I like your style of writing, easy to understand.

This is rough idea I’ve been playing around with. Let me know what you think I can do to make it better. Thanks.

Ariala was led into the throne room of her own castle to face the man who had just taken over. He was a tall, broad-shouldered man in heavy metal armor. His long blonde hair was left to hang loosely around his body and his eyes were so dark that they seemed black to her.

“Hello Princess, we meet again.”

“I’d say it’s a pleasure to see you again Prince Demitri, but I was taught not to lie.”

“Charming as ever I see. Not to worry…I’ll change that little attitude of yours soon enough. For now…there’s something I want you to watch.”

Ariala watched as her father, the true King, was dragged into the room. He looked so battered and it broke her heart to see her father’s strength reduced to this. He had bruises covering his face and she was fairly certain one of his arms was broken.

“Why are you doing this? We have never done anything against your family or your kingdom…”

“You have not…true…but your father here has angered me greatly by denying me the one thing I wanted from him.”

“What might that be?”

“You, dear Ariala. I requested your hand in marriage…he refused.”

“So you decide that taking over my home is somehow going to make me want to marry you?”

“It doesn’t matter if you want it or not…I will marry you and you will do as you are told or suffer the consequences.”

“I will most certainly not be marrying you and nothing you can do to me will change my mind.”

“I was afraid you might be this way. Men…”

The soldiers holding her father up dropped him to the floor and pulled their swords, and she watched in horror as they ran their swords through her father’s body. As they pulled back she tried to go to his side but Demitri grabbed her by the waist and pulled her against his body causing her to lash out at him, kicking and hitting any part of him she could reach. He raised a hand to cradle the back of her neck and began squeezing gently, applying more and more pressure until she lost enough air to blackout. He handed her limp body to one of the castle’s royal guards.

“Take her to her chambers for now. Perhaps when she wakes she will be less unpleasent.”

The guard carried her to her bed and was soon joined by his Captain. “We need to get her out of here before it’s too late, Sir.”

“I know, and I have a plan for that. Do you remember John?”

“He’s the one that was always by her side when they were kids right?”

“Aye, that’s him.”

“What about him?”

“He’s the leader of a small band of mercenaries now…and they happen to be in the city below us right now.”

“You’re going to hire them to get her out of here?”

“No…I’m going to tell him that she’s in danger and I need him to help me get her away from this place as soon as possible. In the meantime…guard her door and let no one enter this room.”

“I will protect her, Sir…with my life is I must.”

“I’d rather it not come to that. I will be back as quickly as I can…hopefully with a plan.”

The Captain had faithfully served the Sky Kingdom’s royal family since he was a boy. His father had been the Captain of the Royal Guard at that time and he frequently followed the man to learn all he could from him…now his King was dead and his Princess was in danger. He kept the hood of his cloak up over his face as he slipped into the Queen’s Garden to meet with a man he never actually thought he’d see again.

“Why would the Captain of the Royal Guard want to meet with me in the middle of the night?”

He froze in mid-step as a soft baritone voice sounded out of the darkness, carefully lowering his hood to reveal his heavily greying hair. “Hello again, John. You seem to have done quite well for yourself, being the leader of a mercenary band now.”

“No thanks to you, of course…convincing the King to ship me off to be a squire to some low-level knight…that wasn’t very nice of you.” The man slid out of the shadows like he was a part of them. His jet black hair fell in a soft curtain to his shoulders while his bright blue eyes seemed to pierce the Captain like a spear.

“You were gettig too close to her. We couldn’t risk having her fall in love with someone of such low birth.”

“You mean because I was born a bastard right? What exactly do you want from me?”

“The Princess is in grave danger…and I am hoping you still care enough to help her.”

The man’s gaze sharpens at those words and his voice takes on a darker edge. “What kid of danger?”

“Sky Castle has been overtaken and the King has been killed…in front of her. The man responsible wants to force her to marry him to cement his new role here but she is defiant and I fear he will hurt herto get what he wants. I can get her out of the castle through one of the secret passages…but I cannot get her off the plateau without being caught. I am too well-known here.”

“If you can get her to the Royal Stable at midnight…my men and I can take care of her from that point.”

“Take her to Obsidian Castle in the North. Our allies there will help her.”

“I will take care of her, you have my word…whatever that’s worth to you.”

“When it comes to her…I know I can trust you to keep her safe. I will have her in the stable at midnight, her personal gryphon doesn’t have wings but it will follow her wherever she goes.”

“Wait…she still has that little guy? The blue panther with the bright little tail?”

“He’s not so little anymore…he’s quite large actually, and that tail is a thing of beauty. He’s one of the rare type that have no wings but he’s as loyal as they come…at least to her.”

“Good, she’ll need all the protection she can get. I will see you at midnight…stay safe Captain.”

“You as well, John.”

Later that night four men in dark cloaks were lurking in the shadows behind the Royal Stables, though one of them was clearly unable to remain still for long as the curly blonde begand shifting restlessly from one foot to the other. “Why are we hanging around here at this time of night anyway? This is boring.”

“I told you already. We’re here to help my childhood best friend escape from danger.”

“Right…but who is he?”

“You’ll see soon enough now stay still.”

“Gentlemen, good to see you made it here safely.”

“Same to you, Captain.”

“Wait…the Captain of the Royal Guard? HE’s your friend?”

“Of course not…don’t be ridiculous. The two of us can barely tolerate each other.”

“Wait…then who…?”

“John?”

“Hello again, Princess. Miss me?”

“John!” Ariala ran into the waiting arms of her friend, wrapping her arms around him and crying softly. “Why did you leave me?”

The dark haired man glared at the Captain before responding to her. “I was sent away little one…they wouldn’t let me go say goodbye to you. I thought they would tell you but it seems I was mistaken.”

“Captain? Is that true?”

“Yes, Princess…I’m afraid so.”

“Why?”

“You were getting too close…you father worried that you two would fall in love.”

Ariala took in a deep breath as she turned to face the Captain, planning to give him a piece of her mind, but the darker man placed a hand over her mouth with an amused smirk. “As much as I’d love to watch you verbally berate the man…I’m afraid we haven’t got the time right now. We have to get you out of here before they realize you’re gone.”

“I assume you have a plan already?”

“Of course…but first…” He snapped his fingers and her bright blue gryphon came out of his hiding spot, his tail fanning out in his happiness at seeing his favorite human. The princess wrapped her arms around the it’s neck and then laughed happily as John lifted her up onto it’s back. “You do realize I can do that on my own right?”

“I know…but it gave me an excuse to hold you for a moment.”

“You’ve never needed an excuse for that before, John.”

“Uh…John, perhaps we should get moving now?”

“Right you are my friend. Everyone mount up so we can get down the side of this plateau and down into the forest.”

The four men mounted their own gryphons. John had a hawk and panther gryphon, the curly blonde had a cheetah based gryphon, the auburn haired man ahd a lion and eagle gryphon, while the last man had a massive tiger based gryphon to bear his muscular body. Once they were all mounted they urged their gryphons over the stone wall around the castle grounds and began searching for the least treacherous path down the side of the plateau without going near the main road that led away from the castle. They ended up by the edge of the upper part of Queen’s Lake near the top of the waterfall that fell into the lower lake. “We’ll have to make our way down from here.”

“Can’t we just fly down?” The antsy blonde was, well, still antsy. The princess watched the man fidget every few minutes and constantly shift position. He reminded her of some of the village children withhow they had too much energyu to remain still for very long…most adult grew out of that but this one clearly hadn’t done so.

“We could…if we want to risk our gryphons breaking a wing trying to maneuver the dense branches with us on their backs.”

“Which we don’t…so we have to let them climb down this way.”

“Correct. You alright little one?”

“I’m fine…not the first time we’ve come down this way…remember?”

“How could I forget? You shoved me over the edge of the falls.”

“You were being a jerk…you deserved it.”

“I did…but it was still cold that day.”

“You lived.”

The other men all seemed to be amused at hearing about their leader’s childhood with her so she decided that she would share more stories once they were out of the danger zone. “I’ll tell you boys some more embarassing stories later.”

“You will not.”

“I will too…and you can’t stop me…you never could.”

“I’m a lot stronger now little one.”

“I can see that.”

The way her eyes roamed his figure left him feeling like she could see right through him and he heard more than one of his men snort softly in amusement as his face turned red. The princess gave them all a saucy little grin before mounting her gryphon.

That’s as far as I’ve gotten on it so far. Let me know what you think.

I have written short stories that I’ve worked on or kept in my keep file for up to 2 years. I didn’t know how to write a short story, but kept trying now I don’t think I could write another 300 page novel again if my life depended on it. However, I find my new love (Short Stories) thriller, horror difficult to sell to magazines or enter in competitions…I’m obsessed and won’t stop writing them!!!! Anyone know more about this Kindle Short Story Section?

I’ve been challenged (by a writing instructor) to write a short story of about 500 words or one full page. This seems a bit constraining to me, but I’d welcome any tips.

Morgan’s Fiasco

Our dinky rented room on the edge of Ohio U’s campus was really the basement level of an old frame house built into the side of a hill. Gabe, the rather eccentric old lady who owned the place lived above us in the rest of the house. We had our own entrance, so whatever went on in there was pretty much up to my roommate, Morgan, and me. One evening in the semi darkness of our room, I was trying to study by the dim light of a gooseneck lamp over our ancient second hand desk. George Shearing was issuing forth some soothing sounds on our 45 record player. Suddenly, Morgan, lying across the bottom bed of our double bunks, suddenly broke the silence by blurting out of nowhere, “We can fix that!” My muttered and obviously disinterested response was, “Hunh?” His convoluted answer increased in volume and conviction as he addressed the fact that our ceiling was made up of old, gray, tongue and grove wood slats. It was similar to many old porches built in the 1930’s, and was, indeed, rather ugly for a bedroom. His brilliant inspiration was that we could make up a huge batch of paper mache from strips of torn newspaper soaked in a mix of water and flour, and coat the ceiling it it. When it dried, we could roll on some of that fancy new Kem-Tone paint. “It’d lighten the place up – we’d have a great looking room at almost no cost,” he enthused. Dumb me. I went along with it, little guessing the horrific outcome of our folly. After a day’s hard work, and not getting too much paint or flour mix dripped around the room, it did look pretty good. At least it was brighter. The next night as I lay in my upper bunk trying to get to sleep, I could still smell the freshness of our beautiful new ceiling just a foot or so above my head. Suddenly I heard a funny noise close at hand. “Skritch, scratch, skritch . . .” My eyes popped wide open with the sudden realization of what I was hearing. Rats! There were rats attracted to the flour in our paper mache mix and they were between our ceiling and the floor above trying their best to get at it. I was off that bunk in a bound, pummeling and yelling incoherently at my hapless roommate who had no idea what it was all about. Needless to say, I spent a wakeful night trying to sleep on the floor, keeping one eye open in case of a “break through.” Some rat baits were set out next morning, and no further gnawing was heard for a couple days. But the worst was yet to come. Try to imagine the putrid aroma of one or more dead rats who met their demise in the confined space between the floors of our rooming house. It took weeks for the smell to dissipate, and just about that long for me to forgive Morgan’s creative genius.

I just got an idea – a spin off from my Fall Contest Short Story. But I’m afraid to write it here. I might expel all the “juice” and then not write it all out.

Oh, gosh! You had me quaking and looking over my shoulder. What visuals! What imagination! What suspense and…. horror! Good job. Did you do that all in just 15 minutes??? If so, I have no hope.

I can’t seriously take writing advice from a man that hasn’t yet grasped the situational spelling of your.

‘You don’t have to follow your scene list exactly, but they definitely help you work through your story, especially if your writing over multiple sittings.’

Those pesky grammar slip-ups happen to the best of us. It’s fixed now. Thanks for pointing it out!

“So they lived happily ever after,” finished Ms. Taslahm. Heather Giron yawned. The one thing that was worse than cleaning the poop of the old brown mare the school owned, a scrawny one that was called Marigold, was listening to Ms. Taslahm’s long, boring tales of this and that that were supposedly supposed to help them during life, like they had for A+ student from more than 100 years ago, Briar Rose, who later became Sleeping Beauty, or wishful Ella, who later became well-known Cinderella. Heather, really, didn’t see anything in her future that may lead her to a wonderful fortune and a story of her own. But that was okay. She didn’t exactly mind. It wasn’t as if she was expecting a wonderful fortune such as someone… Heather cast a side-glance at Savannah Rivers. Savannah Rivers was an annoying, pesky know-it-all of a girl. She had curly black hair and perfectly glossed lips. She had tanner, richer skin than most people in the village, and always wore beautiful, colorful gowns, a obvious contrast to Heather’s dull ones. Today, Savannah’s gown was a pale pink, and it matched her lip gloss and eyeshadow on her heavy lidded gray eyes. Noticing Heather watching her, Savannah smacked her lips and smiled the beautiful princess smile that all the boys fell for. She flashed it at Heather, who returned it with a big, exaggerated motion of someone flipping her hair, a.k.a. Savannah. Sincere Roque leaned over and laughed. Sincere Roque was one of Heather’s’ friends. He had a unique combination of eyes, 1 amber and 1 green. He loved acting. He had honey-colored hair and exactly 14 freckles…not that Heather noticed. Savannah shot them a frown then turned again, listening to Ms. Taslahm as she described the next task they were going to take. “After all, you never know when you’ll get your fortune, or your clue, that with the right knowledge can lead you write to your prince or your damsel in distress.” Kaden Kidd, Sincere’s best friend and ‘Prank Master in Training’ (as Sincere called it), raised his hand. Kaden’s family all had the same dark eyes and black, straight hair. Most of Kaden’s family, though, had pale, white skin, but Kaden had the opposite. He had bronze skin, which he was quite proud of. “Yes, Kaden.” Ms. Taslahm said with a hint of exhaustion in her voice. “Did you ever have a prince, or were you ever ad damsel in distress?” Ms. Taslahm narrowed her eyes. “Yes once…with another girl. The prince swooped in to save us, but he could only take one. He took the other girl, and Wizard Foaly’s henchman, Todd Fincher, had to save me. It was the worst day of my life.” Ms. Taslahm buried her face in her hands. Kaden snickered. “Isn’t that Old Todd from the Village Block. I thought he was Ms. Taslahm’s brother, not husband.” Now Heather had a question. Do you really have to be a damsel in distress to get a prince or a fortune? And do you hafta get a fortune? Can’t we just live like this? While she debated if she should ask the question or not, she stretched on her tree stump. Yes, tree stump. The villages’ school was so small and poor, that they couldn’t afford desks or chairs for everyone, proper lunch, or actual books so the students could read along with the teacher. All this was because of the School Overseer. He was a greedy old man, and whenever the payings came for the teachers and school, he often just took it himself. His office was a dream, and the only reason the teachers stayed teaching was because the loved and felt sorry for the kids. Heather just couldn’t see why. She felt sorry for herself now, and just thinking about it made the boring, fidgety ache come back. And a bit sorry for Ms. Taslahm. But she still tortured Heather everyday and night, and no matter what Ms. Taslahm did or feel was going to change that. Finally, Heather raised her hand, ignoring the snickers coming from Savannah’s side, and the fact that her ripped, tattered sleeve of one of her 5 dresses was growing short. “Yes?” Ms. Taslahm looked more than a bit annoyed. “Do you have to be a damsel in distress to get a prince and a fortune? And what’s so important about a fortune?” Silence settled around the class. Now Ms. Taslahm looked like she was going to go bonkers. “YES! YOU HAVE TO GET A PRINCE TO BE A PRINCESS AND TO GET A FORTUNE, AND YOU HAVE TO BE A DAMSEL IN DISTRESS TO BE A PRINCESS! WHERE HAS YOUR HEAD BEEN THESE LAST TWO YEARS HEATHER GIRON! AND YOU KNOW WHAT HAPPENS IF YOU DON’T GET A FORTUNE, GIRON! YOU END UP A SLAVE OR A TIRELESS WORKER, GETTING NO MONEY, WITH A LUNATIC OF A HUSBAND. YOU FALL OF THE TREE OF LIFE. YOU BECOME GOD’S LAUGHINGSTOCK! AND THEN YOU DIE!” Ms. Taslahm’s face became red and splotchy. Then, her voice softened. “I really hope you guys learn and listen to everything that I teach…it’ll help, a lot. Now, excuse me for a sec…” After Ms. Taslahm got out of hearing range, Sincere whooped and Kaden patted my back. “Congrats, Heather, you won. You made her blow big-time!” Dimly, Heather remembered the contest the boys and Heather had made. Whoever made their teacher ‘blow’, won. But that was by far the last thing on her mind. Is life really like that. You get a prince, you win, if not, you lose and perish…wow. Heather rubbed her temples as the full force of life slammed into her, and as she did, her strawberry blond hair swooped around her, covering her in what seemed like a safe, copper, veil, away and away from reality and, well, life. Away and away. (Comments, Suggestions?)

Life could be hard most of the times and it could be horrible. The worst thing about it though, is that people come and go. Living in the moment, we are all blissfully ignorant to the fact that maybe one day, the person in front of us could be a thousand miles away. We don’t usually think about it. What we usually think about is the future we could have with that one person together. We are hopeful that no matter what happens, we’ll always stay the same. We start building that perfect image of the future and how it would be with that one person beside us, but we always seem to forget that, in fact, people do come and go.

To me, it was great shock when that one person left me. I was very close to her: we were practically sisters. I had known her since we were kids. We grew up together; in fact, I can’t remember what my life was like before her. Both our parents believed that we are inseparable, and they made me believe it. What I didn’t know was the fact that they knew. They knew that one day she could leave me. They knew that in all honesty we weren’t inseparable. Most importantly, they knew that people come and go.

We were in the same middle school. We would go to school together and laugh along the way. She would pull me from my arm and drag to the school ground. Life was merrily moving on and we were mere kids living our lives. The last day of middle school – I remember it clearly- the sun was shining brightly in the sky. It was one of those hot, burning days. We were heading back from school, racing through the tree shades and laughing. Obviously, the excitement of the vacation hyped us up. If only I had paid attention at that time, I would’ve seen that my friend’s steps lacked their usual bounce and her smile lacked the usual sparkle. Thinking back to it again, I realized that her dreadlocks fell dead on her shoulders and gently swayed with the heat-filled wind. Her shoulders were slightly hunched with the weight of the news she had carried.

I was too excited to notice any of those little details, and I should’ve. We pranced all the way to our houses (we lived beside each other). As we were used to, we both ran through my front door as soon as it was opened. On the inside wasn’t what I expected. Mrs. and Mr. Sullivan were in the living room. It wasn’t something out of the ordinary though; they were always over at our house. Their faces, I will never forget the solemn look they had on their faces. Mom ushered me and Nancy into the house hurriedly. We both threw our bags next to the couch. There was tension in the air and I could feel it.

“What’s wrong?” I asked as I sat on an armchair. The adults present all looked at one another sharing worried glances. Nancy walked slowly to her parent’s side and clasped her hands together. She sat at the edge of the couch with her head hung low and feet bouncing fast. She was nervous, I could tell.

“There’s something we need to discuss…” Mom moved her gaze towards Mrs. Sullivan motioning for her to start.

Mrs. Sullivan swallowed nervously and cleared her throat. “We know you and Nancy are such great, close friends,”

“And we know we’ve always dreamt of you two growing together,” Mr. Sullivan continued.

“But there are some times when things don’t always go the way we wanted them to,” my father laid a gentle hand on my shoulder. I looked at him confused then turned to everyone.

“I don’t get where this is going.” My voice was shaky fearing what they could say.

“Mr. and Mrs. Sullivan have gotten a new job opportunity in France-”

“Well, that’s great! They’ve always wanted that!” I interrupted my mother and beamed at the Sullivans.

“Yeah, it is, honey, ” my mom smiled sadly, “but…”

“But what?”

“We’re going to France, Lee.” Nancy spoke for the first time. I was very proud of the Sullivan couple for finally reaching their goals. However, it took me a few seconds to actually comprehend what she had just said. Slowly, the smile was erased from my face.

“No…” One word. Only one word, but it was packed with emotions. Tears burned my eyes. I covered my mouth in shock as my gaze raced from person to another, searching for a sign that this isn’t true. This isn’t happening! But they all watched me with sad faces and guilt.

“No, this can’t be happening. This can’t be happening!” I got up to my feet with thoughts racing through my head. “What about our high school years together? We’ve always wanted to go to high school together! It is an experience that cannot be relived any time! What about the parties and sleepovers we were gonna have? Huh? How are we gonna do that now when we’re thousands of miles apart?”

“It wouldn’t be that bad, you know we can chat over the internet.” She tried saying weakly as the tears ran don her face.

“Chat over the internet? You and me both know that isn’t going to happen! Or have you forgotten about Cassandra?” She took in a sharp breath at Cassey’s mention. “You promised you won’t leave me the same way she has!”

“I don’t have a choice!” She was on her feet by now.

“Sure you do! You can stay here!”

“And leave my parents? Lee, you know I can’t live without them!”

“So that’s it? You’re actually going to leave me?” Both our eyes were bloodshot. The adults just sat there, barely holding their tears.

“I guess that’s it.” A second’s pause passed before we embraced each other. Our sobs were loud as we held onto each other. We slowly slid onto the ground; the adults soon joined us.

That moment I would never forget. The moment my best friend left me behind. It was the moment I realized how hard life could be. You truly never know someone’s value until they’re taken away from you. Even through the heartbreaks and break-ups I’ve went through in high school and college, nothing was worse or more painful than that one moment.

People come and go, that’s the way life is. They always leave an imprint of themselves behind, but their memories last long.

People will always come and will always go, but their memories will last long and strong.

The river was our life, yet it was our death. If it wasn’t for the current, and the water of the river, our crop fields would be nothing more than dry, dusty, useless plains. But the river was a deathtrap, after we would get a great harvest, the river would flood our small town, destroying houses, building, and lots of the crops. Livestock would die, and our villagers would be killed. As the main farmer, I tried to make a wall or a levee on the branch of the river that flows next to my lush crop field, but every time, the river would wash over, breaking the wall and destroying everything, I was determined not to let that happen. On July 2, just three months away from harvest, I got up at 5:00 AM, tired, and sleepy, being up 30 minutes earlier than usual. I’ve thought of moving to Italy or Israel, but even if I sold the crop field I wouldn’t make it, and the citizens here would die without me. I sighed, it was a hard life, but at least my wife and family was with me, well most of them. Last year My son moved to Greece, and my daughter, was killed by the flood. The grief follows me everywhere, my other kid is too young to remember them. I also fought with the guilt of my daughter’s death, if I just tried a little bit harder, got up a little bit earlier, I could have saved her, but I didn’t and now it’s too late. I sat there for a second and wiped a tear from my cheek, for her, I will stop the flood and make sure nobody else must suffer the pain and grief I have, NOBODY. I got up and got dressed. I looked in the mirror, and could barely recognize the man in it. I had calices, and wrinkles, and grey hair. My hair was messed up, my boots dirty, and my clothes ripped and torn, I don’t care how I look anymore, after her death, I quit caring about my looks, I just got up and left. Hygiene wasn’t a number one priority either, I barely brushed my teeth, and took a shower every one or two weeks. I didn’t care much for food either. Every morning I would get up, drink a cup of coffee, eat a slice of bread, and an egg. Then in the afternoon, I would retire to the house, my wife would cook something, then I’d drown my sorrows and burdens in whiskey. But to the current task, I was as determined as ever, and wasn’t going to waste any time. My servant would be tending to the farm all day, while I worked on the river. I grabbed a stale piece of bread, and shoved it in my mouth, barely noticing its terrible taste and its staleness. I skipped having a coffee or anything else. I went outside, the sun wasn’t up yet, but there was a faint red line the west, signaling that it was coming soon. I mounted my horse, and rode to the supply store. Once in town, I stopped at the store and bought tons of bricks, I paid for it, and left, determined to waste no time. By the time, I got back to the farm, the sun was up, and it was around 6:30. I had already wasted too much time. I went to the river and started putting the bricks together. I left a hole in the bottom, so the farm could still get water. I grew tired and tired, when eventually, after lugging a heavy brick, I fell, and I heard a crack. The pain was fierce, like I was getting stabbed with a million needles at once, and it kept going, the pain was sharp and searing, and it was in my back. I couldn’t move, I tried calling for help, but my mouth wouldn’t cooperate, I started seeing stars, and eventually, everything went black, and my head fell down hard, hurting more.

WIFES PERSPECTIVE

I asked the servant if he’d seen him, and he said, “I reckon I haven’t, seems a bit suspicious to me. Tell me if you have, he still owes me some money.” He started chuckling, but when he saw my solemn face, he quieted and got a somber look, “I hope you find him, good day ma’am.” He tipped his hat and kept milking a cow. I don’t know what to think, but eventually, I saw some bricks, then I saw a huge rock laying by it. When I realized, it wasn’t a rock, it was my husband! I nearly fainted, and choked back a sob, the pain of my daughter’s death became all too real again. I looked at him, he was breathing, but he wasn’t moving at all, his eyes were closed, he looked as if he was in another dimension and he looked like he was falling away, I gagged, and chocked back another sob. I ran up the hill and called for the servant to get the medic, and told him the situation, he complied, and I rushed back to my husband.

Everything was black, I was completely numb, and all feeling and heat went right out of my body, everything was cold, and I began to shiver inside my skin, then the memories came… I just exited the barn when I heard the screaming, it was oddly familiar, and I felt like I should know, the voice was tugging at me, when I remembered with a sickening nature, it was my daughter! I tried to run to her, at least my brain did, but my body wouldn’t comply. I was stuck there, helpless and my daughter screaming. What’s happening? I began to move when I heard the familiar gushing, the sound of the waves, and the river, it was flood season! Oh, no, my daughter, she must be there! I started sprinting, when I was stopped short. The gushing got louder, and louder, then BAM! The river exploded with an ear-cracking sound, like it did every year, except this year was different, the river noises were mixed with the screaming of my daughter, and I tried to run, but I was engulfed in water. I swam with all my might against the strong current to get to my daughter, but I couldn’t, I tried for a little bit, then, became tired, and couldn’t do anything, I had to use all my strength just to stay above water so I wouldn’t drown. I hoped that maybe the current would push my daughter to me, but I abandoned it when my daughter was pulled deep into the gushing, overflowing, imploding river, I then realized that this would be the end if I didn’t do something, so I swam as hard as I could, but after I moved a few feet, my arms burned, my legs roared with pain, and my body screamed for me to stop, but my brain told me to move forward, but I couldn’t, not one bit, my body shut down, and I couldn’t move, I sank to the bottom, and abdicated all hope of being able to rescue my daughter, Don’t worry, they’re going to find her, I just know it! The optimistic part of my brain said. But the rational part of my brain knew it wasn’t possible, and soon the rest of my mind agreed, and I felt defeated, like someone had come and took a huge chunk right out of my body and left it there. And I began to hope they wouldn’t save me either, so I could be with my daughter and live in eternal peace, then I could apologize that I wasn’t man enough to save her. I was at the bottom of the water, and I felt like paper, with no soul in me, and the water moved me, until I passed out.

The memories kept coming, one of my daughters funeral, one when my son left, one when me and my wife got married, and I let them come, until the second part of the daughter catastrophe came, then I began to fight, I didn’t want to see another atrocity, I wouldn’t let it happen, but the memory flood in anyways and I gave up.

I woke up, the water was gone, and the river was flowing like normal, I was accompanied by many medics, when one of them yelled, “He’s awake!” and they cheered, I would be cheering too, if I wasn’t the one about to die, almost nobody survived the flood, even if we recovered them, we could not get them to live, and some people would wake up, but die in the hospital. “We need to get him to the hospital immediately!” A medic with a white jacket and a red cross yelled, whom I assumed was the head medic. “No!” I yelled, and coughed up seawater, “My, daughter,” I got out and then the pain attacked me again. The doctor got a solemn look, and it looked like my wife choked back a sob, “I’m sorry to inform you of this, but we recovered your daughter and brought her back to life, but she was paralyzed, and soon died from a stroke.” I tried to be tough, but it wouldn’t happen, and began to sob, the doctor patted me on my back, and said, “I’m terribly sorry, but we are going to take you to the hospital, and our flood prevention donors are going to pay for her wedding and your medical bills.” I wanted to resist, I wanted to stop them from taking me to the hospital, I wanted to do something, anything, but it wouldn’t happen, and I let them take me, with the pain attacking me, fiercely, and I felt like I was imploding, I sighed, and fell asleep.

I woke up, finally away from the terrible memories, I attempted to sit up, but pain seared through me, and the pain engulfed me. I choked back a sob, the memories making the pain all too real again. I attempted to sit up again, when I realized I wasn’t where I was when I fell. I was in a hospital, the same one I was in when my daughter died, my first thought was that this was another memory, but I thought better of it when more pain seared through me. Then, I couldn’t move my right arm, or my left leg, and most of my body wasn’t responding, and it and the pain were threatening to engulf me. I tried to sit up, but all that happened was another searing pain, I cried out in agony. Then, the doctors came rushing to me. “I can’t move.” I managed to get out through gritted teeth, just with that little amount of talking, I felt tired, and more pain came. The doctor looked though some papers, then examined, me, and looked at a device, “Oh, dear.” He said, which made me feel a big scared. “What happened?” I managed again, the doctor looked at me, sighed, then talked, “When you were lugging that brick you fell, assuming because you were tired, and you landed on your arm wrong, which broke it, but when you fell, the brick fell on your back, breaking it, and,” he took a deep breath, then said, “making you paralyzed.” He left with a solemn look as I let that sink in, he had to be wrong, I tried to move, but couldn’t and tried to remain calm, but screamed inside my brain, fear, and pain attacked me, and me not being able to take it. I laid there, not knowing what to do or think, I was paralyzed, I’ll never be able to prevent the floods. I felt defeated, I surrendered, abdicating my chances of stopping the flood, and inside my mind, I was dying, I couldn’t take it, and pain seared through my body. Then, with a start, I awoke, and got ready to get to work.

Hi Everyone, Just getting started here and it looks like a wonderful spot to become a better writer. I like the forum setting also to exchange ideas and get input from others. Speaking of input, I have had a certain novel that I have wanted to write for a long time. I have a site and am starting to make a home for it and other works but it’s a sweeping storyline spanning years.I see my first lesson is to write a short story instead. I am not sure that I can pare this one down to a story in that amout of words and time.

So I would love some advice. Should I choose a subject from the list that was given to me or do a “partial ” story choosing a specific time frame, happening, or incident that could have a beginning and end derived from the book I want to write later? Thank you for any ideas and/or advice! Kathie

Gabriel García Marquez has a short story, “monologue of Isabel watching rain in Macondo”, which was originally part of a novel (like a chapter or something) but he decided he wasnt gonna use it, even tho he had already written it. So I’m guessing he wrote each chapter like a new short story, almost. His style is kinda difficult to copy, so maybe thats not a good example. Perhaps it doesnt really matter what you write, as long as you write it. Looking forward to reading some of your stuff, short or long 😀

This is my 15 minute writing practice. Usually, I do a lot more detail and something along the lines of romance, but for some reason I had a small idea of it having to do with a robotic girl and I just expanded onto it as I went along. I hope you like it! I’d like to know your thoughts on it too, what I did good and what I need to work on. If you have any interest in contacting me, just let me know. Thanks!

“When she was little, she never touched a Barbie doll like the other girls. She never thought about makeup. She was different. She read constantly. She learned to write stories at the age of 7. She could calculate the answers to basic Algebraic equations when she was 9. She didn’t just want to learn, it was as if she needed to learn. So that’s why I wasn’t surprised when the doctors told me she did.

Whenever I’d go over to her house and visit her, she’d be listening to music with her earbuds in while she did something like a puzzle on the floor. She’d never hear me walk in. But as soon as I asked her, say, maybe a mathematical question, all focus was on me and she’d be determined on getting the correct answer. She was strange. I never understood her ways or why she was the way she was, but I accepted it. I accepted her. I didn’t realize I’d be accepting an it.

I got the call on Wednesday morning around 3 A.M.. It was an officer from the police department. I was confused and scared. What could possibly be wrong? A million things. A million things could be wrong. I asked every question I could think of or manage to get out of my mouth, but all I could get for an answer from whoever it was on the other line was: “Come down here and see for yourself.” So I went down there to the police station. When I arrived I was wondering why we weren’t somewhere such as a hospital already. As I walked in, I knew why. For Lilith, we don’t need a hospital, we need a mechanic.

Lilith was sitting in a chair while uncertain medics, police officers, mechanics, and many others were surrounding her. At a distance her father was holding her mother in her arms as she cried, I’d expect him to, but he wasn’t. He was just staring at his daughter, a blank expression across his face. I ran over to them, only a few of the million questions I had, spilling out of my mouth. I couldn’t get a response from either.

I turned and barged into the crowd of people surrounding Lilith. “Lilith!” I screamed. No response from her, no movement, no words spoken, nothing. It’s as if there was a switch on her and it was turned off. I pushed through the crowds and they obliged, allowing me near her until I was on my knees crying as the wires that were strewn out of her knees lay twisted and coiled on the floor around me. What happened to her? What happened to my best friend?

To answer that question for you, the government persuaded her father that it was the right thing to do. That it’d be alright. That’d it’d be safe, for them to experiment on his daughter. They had a theory that if they somehow rearranged body parts and substituted wires and motors and such for things like organs and tissues, later in life the average human would be invincible. They’d be capable of learning anything. They’d be capable of learning everything. But Lilith, she learned everything already by the age of 19. What else was there for her to do? Her life goal was to do such and she’d done it. Her body was shutting down. She needed to know more, her robotic body needed it. Her mechanical mind needed stimulated by something.

Although she was mostly robotic, she was also partially human. She had one of the most humane things, emotion. And she was suffering as she grew weaker everyday. Literally dying to know more. As the robotic part of her began to give up, so did the human part. She gave up. She didn’t want to be just an experiment, and she definitely didn’t want to give any result to the scientists who thought this would be alright, that it was successful. So she let them know that it failed as she slashed through the wires and circuits inside her, turning off all parts of her, both motorized and mortal.”

I am currently working on a collection of short stories. It is in the beginning stages but the process is by far the most enjoyable part. I have about two thousand words completed so far. I roughly have spent about 5 hrs. The tips in this site have given me a clear path to creating a great story.I just want it to be able to relate to the reader grammatically. That’s my main concern but doing research is part of the journey.

Amazing tips. I have written a mystery novella with twist in the end. When I started it I intended it to be a short story but it got stretched to 46 pages of length. It’s available on my blog. You may check it and feedback will be highly appreciated http://neuriverse.blogspot.in/

Sarah, The most challenging part of writing a short story is having an idea from personal experience. Having a general idea of it as a slice of life. But what is the theme? You get a sort of theme in what you want the story to communicate. You write bits and pieces but the biggest challenge is making all fit together. Particularly you want a series of actions and you want the reader to think of the theme naturally occurring out of accumulated flow of the story. Larry B.

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100 Creative Plot Ideas Organized by Genre

by GetPublished | Sep 17, 2019 | Blog , Writing

Table of Contents

Here are one-hundred plot ideas for when your mind is feeling frazzled and the noggin empty. Some of the plot ideas here are completely out of this world while others are down to earth. From dystopia to romance, to the cliché and outlandish, this list is sure to kickstart your imagination!

Overcome Writer’s Block With Some Fresh New Plot Ideas for Your Genre

Fantasy plot ideas.

First off, we have some fantasy plot ideas for all your magical needs!

• A mortal has been accidentally placed onto Olympus.
• Everyone is born with three wishes in life that they are not allowed to use until (input age here).
• A contest for the queen after the sudden death of said queen from a magical realm.
• The bridge between the realm of the fae and mortal shrinks with each day while tensions run high.
• You are the first and last person to discover the fountain of youth.
• You have lived for (insert time) but have run into the option to finally be set to rest, but (blank) makes you question what you truly want.
• You have lived many lifetimes, always in an endless cycle of birth and death, you finally find someone the same though.
• Each night you are woken by the shouts of sailors and deckhands, the ringing of bells, and the light. But no one else has seen or heard such things.
• Luck has become a hereditary trait.
• Imaginary friends have gone too far, now that friend is real… but something is totally off.
• “Familiars” play pivotal roles in society, the strength of said creature determines your fate.

Live your fantasy writing dream, or find a genre that you should write for !

Romance Plot Ideas

Maybe love will always find a way with these romance plot ideas. Or will everything go down in flames?

• She’s a world-class thief, he’s the lead investigator. At each crime scene, there’s a note left just for him.
• He’s rich beyond anyone’s wildest dreams and no one has ever been able to get close to him. All he cares about in life is perfection which he always is looking for in artwork and whatnot. But then an unruly, perfectly imperfect girl bumps into him, ruining the vase he’s bought while at a show.
• She has no care for love, all she cares about is ruling with an iron fist, making her the fearsome but prosperous boss nationwide. Her newest hire has all the skills needed and perfect in every aspect, but then she’s discovered to be sent by her rival… what will she do?
• She’s motivated by blood and money and will take nearly any contract if there’s enough cash involved; he is to be the victim. But when one contract killer is trying to kill the other, what will occur?
• In his kingdom, it is to be a queen that always rules. However, when both his parents are murdered, to keep some unpleasant relatives off the throne he must change his entire identity to be the new queen. This includes marrying the prince of another kingdom…
• He ensures that everyone finds their soulmate, sometimes through much trial and error. All he’s ever done is watch idly by, but when he falls in love with a mortal meant for someone else, what is he to do?
• She’s a writer, one that writes about love and death. One night she gets a call from someone who says and acts exactly as one of her characters did… alarmed she continues to contact this person. Soon enough she finds herself in love with the character…
• She expects and wants everything to go exactly like all the fairytale stories she heard when she was younger, always with expectations high whilst being often the laughingstock. But then, she meets him…
• Everyone knows their fate, hers is quite bleak. She has no motivation and low expectations because of it, but then she is mistaken for someone else. And when she is mistaken to be who she’s not, he comes into her life and finds herself with everything she was never supposed to have.
• His father is quite literally (some well-known character that would cause problems, ex: the devil, Frankenstein/ doctor Frankenstein, Vampire/Werewolf, etc.), making him a total outcast. When a new girl who heeds no warnings approaches him, what will he do?
• Their relationship was fake or at least supposed to be anyhow.
• She began getting strange letters in her mail, they were yellowed and very old looking, but somehow well preserved all the same even though appearing to be from centuries ago. She eventually decides to write one back, and he receives it. They’re centuries apart but sure they’re soul mates.

Mystery Plot Ideas

What’s been stolen, who’s dead, what’s the motive? So much to ask for these mystery plot ideas.

• You can’t figure out whether you’re awake or asleep.
• You have woken up after a terrible accident, at least that’s what everyone has told you. No one seems to be willing to give any details and you can’t remember the last year of your life…
• You could’ve sworn that someone tapped you on the shoulder, but no one was there. As well you feel watched, and then you receive a letter.
• A few months ago, you began to sleepwalk, but it’s not only you, but it also seems the entire town is as well.
• As you’re restoring a painting you notice something strange, an engraving and the details seem to be changing.
• A crime has occurred, more specifically a murder. The victim was found poisoned at the scene and as if they were sleeping, next to a bitten apple… and they were dressed as snow white. Will more follow?
• A picture is worth a thousand words, or at least that’s what they say. This one was certainly worth more than that.
• A box of pictures fell onto you as you bumped a shelf, it showed a person in each and seemed to go back quite a long time… but in each, the same cat sat.
• People believed to be dead or lost for years have started to show up as if they never left with no recollection of where they went either.

Pro Tip: Instagram, Twitter, Facebook—don’t let distractions keep you from writing your first novel! Use different online writing tools to get the most out of your writing sessions.

Dystopian Plot Ideas

Suffering and injustice, the bread and butter of dystopian society, plenty of that in these dystopian plot ideas!

• People are now able to quite literally bet their lives when gambling now.
• In a desperate hope to cut down on crime and population, those convicted are now entered into a lottery of sorts, the prize? Death. Those with more convictions or worse crimes have a higher likelihood of being chosen.
• No one remembers why the walls were built, no one wishes to leave either though.
• Black Friday has turned into a “game” for the rich. They throw trinkets and cash to the crowds of those poorer to watch the bloodbath that ensues.
• Due to the high-cost and overcrowding of prisons, the government has sent prisoners to man-made islands of which there is no escape. Each island is for a certain level of prisoner, they are left to create their own society or kill each other, whichever works, I guess.
• It is now rare for twins to be born, and when they are born it most often is due to one that is meant to stop the other.
• A very rare few are born without emotions; it is possible though for others to donate emotions for a time.
• Physical traits are achieved through personality. Over time good deeds will create beauty.
• Reincarnation is a real thing, and there are bounty hunters to track down these people. They may have been lovers, criminals, etc.
• The ability to see color is a privilege of the aristocratic.
• Only the smart, strong, and stunningly gorgeous survive. Everyone else is put to death to control the population.
• Sometimes news stations find themselves lacking, that’s why you were born. You’re what they call a Joker, your entire purpose is to do all that will make for a great story.
• It is now possible to entirely swap bodies with someone else. Of course, this always results in the death of who you’re swapping with.
• It is illegal to look outside from the time 11:07 pm to 6:07 am. Each person is required to enter a windowless room for those times in which the government has the ability to lock and unlock the door.
• The earth turns out to be a sanctuary for an endangered species, humans. Today is the first day they are to be introduced back into the wild.

Hunger Games, Divergent, The Maze Runner—what do all of these books have in common? They are dystopian novels turned blockbuster movies! Read more about the best—and worst— movie adaptations of all time .

Horror Story Plot Ideas

Clowns with red balloons and masked killers, don’t go into the haunted house! Here are some horror story plot ideas!

• As an assassin with a sixth sense, you seek vengeance for the restless souls.
• You’re a sleepwalking murderer, but when you wake up, you’re a well-known and renowned detective. You’re hunting yourself and others.
• In the future virtual reality is more prevalent and even realistic than it’s ever been, an entirely new world and life. It’s often used on high profile criminals to make them live what they did from the victim’s view or their worst nightmare.
• You’re finally meeting your “soulmate’s” parents, thrilled and full of glee. But as they close the door behind you, they lean in to whisper, “I’m sorry” / “Forgive me”.
• You’ve been noticing strange things when you awake, new marks or stains, objects moved, new, or even missing. So, you set up a camera. After a few weeks of going over the footage, there’s something strange and unnerving.

~Idea to further this: You wake up, get out of bed, and look into the camera… and then you die. (You kill yourself, duplicate comes in, etc.), Then someone who looks like they could be an exact clone comes in and drags out the body, cleans up, and slips back into bed.

• She never seems to be able to get it right. She can’t seem to find “the one”, or someone even close to that. Little does she know it’s been the same… creature, a shapeshifter who at all costs will have her.
• Each night you heard a tapping on the glass or shrill noise. One night it was too loud to ignore and persisted… soon you realized it was coming from the…
• It’s 3:33 am, a blaring siren comes from your phone with an official notification: Do not look at the moon, do not even glance at it. As well there’s an unbelievable amount of texts and posts on social media saying in some way that it’s a must-see, stunningly beautiful, once in a lifetime view.
• “The human mind is truly the most horrifying and gruesome thing of all.”
• The crow counting rhyme: One for sorrow / Two for mirth / Three for a wedding / and Four for a birth / Five for silver / Six for gold / and Seven for a secret not to be told. There are also many variations of this rhyme that you could use instead, sets up for an interesting and creepy story though.
• The last thing I saw was the glow of my alarm clock, 3:00 am, and then (something scary, death, creature, etc.) ex: its long and sharp rotting nails slowly tore through my neck, its other “hand” muffling my screams. I then woke up in a cold sweat and glanced at the clock, 2:59 am… and that’s when I heard a creaking and smelled of rot.
• It is now possible to know some details of your past lives, how many, how long you lived, etc. As well it’s been linked that some of your phobias are how you died…
• You’re on edge, a few weeks ago you there would be some weird occurrence. Then it was a note with messy and illegible writing. Now you can hear shrill noises, screams, shouting, indistinct. Now at seemingly the source of a scratching noise etched is a clear warning.
• An anonymous admirer letter was slipped under your door at your college. It would seem cute and sweet if it hadn’t been from your closet.
• I found a dead body in my trunk today… I could’ve sworn that I had more than that in there just yesterday.
• Every night you visit me, sometimes in a dream, sometimes in my nightmares.
• I kissed my wife and darling daughter goodnight… and then I awoke in a white padded room with a straight jacket on. They told me it was all just a dream.

Plot Twist Ideas

There are some real turnarounds in this list of plot twist ideas!

• The princess saves the prince.
• Write a story where one of your characters either from the start or at some point in the book are dead or presumed dead. Then have it be that they never were to shake up the story.
• A character that keeps telling outlandish things, but it turns out they’re right.
• A main character or “essential” character killed out of nowhere.
• Have a very guilty and easy to hate a character in your story, have it be a double-cross or frame job.
• A character who is mistaken for someone else but goes along with it.
• A character is revealed to not be what they or the audience had thought.
• An important character throughout the plot is revealed to never have truly existed.
• Some devastating occurrence is caused by those whose entire goal was to fix it or keep it from occurring.
• A character believed to be unimportant to quite bland turns out to be essential and far from.
• Something the character has been searching for or desperately needed was right in front of their eyes the entire time.
• Have it turn out to be that the entire time some blackmail has been the cause for nearly all of a character’s actions.
• A character who is absolutely in love/ obsessed/ or infatuated with another learns it’s for the wrong reasons/ that they’re not at all what they seemed/ etc.
• It turns out the character or group of characters have been led to helping the enemy.

Other Creative Plot Ideas

Here are the last fifteen plot ideas, hopefully you’ll find some other creative plot ideas as well here!

• Make a hero or protagonist that most will hate, vice versa for an antagonist or villain.
• Truth or Dare, your character has a secret, or a truth. What are they willing to say or do to keep said truth secret.
• “I love you.”, “Lying isn’t a good look for you.”
• A bunch of short stories that end on major cliffhangers, but a final one. Once you’re done writing those maybe have them somehow all connect or give the ending to each.
• Everyone ages up until a certain age (ex: 18, 21, etc.) and will remain that age until they meet their soulmate. (Could be used as someone avoiding finding theirs to reign forever, or accidentally aging, or finding you aren’t aging even when with someone.)
• A high school group can’t agree on the meaning and interpretation of Romeo and Juliet , so of course they split into two groups. But then, one person from one group falls in love with the other. Even though it seems nearly every Shakespeare is going on in the group at the same time.
• The retelling of Snow White, if she truly had lips red as a rose, hair black as ebony, and skin white as snow.
• A world where everyone is born with a unique tattoo that gives a hint to fate, personality, each person they love their tattoos will begin to form somewhere on them. These tattoos cannot be removed and will not go away, though they can be hidden and covered. They will receive a tattoo or mark for each love they have, it does not matter if they no longer do or what happens.
• A customer-service worker (retail, support, etc.) who quits their day job to deal with demons, ghosts, and whatnot.
• A story on vampires, but not all are the usual sophisticated, well mannered, well spoken, and so on. Instead, they do their best to not seem outdated, may mercilessly mix multiple slang from way to many different eras, or talking in laughable applications of slang and references, etc.
• Vampires, but for once there are those who’ve been turned other than around nineteen or twenty. With some being turned as a child or while elderly.
• A world where all the mythical creatures or monsters, etc., exist and try to coexist. Each with their own job, talent, and so on. Trying to live “normally”.
• Cinderella went to the ball to murder the prince. Retellings of well-known fairy tales.
• A “superhero” and “villain” who are roommates and nemesis. (Could be they don’t know about the other so both are lying, they both know but don’t want to give away themselves, so on)
• A twist on the changeling stories. A mother caught a fair attempting to switch the child with a changeling soon after the arrival of her child. So she is unable to tell them apart, raises both. Both twins are exactly identical in voice and appearance.

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How to Write a Short Story (Ultimate Guide + Templates)

Writing a short story is like crafting a tiny universe—every word counts. Over the past 20+ years, I’ve penned dozens of tales, each a unique journey.

Here’s a quick answer to how to write a short story:

Write a short story by sparking an idea, outlining your plot, creating characters, setting the scene, and building conflict. Use dialogue for character depth, choose a consistent POV, and end with a satisfying resolution. Keep your prose clear, concise, and engaging.

Keep reading to learn everything you need to know — with examples!

What Is a Short Story?

Table of Contents

A short story is a brief narrative that typically focuses on a single plot, character, or theme. Unlike novels, short stories aim to deliver a powerful punch in a limited number of words.

They range from a few hundred to several thousand words, making them perfect for readers with limited time.

Key Features of a Short Story:

• Brevity: Short stories are concise, packing a lot of meaning into fewer words.
• Single Plot: They revolve around one main plot, unlike novels which can have multiple subplots.
• Limited Characters: Usually, there are fewer characters, allowing for deeper development within a short span.
• Focused Theme: They often explore a single theme or idea, providing a focused narrative.

Elements of a Short Story

Every great short story contains several essential elements.

These components work together to create a compelling narrative that engages readers from start to finish.

The plot is the backbone of your story. It’s the sequence of events that unfold, driving the narrative forward.

A strong plot will have a clear beginning, middle, and end. Focus on creating a narrative arc that builds tension and leads to a satisfying resolution. Think about what your characters want and what obstacles stand in their way.

Characters are the heart of your story.

They should be well-developed and relatable, even in a short format. Your protagonist should face challenges that drive the plot forward. Give your characters distinct voices and personalities to make them memorable. Remember, even minor characters can have a significant impact on the story.

The setting establishes the time and place of your story. It provides context and can greatly influence the mood and atmosphere.

Use vivid descriptions to paint a picture for your readers, making them feel immersed in the story. The setting can also reflect the internal state of your characters, adding depth to your narrative.

Conflict is what makes your story interesting. It can be internal (inside a character) or external (outside characters, with other characters, or even forces).

Without conflict, there’s no story. Identify the main conflict early and build your plot around it.

The resolution of the conflict should lead to character development or a change in the situation.

The theme is the underlying message or insight your story conveys.

It’s what readers take away from your narrative. Consider what you want your readers to learn or feel after reading your story. A strong theme will resonate and give your story a deeper meaning beyond the surface events.

Point of View (POV)

The POV determines from whose perspective the story is told. First person, second person, or third person—all offer different advantages and limitations. Choose the POV that best fits the story you want to tell.

Consistency in POV is crucial to avoid confusing your readers.

Dialogue brings your characters to life.

It should sound natural and reveal something about the characters or plot. Use dialogue to show rather than tell, letting characters’ words and interactions convey their personalities and emotions.

Be mindful of pacing—dialogue can speed up or slow down the narrative.

Your writing style is your unique voice. It includes word choice, sentence structure, and overall tone.

It’s what makes your writing distinctive.

Experiment with different styles to find what works best for you and your story. A consistent style helps create a cohesive and engaging narrative.

How to Write a Short Story (Blockbuster Blueprint)

Crafting a short story is a thrilling adventure, and with the right blueprint, you can create a compelling narrative that captivates readers.

Here’s your high-level overview for how to write a short story, from idea to final draft.

1. Spark the Idea (Idea Ignition)

Every story begins with a spark of inspiration. This could be a striking image, an intriguing character, or a compelling situation. Keep a journal to jot down ideas whenever they strike. Remember, the best ideas often come from the most unexpected places.

2. Frame the Blueprint (Plot Planning)

Once you have your idea, it’s time to outline your plot.

Think of this as designing the blueprint of your story. Outline the key events and structure them into a clear beginning, middle, and end. Use a plot diagram to visualize the rise and fall of action, ensuring your story has a satisfying arc.

3. Character Crafting (Hero Forge)

Characters are the heart of your story. Develop your protagonist and other key players with detailed profiles. What are their desires, fears, and motivations? Crafting multidimensional characters will make your story more relatable and engaging.

4. World Building (Setting the Stage)

Set the scene for your story. Whether it’s a bustling city, a quiet village, or an alien planet, your setting should be vivid and immersive. Use sensory details to transport your readers to the world you’ve created. The setting should complement and enhance the narrative.

5. Conflict Creation (Trouble Brewing)

Conflict is the engine of your story. It drives the plot and challenges your characters. Identify the central conflict early on and develop it throughout the story. This could be an internal struggle, a clash between characters, or an external obstacle.

6. Theme Weaving (Message in a Bottle)

Every great story has a deeper message. Determine the theme of your story—what do you want your readers to take away from it? Weave this theme subtly into your narrative, so it resonates without overshadowing the plot.

7. POV Selection (Narrative Lens)

Choose the perspective from which to tell your story. First person, second person, or third person—each offers different advantages. The POV will shape how readers connect with your characters and perceive the events.

8. Dialogue Design (Chatterbox)

Dialogue breathes life into your characters. Craft conversations that sound natural and reveal character traits and plot points. Good dialogue moves the story forward and provides insight into your characters’ minds.

9. Descriptive Detailing (Paint the Picture)

Use descriptive language to create vivid images in your readers’ minds. Focus on sensory details to make scenes come alive. Balanced description adds depth to your narrative without overwhelming the reader.

10. Scene Crafting (Moment Makers)

Identify and write the key scenes that form the backbone of your story. Each scene should have a purpose, whether it’s to advance the plot, develop characters, or highlight the theme. Ensure that every scene is engaging and drives the story forward.

11. The Grand Opening (First Impressions)

Your story’s beginning sets the tone and hooks your readers. Start with a compelling scene or intriguing line that draws readers in. Establish your setting, characters, and conflict early to build interest.

12. The Big Finish (Closing Curtain)

A strong ending leaves a lasting impression. Wrap up your plot and resolve the central conflict. The ending should be satisfying and resonate with the theme of your story.

13. Perfecting the Length (Word Count Wizardry)

Short stories have limited word count, so every word must count. Aim for conciseness and clarity. Edit ruthlessly to trim unnecessary words and tighten your prose.

14. Polishing the Draft (Final Flourish)

The final step is revising and editing. Check for grammar, spelling, and punctuation errors. Refine your language and ensure consistency in tone and style. A polished draft elevates your story from good to great.

This blueprint sets the stage for a captivating short story. Next, we’ll dive deeper into each step, exploring techniques and tips to help you master the art of short story writing.

Watch this good video about how to write a short story:

Short Story Structure (5 Creative Templates/Story Beats)

Structuring your short story is crucial to maintaining reader engagement.

Here are five creative templates to help you organize your narrative effectively:

1. The Classic Three-Act Structure

Act 1: Setup – Introduce your characters, setting, and central conflict. Hook the reader with an intriguing opening.

Act 2: Confrontation – Develop the conflict and build tension. Your protagonist faces challenges and obstacles.

Act 3: Resolution – Resolve the conflict and wrap up loose ends. Provide a satisfying conclusion that resonates with the theme.

2. The Hero’s Journey

• The Ordinary World – Establish the protagonist’s normal life.
• The Call to Adventure – Something disrupts the status quo, prompting action.
• Crossing the Threshold – The protagonist enters a new, unknown world.
• Trials and Tribulations – The hero faces tests and gains allies.
• The Climax – The protagonist confronts the greatest challenge.
• The Return – The hero returns transformed, bringing newfound wisdom or change.

3. In Medias Res

• Begin in the Middle – Start your story in the midst of action, grabbing the reader’s attention.
• Flashback – Gradually reveal the events leading up to the present situation.
• Climax – Reach the story’s peak conflict.
• Resolution – Conclude by addressing the fallout and tying up loose ends.

4. The Kishōtenketsu Structure

• Introduction (Ki) – Introduce characters and setting without conflict.
• Development (Shō) – Develop the situation, showing normal life.
• Twist (Ten) – Introduce an unexpected twist or turn of events.
• Conclusion (Ketsu) – Resolve the twist, bringing the story to a satisfying close.

5. The Fichtean Curve

• Inciting Incident – Start with a conflict that propels the story.
• Rising Action – Build tension through a series of complications and crises.
• Climax – Reach the highest point of tension and conflict.
• Falling Action – Address the aftermath of the climax, resolving conflicts.
• Denouement – Tie up loose ends, providing closure for the reader.

These templates provide flexible frameworks for structuring your short story, ensuring a coherent and engaging narrative flow.

Checklist for Writing a Short Story (Based on The Fichtean Curve)

How to Come Up With Good Ideas for Short Stories

Generating ideas for short stories can be challenging, but with the right techniques, inspiration can strike at any moment.

Here are some methods to spark your creativity:

1. Observe the World Around You

Pay attention to your surroundings. Everyday situations and interactions can inspire compelling stories. Eavesdrop on conversations, notice peculiar behaviors, and observe how people react to different situations.

2. Tap into Personal Experiences

Reflect on your own life experiences. Personal anecdotes, memories, and emotions can provide a rich foundation for your stories. Authenticity often resonates with readers, making your stories more relatable.

3. Use Writing Prompts

Writing prompts are excellent tools for kickstarting your creativity. They provide a starting point and can lead to unexpected and exciting storylines. Challenge yourself with prompts that push you out of your comfort zone.

4. Explore “What If” Scenarios

Ask yourself “what if” questions to explore different possibilities. What if a character had a unique ability? What if a mundane event took a surprising turn? This approach can lead to imaginative and original stories.

5. Draw from Myths and Folklore

Myths, legends, and folklore are treasure troves of story ideas. Adapt and modernize these timeless tales, or use them as inspiration for your own unique narratives. This can add depth and universality to your stories.

6. Combine Genres

Mixing genres can create fresh and exciting stories. Combine elements of science fiction with romance, or blend mystery with fantasy. Genre mash-ups can lead to innovative and intriguing plots.

7. Freewriting

Set a timer and write continuously for a set period without worrying about grammar or coherence. Freewriting can help unlock hidden ideas and break through writer’s block. Let your thoughts flow and see where they take you.

8. Engage in Creative Activities

Engage in activities that stimulate your creativity, such as drawing, music, or even taking a walk. These activities can help clear your mind and make space for new ideas to emerge.

9. Read Widely

Read a variety of genres, authors, and styles. Exposure to different voices and perspectives can inspire new ideas and approaches to storytelling. Take note of what resonates with you and why.

10. Collaborate with Others

Discuss story ideas with friends, join writing groups, or participate in workshops. Collaboration can provide fresh perspectives and spark new ideas. Feedback from others can also help refine your concepts.

How to Write a Short Story Title

Crafting a short story title is a crucial step in the writing process.

A compelling title can grab a reader’s attention, hint at the story’s content, and set the tone for the narrative. Here’s how to write a short story title that stands out:

1. Reflect the Theme

Your title should encapsulate the essence of your story. Reflect on the central theme or message and try to convey it succinctly. For example, if your story explores the theme of sacrifice, a title like “The Price of Love” might resonate.

A thematic title gives readers a hint of what to expect and sets the stage for the narrative.

2. Evoke Emotion

A good title evokes an emotional response.

Think about the emotions you want your readers to feel and choose words that trigger those feelings. Titles like “Silent Tears” or “The Last Goodbye” immediately evoke a sense of melancholy or loss. Emotional resonance can make your title memorable and intriguing.

3. Be Specific and Unique

Avoid generic titles that could apply to any story.

Specificity adds uniqueness and intrigue. Instead of a broad title like “Adventure,” opt for something more detailed like “The Forgotten Temple.” This specificity not only piques interest but also gives a clearer indication of the story’s content.

4. Use Literary Devices

Incorporate literary devices such as alliteration, metaphors, or irony to add flair to your title.

Titles like “Whispers in the Wind” use alliteration to create a poetic rhythm, while “A Bitter Sweet Symphony” employs irony and juxtaposition. These techniques can make your title more engaging and memorable.

5. Keep It Short and Sweet

While it’s important to be descriptive, brevity is also key.

Aim for a title that is concise yet impactful. Long titles can be cumbersome and difficult to remember. Short, punchy titles like “Gone” or “Echoes” are often more effective.

6. Test Different Options

Don’t settle on the first title that comes to mind. Create a list of potential titles and test them out.

Share them with friends or writing groups to get feedback. Sometimes, an outside perspective can highlight the strengths or weaknesses of a title you might have overlooked.

7. Consider Your Audience

Think about who your readers are and what might appeal to them.

A title that works for a sci-fi audience might not be as effective for romance readers. Tailoring your title to your target audience can increase its appeal and relevance.

How to Craft a Short Story Outline

An outline is a roadmap for your short story.

It helps organize your thoughts, ensures a logical flow, and keeps you on track. Here’s how to write a short story outline that is comprehensive and compelling:

1. Start with a Summary

Begin with a brief summary of your story. This doesn’t have to be detailed, but it should capture the essence of the plot. Summarize the main conflict, key events, and the resolution. This overview will guide you as you flesh out the details.

2. Define Your Characters

Create profiles for your main characters. Include their names, physical descriptions, motivations, and key personality traits. Understanding your characters deeply will help you write consistent and believable interactions.

Consider how each character’s goals and conflicts will drive the story forward.

3. Establish the Setting

Outline the key settings of your story. Describe the time and place where your story unfolds. Consider how the setting influences the mood and tone. Details about the environment can also provide context for your characters’ actions and interactions.

4. Plot the Major Events

Identify the major events that form the backbone of your story.

Break down the plot into key scenes or chapters. Each event should build on the previous one, leading to the climax. Ensure that there’s a logical progression and that each event serves a purpose in advancing the plot or developing characters.

5. Develop the Conflict

Clearly define the central conflict of your story. This is the driving force behind the plot and what keeps readers engaged.

Outline how the conflict is introduced, escalated, and ultimately resolved.

Consider both external conflicts (between characters or forces) and internal conflicts (within a character).

6. Plan the Climax

The climax is the peak of your story’s tension. Outline the events leading up to the climax and detail how it unfolds. This is where the main conflict reaches its highest point. Ensure that the climax is impactful and provides a turning point in the narrative.

7. Outline the Resolution

Plan how you will resolve the conflict and wrap up the story. This doesn’t mean everything has to end neatly, but there should be a sense of closure. Detail the aftermath of the climax and how the characters and setting have changed.

8. Review and Adjust

Once you’ve completed your outline, review it for coherence and flow.

Make adjustments as needed to ensure a logical progression and that each element serves the story. An outline is a flexible tool—don’t be afraid to revise it as your story evolves.

How to Create an Original Premise for a Short Story

An original premise is the foundation of a compelling short story.

It’s what sets your story apart and grabs the reader’s attention. Here’s how to develop a unique and engaging premise that includes character, setting, conflict, consequences, and a ticking clock.

1. Start with a Question

Begin by asking a thought-provoking question that combines character, setting, and conflict.

For example, “What if a reclusive inventor living in a floating city discovers a plot to sink the entire city within 24 hours?”

This question sets up a character (reclusive inventor), a setting (floating city), a conflict (plot to sink the city), consequences (destruction of the city), and a ticking clock (24 hours).

2. Combine Familiar Elements in New Ways

Take elements from different genres or known stories and combine them in unexpected ways, ensuring you include all key components.

For instance, imagine a young botanist (character) on a desert planet (setting) who finds a rare plant that could save the dying ecosystem but only has three days to replicate its conditions (conflict and ticking clock).

The consequence is the planet’s survival or demise.

3. Draw from Real Life

Real-life events, experiences, and news stories can inspire original premises.

Look for interesting or unusual occurrences in the world around you and weave them into a complete premise.

For example, a journalist (character) in a war-torn country (setting) discovers a conspiracy that could end the war but only has 48 hours before their source is compromised (conflict, consequences, and ticking clock).

4. Focus on a Unique Character

Develop a character with unique traits, backgrounds, or abilities and create a premise around their journey.

Ensure the setting, conflict, and ticking clock are included.

For instance, a deaf musician (character) in a future metropolis (setting) uncovers a government plan to control citizens’ minds and must stop it before the next full moon (conflict, consequences, and ticking clock).

5. Explore Universal Themes with a Twist

Identify universal themes such as love, loss, or betrayal and explore them in a novel way, integrating all key components.

For example, a betrayed scientist (character) in a secret underwater lab (setting) has to find an antidote to a deadly virus released by their former partner before it spreads to the surface world in 48 hours (conflict, consequences, and ticking clock).

6. Use Setting as a Catalyst

Sometimes, a unique setting can be the basis for an original premise that includes character, conflict, consequences, and a ticking clock. Imagine a premise like this: a hacker (character) in a cyberpunk city (setting) discovers an AI plan to eradicate human governance and has 72 hours to stop it (conflict, consequences, and ticking clock).

7. Experiment with Genre

Play with different genres to find a unique angle, making sure to include all essential components.

Consider a supernatural premise: a ghost hunter (character) in a haunted Victorian mansion (setting) must exorcise a vengeful spirit before midnight on Halloween to save a trapped soul (conflict, consequences, and ticking clock).

8. Reflect on Personal Passions and Interests

Draw inspiration from your own passions and interests, and incorporate character, setting, conflict, consequences, and a ticking clock.

For example, if you’re passionate about space, create a story about an astronaut (character) on a distant planet (setting) who must repair their damaged ship before the planet’s deadly storm cycle begins in 24 hours (conflict, consequences, and ticking clock).

9. Brainstorm and Freewrite

Set aside time for brainstorming sessions that include all key elements.

Write down every idea, no matter how outlandish it seems.

For instance, a premise like a time-traveling historian (character) in medieval Europe (setting) who must prevent a critical assassination within 48 hours to save future timelines (conflict, consequences, and ticking clock).

10. Test and Refine

Once you have a few potential premises, test them out by ensuring they include character, setting, conflict, consequences, and a ticking clock.

Write a short summary or pitch for each idea and see how they hold up.

Refine your favorite ideas, adding depth and detail until you have a solid and original premise.

Creating an original premise is about combining creativity with curiosity.

By ensuring you include all essential components—character, setting, conflict, consequences, and a ticking clock—you can develop a foundation for a story that stands out and captivates readers.

How to Write the Setting in a Short Story

The setting of your short story provides the backdrop against which your narrative unfolds.

It’s more than just a physical location—it’s the atmosphere, the time period, and the world your characters inhabit.

Here’s how to craft a vivid and immersive setting:

1. Use Sensory Details

Engage all five senses to create a rich and immersive setting.

Don’t just describe what the place looks like—include sounds, smells, textures, and even tastes.

For example, if your story is set in a bustling market, describe the vibrant colors of the stalls, the cacophony of voices, the scent of spices in the air, the rough texture of wooden crates, and the taste of freshly baked bread samples.

2. Integrate the Setting with the Plot

The setting should influence the events of your story.

Use it to create obstacles or opportunities for your characters. For instance, a story set in a snowbound cabin might revolve around the characters’ struggle to survive and find warmth.

The setting becomes an active participant in the narrative, shaping the plot and the characters’ actions.

3. Reflect the Characters’ Emotions

Use the setting to mirror or contrast with the characters’ emotional states.

A character going through a turbulent time might find themselves in a stormy landscape, while a serene character might be surrounded by calm and peaceful scenery.

This technique can subtly enhance the emotional impact of your story.

4. Show the Passage of Time

Use the setting to indicate changes over time.

This can be done through the progression of seasons, changes in weather, or the transformation of a place.

For example, describing a garden blooming in spring and withering in autumn can symbolize the growth and decay of a relationship within your story.

5. Incorporate Historical and Cultural Context

If your story is set in a specific historical period or culture, include details that accurately reflect that context.

Research historical events, social norms, and cultural practices to add authenticity.

For example, a story set in Victorian England might include details about the fashion, architecture, and social etiquette of the time.

6. Use Unique and Unexpected Settings

Choose settings that are unique or have an unexpected twist.

Instead of a generic small town, place your story in a floating city or an underground labyrinth. Unique settings can make your story stand out and provide fresh challenges and opportunities for your characters.

7. Create a Map

For more complex settings, especially in fantasy or science fiction stories, creating a map can help you visualize and consistently describe the geography of your world.

A map can also provide inspiration for plot developments based on the terrain and locations within your setting.

If your short story is set in a haunted house, you might describe the creaky wooden floors that echo with every step, the musty smell of old furniture, the flickering candlelight casting eerie shadows, the cold drafts that make characters shiver, and the taste of dust in the air.

These details immerse the reader and make the setting come alive.

How to Build Short Story Characters

Characters are the driving force of your short story.

Well-developed characters can transform a simple plot into a compelling narrative. Here’s how to build memorable and engaging characters.

1. Develop Detailed Backgrounds

Even if you don’t include all the details in your story, knowing your characters’ backgrounds helps you write them more convincingly.

Consider their past experiences, family, education, and personal history. For example, a character who grew up in a strict household might have a different worldview than one who was raised with more freedom.

2. Define Clear Goals and Motivations

Understand what drives your characters.

What are their desires, fears, and goals? Clear motivations make characters’ actions more believable and their struggles more engaging. For instance, a character motivated by revenge will behave differently from one driven by love or ambition.

3. Create Flaws and Strengths

Nobody is perfect, and your characters shouldn’t be either.

Give them a mix of strengths and flaws to make them more relatable and realistic. A character who is brave but impulsive, or intelligent but socially awkward, can create interesting dynamics and conflicts.

4. Show Growth and Change

Characters should evolve throughout the story. They might learn from their experiences, overcome their flaws, or change their goals.

This growth can be a key part of your narrative arc.

For example, a selfish character might learn the value of empathy and selflessness by the end of the story.

5. Use Dialogue to Reveal Character

Dialogue is a powerful tool for character development.

How your characters speak— their tone, vocabulary, and speech patterns—can reveal a lot about their personality, background, and emotional state.

A character who uses formal language might be educated or reserved, while one with slang might be more casual or rebellious.

6. Show, Don’t Tell

Instead of directly stating a character’s traits, show them through actions and interactions. Rather than saying “John was brave,” show John stepping into a dangerous situation to help someone. This makes your characters’ traits more vivid and believable.

7. Create Conflicts and Relationships

Characters’ interactions with others can reveal their traits and create tension. Develop relationships—friendships, rivalries, romances—that add depth to your characters. Conflicts can arise from these relationships, driving the plot forward.

8. Give Them Unique Physical Traits and Habits

Distinctive physical features and habits can make characters more memorable.

A character might have a noticeable scar, a unique fashion sense, or a quirky habit like always carrying a notebook. These details add layers to their personality.

Consider a character named Maria, who is a dedicated scientist (strength) but is socially awkward (flaw). Her motivation is to discover a cure for a rare disease that affected her family (background and goal). Throughout the story, Maria learns to collaborate with others (growth), revealed through her hesitant yet determined dialogues and interactions.

How to Choose the POV for a Short Story

The point of view (POV) from which you tell your story can significantly impact how readers perceive and engage with it.

Here’s how to choose the best POV for your short story.

1. Understand the Types of POV

• First Person: The story is narrated by a character within the story, using “I” or “we.” This point of view lets us see what the narrator is thinking and feeling.
• Second Person: The narrator addresses the reader as “you,” making the reader a character in the story. This POV is less common but can create an immersive experience.
• Third Person Limited: The narrator is outside the story but focuses on the thoughts and experiences of a single character, using “he,” “she,” or “they.”
• Third Person Omniscient: The narrator knows everything about all the characters and events, providing a broad perspective.

2. Consider Your Story’s Needs

Think about what your story requires.

Do you need to delve deeply into one character’s mind, or do you want to show multiple perspectives?

A first-person POV can create a deep connection with the protagonist, while third person omniscient allows for a broader view of the world and multiple characters.

3. Match POV to Character Development

If character development is a key focus, a first person or third person limited POV might be more effective.

These POVs allow readers to closely follow a character’s internal journey and growth. For instance, a story about a personal transformation might benefit from first-person narration.

4. Consider the Level of Intimacy

Decide how close you want the reader to feel to the characters.

First person and second person POVs offer high intimacy, making readers feel like they are experiencing the events themselves. Third person limited offers moderate intimacy, while third person omniscient provides a more detached view.

5. Reflect on the Story’s Tone

The POV can influence the tone of your story.

First person can create a conversational and immediate tone, while third person can be more formal or distant.

Second person can add a unique, immersive tone, making readers feel directly involved.

6. Test Different POVs

Write a few scenes from your story using different POVs to see which feels most natural and effective. Sometimes, switching the POV can reveal new aspects of the story and characters that you hadn’t considered.

7. Think About Narrative Reliability

Consider whether you want your narrator to be reliable or unreliable.

First person narrators can be unreliable, adding layers of complexity and intrigue. An unreliable narrator might have biases, incomplete information, or personal motivations that color their narration.

8. Use POV Shifts Carefully

If you decide to use multiple POVs, ensure that shifts are clear and purposeful.

Each POV should add something unique to the story. Avoid confusing readers by clearly indicating whose perspective is being presented at any given time.

In a story about a detective solving a mystery, a first person POV can provide a deep dive into the detective’s thought process and personal stakes.

Alternatively, a third person omniscient POV can show the actions and thoughts of multiple characters, including suspects, creating a broader, more intricate web of suspense.

How to Write Short Story Dialogue

Dialogue is a powerful tool in short stories.

It brings characters to life, reveals their personalities, and advances the plot. Writing effective dialogue involves crafting realistic speech and using internal dialogue to deepen character development.

Let’s explore how to master short story dialogue.

1. Make It Realistic and Natural

Dialogue should sound like real speech but with purpose.

People often speak in fragments, use contractions, and interrupt each other. Mimic these patterns to make your dialogue more natural. Avoid overly formal or grammatically perfect speech unless it fits the character.

Tip: Read your dialogue out loud. If it sounds unnatural or stiff, revise it to sound more like everyday conversation.

2. Keep It Concise

In a short story, every word counts. Dialogue should be concise and to the point.

Avoid long-winded speeches or unnecessary small talk.

Each line of dialogue should either reveal something about the character or advance the plot.

Example: Instead of: “I was thinking that maybe we should consider going to the store because we’re out of milk and I noticed that you prefer having milk with your breakfast.” Use: “We’re out of milk. Let’s go to the store.”

3. Show Character Through Dialogue

Let your characters’ speech reveal their personalities, backgrounds, and relationships.

Different characters should have distinct voices, reflecting their unique traits and experiences. Pay attention to word choice, tone, and rhythm.

Example: A professor might say, “Indeed, the hypothesis was confirmed.” A teenager might say, “Yeah, totally nailed it.”

4. Use Subtext

Subtext is what characters mean but don’t say directly.

It adds depth and tension to dialogue. Characters might say one thing but mean another, revealing their true feelings or intentions subtly.

Example: Character A: “Nice job on the project.” Character B: “Thanks, considering the short deadline.”

5. Integrate Internal Dialogue

Internal dialogue reveals a character’s thoughts and emotions.

Use it to show their inner conflicts, doubts, and motivations. It can provide insight into their true feelings, especially when they’re not being honest in their speech.

Example: John said, “I’m fine.” Internally, he thought, “I’m falling apart, but I can’t let them see it.”

6. Use Dialogue Tags Sparingly

Dialogue tags (he said, she asked) are necessary to clarify who is speaking but should be used sparingly.

Overusing them can clutter your dialogue. Instead, use action beats to show who is speaking and add context.

Example: “Are you coming?” Jane asked. She glanced at her watch, tapping her foot impatiently. “Give me a minute,” Tom replied, tying his shoes.

7. Break Up Dialogue with Action

Avoid long blocks of dialogue.

Break it up with actions, descriptions, or internal thoughts to keep the narrative dynamic and engaging.

This also helps to set the scene and show characters’ emotions and reactions.

Example: “Do you think we’ll make it?” Sarah asked, looking out the window at the storm. “I hope so,” Mark said, gripping the steering wheel tighter.

How to Write Short Story Description

Description is essential in short stories for setting the scene, creating atmosphere, and developing characters.

Effective description balances narrative detail with action, making the story vivid without slowing the pace.

1. Use Vivid and Specific Details

Instead of general descriptions, use specific details to create a clear and vivid picture.

This helps readers visualize the scene and makes the setting and characters more memorable.

Example: General: The garden was beautiful. Specific: The garden was a riot of colors, with tulips, daffodils, and roses blooming in vibrant hues, their sweet scent mingling in the air.

2. Show, Don’t Tell

Show readers what’s happening through descriptive action rather than just telling them.

This technique makes the story more engaging and immersive.

Example: Telling: John was nervous. Showing: John’s hands trembled as he wiped the sweat from his forehead, his heart pounding in his chest.

3. Balance Narrative Description and Action

Too much narrative description can slow down your story. Balance it with action to keep the pace dynamic.

Use description to enhance action scenes and to provide context and atmosphere.

Example: Narrative: The abandoned house stood at the end of the street, its windows boarded up, and the paint peeling from the walls. Action: As they approached the abandoned house, Tim’s flashlight flickered over the boarded-up windows and the peeling paint, casting eerie shadows.

4. Use All Five Senses

Engage all five senses to create a rich and immersive experience.

Describe not only what characters see but also what they hear, smell, taste, and feel. Sensory details make the story more vivid and realistic.

Example: She entered the bakery, the warm scent of fresh bread and pastries enveloping her. The sound of clinking utensils and soft chatter filled the air as she brushed past the rough wooden counter.

5. Create Atmosphere and Mood

Description sets the tone and mood of your story. Use it to create atmosphere and evoke emotions.

The choice of words and details can make a setting feel eerie, joyful, tense, or peaceful.

Example: The forest was silent, the only sound the crunch of leaves underfoot. A thick fog curled around the trees, casting ghostly shapes in the dim light, sending a shiver down her spine.

6. Use Metaphors and Similes

Metaphors and similes can add depth and creativity to your descriptions.

They help readers understand and visualize the scene more vividly by comparing it to something familiar.

Example: The sun set like a fiery ball sinking into the ocean, painting the sky with shades of orange and pink.

7. Avoid Overloading with Adjectives

While adjectives are important, overloading your sentences with them can make your writing feel cluttered.

Choose the most impactful adjectives and use them sparingly for greater effect.

Example: Instead of: The old, creaky, dark, and dusty house stood ominously at the end of the long, narrow, deserted road. Use: The creaky, dusty house stood ominously at the end of the deserted road.

5 Pivotal Short Story Scenes

Certain scenes are pivotal in a short story, driving the plot and character development.

Here are five essential scenes, why they’re important, and how to write them.

1. The Inciting Incident

What it is: The event that sets the story in motion and disrupts the protagonist’s normal life.

Why it’s important: It introduces the central conflict and hooks the reader’s interest.

How to write it:

• Start with a bang—make it surprising or dramatic.
• Clearly show how this event changes the protagonist’s situation.
• Ensure it leads directly to the main plot of the story.

Example: A detective receives a mysterious letter hinting at a hidden treasure, launching a high-stakes adventure.

2. The Turning Point

What it is: A moment of significant change or decision that alters the course of the story.

Why it’s important: It deepens the conflict and propels the story towards the climax.

• Build tension leading up to this moment.
• Show the protagonist facing a difficult choice or discovering crucial information.
• Ensure the consequences of this moment are clear and impactful.

Example: The protagonist discovers a trusted friend is actually the antagonist, forcing them to rethink their strategy.

3. The Climax

What it is: The most intense and exciting part of the story, where the main conflict reaches its peak.

Why it’s important: It’s the turning point of the narrative and provides the emotional high point.

• Increase the stakes and tension.
• Focus on the protagonist’s actions and decisions.
• Make it clear that this is the decisive moment for resolving the conflict.

Example: In a sci-fi story, the protagonist confronts the alien invaders in a final battle to save humanity.

4. The Falling Action

What it is: The events that follow the climax and start to resolve the story’s conflicts.

Why it’s important: It provides a transition from the climax to the resolution, showing the aftermath and consequences.

• Show the immediate effects of the climax.
• Tie up loose ends and address remaining subplots.
• Prepare the reader for the story’s conclusion.

Example: After defeating the antagonist, the protagonist helps rebuild their community and reconcile with their friends.

5. The Resolution

What it is: The final part of the story where the conflict is resolved, and the story concludes.

Why it’s important: It provides closure and leaves the reader with a final impression.

• Ensure all major conflicts and questions are resolved.
• Reflect on the protagonist’s journey and growth.
• End with a strong, memorable line or image.

Example: The protagonist stands on a hill, looking out at the sunrise, hopeful for the future after overcoming their challenges.

How to Write the Beginning of a Short Story

The beginning of your short story is crucial—it sets the tone, introduces key elements, and hooks the reader.

Here’s how to craft an engaging opening.

1. Start with a Hook

Grab your reader’s attention from the first sentence. An intriguing or dramatic opening line can create immediate interest. Think of it as a promise to the reader that something exciting or important is about to happen.

Example: Instead of: “It was a sunny day in the city.” Use: “By the time John heard the explosion, it was already too late.”

2. Introduce the Main Character

Introduce your protagonist early on, providing just enough detail to make them interesting and relatable.

Readers should quickly understand who the story is about and begin to form a connection with the character.

Tip: Focus on a distinctive trait, action, or piece of dialogue to introduce your character memorably.

3. Set the Scene

Establish the setting to ground your readers in the story’s world.

Use vivid, sensory details to create a clear picture of the time and place. The setting should enhance the mood and give context to the unfolding events.

Example: “The alley reeked of stale beer and rotting food, dimly lit by a flickering streetlamp. Shadows danced on the graffiti-covered walls as Sam hurried through the narrow passage.”

4. Introduce the Conflict

Hint at or introduce the central conflict early on.

This sets the stage for the story’s main plot and engages readers by presenting a problem or tension that needs resolution.

Example: “Sara’s heart sank when she read the eviction notice—she had just seven days to come up with the money or lose her home.”

5. Use Active and Engaging Language

Choose strong, active verbs and vivid descriptions to make your writing dynamic and engaging.

Avoid passive constructions and unnecessary exposition.

Your goal is to draw readers in and make them want to keep reading.

Example: Instead of: “The car was driven by Mark.” Use: “Mark sped down the highway, his knuckles white on the steering wheel.”

6. Create a Sense of Urgency or Curiosity

Give readers a reason to keep turning the pages.

This can be a sense of urgency, curiosity, or suspense. Pose a question, introduce a mystery, or present an immediate challenge that compels the reader to find out what happens next.

Example: “Emily knew she shouldn’t open the door, but the knocking wouldn’t stop.”

7. Establish the Tone and Style

The beginning of your story should establish the tone and style that will carry through the rest of the narrative.

Whether it’s dark and suspenseful, light-hearted and humorous, or somber and reflective, make sure the tone is consistent from the start.

Example: For a humorous story: “Kevin’s day went from bad to worse when he accidentally sent his boss a picture of his cat wearing a party hat.”

How to Write the End of a Short Story

How your story ends is just as important as how it begins.

It provides closure and leaves a lasting impression on the reader. Below, I’ve shared some tips on how to write a short story

1. Resolve the Main Conflict

Ensure that the primary conflict introduced in the story is resolved. The resolution doesn’t have to be happy, but it should be satisfying and logical based on the story’s events.

This gives the narrative a sense of completeness.

Example: After a fierce battle, the protagonist defeats the antagonist, bringing peace to the village.

2. Show Character Growth

Reflect on how the protagonist has changed over the course of the story.

This can be a change in perspective, a learned lesson, or personal growth. Highlighting this evolution gives depth to your characters and adds meaning to the story.

Example: Initially selfish and isolated, the protagonist now values community and teamwork, illustrated by their final act of kindness.

3. Tie Up Loose Ends

Address any subplots or secondary characters that need resolution.

This doesn’t mean every question must be answered, but significant threads should be wrapped up.

Readers should feel that the story is complete.

Example: The protagonist reconciles with an estranged friend, or a mystery introduced early on is finally explained.

4. Create a Lasting Impression

End with a strong, memorable line or image that resonates with the reader.

This could be a poignant statement, a surprising twist, or a powerful visual that encapsulates the story’s theme.

Example: “The sun set over the horizon, casting a golden glow on the battlefield, as survivors began to rebuild what was lost.”

5. Consider the Theme

Ensure your ending reflects the story’s overall theme or message. This adds coherence and reinforces the narrative’s purpose. A thematic conclusion can leave readers with something to ponder.

Example: In a story about forgiveness, the protagonist forgives their adversary, underscoring the story’s message.

6. Avoid Clichés

Strive for originality in your ending.

Avoid common clichés or predictable outcomes that can diminish the impact of your story.

Aim for a conclusion that feels fresh and true to the narrative you’ve built.

Example: Instead of ending with the protagonist waking up and realizing it was all a dream, consider a more unique and meaningful twist.

7. Use Subtlety

Sometimes, a subtle, understated ending can be more powerful than a dramatic one.

Let readers draw their own conclusions or leave some aspects to their imagination. This can make the story more thought-provoking.

Example: The protagonist looks out the window, contemplating the journey ahead, leaving the reader to imagine their next steps.

8. Reflect on the Beginning

A great way to create a sense of cohesion is to reflect on the beginning of your story in the ending.

This can create a full-circle moment that emphasizes the protagonist’s journey and growth.

Example: If the story began with the protagonist feeling lost and aimless, it might end with them finding a clear purpose or direction.

By carefully crafting the beginning and ending of your short story, you create a compelling narrative that hooks readers from the start and leaves them satisfied by the end.

Short Story Length

The length of a short story can vary, but it generally falls within certain word count ranges.

Understanding these ranges and choosing the appropriate length for your story can help you meet readers’ and publishers’ expectations.

1. Flash Fiction

Word Count: 500 to 1,000 words

Characteristics: Flash fiction stories are extremely short, focusing on a single moment or scene. They require precise and concise writing, often leaving much to the reader’s imagination.

Usage: Ideal for quick reads and publications with strict word limits. Suitable for exploring a single idea or twist.

2. Short Stories

Word Count: 1,500 to 7,500 words

Characteristics: Most commonly recognized form of short story. Provides enough space for developing characters, setting, and plot while maintaining brevity.

Usage: Common in literary magazines, anthologies, and writing contests. Allows for more complex storytelling while remaining concise.

3. Novelettes

Word Count: 7,500 to 20,000 words

Characteristics: Longer than a traditional short story but shorter than a novella. Provides more room for detailed character development and intricate plots.

Usage: Suitable for stories that require more depth and exploration but don’t necessitate the length of a novella or novel.

4. Novellas

Word Count: 20,000 to 40,000 words

Characteristics: Offers substantial narrative length while still being shorter than a full-length novel. Allows for significant character arcs and detailed storytelling.

Usage: Ideal for standalone publications or serializations. Suitable for complex, layered narratives that need more development.

5. Choosing the Right Length

• Story Scope: Consider the complexity of your plot and the depth of character development needed. Larger scopes may require longer formats.
• Market Requirements: Check the word count requirements of the publication or contest you’re submitting to.
• Pacing and Detail: Shorter stories need tighter pacing and focused detail, while longer stories can explore subplots and richer settings.

Short Story Formatting

Proper formatting ensures your short story is professional and easy to read.

Adhering to standard formatting guidelines is crucial for submissions to publishers, contests, and literary magazines.

1. General Formatting Guidelines

• Font: Use a standard, readable font such as Times New Roman or Arial, size 12.
• Spacing: Double-space between lines to make room for notes and edits.
• Margins: Use one-inch margins on all sides of the page.
• Alignment: Line up your text on the left side, letting the right side be uneven.
• Indentation: Indent the first line of each paragraph by half an inch. Avoid using extra spaces between paragraphs.

2. Title Page

• Title: Center your story’s title about one-third down the page. Use bold or a slightly larger font size.
• Author Name: Place your name below the title, also centered.
• Contact Information: Include your contact details (address, email, phone number) in the upper left corner.
• Word Count: Include the word count in the upper right corner.

3. Page Headers

• Header: Use a header on each page that includes your last name, the story title (or a shortened version), and page number.
• Example: Smith / The Lost Treasure / 1

4. Dialogue Formatting

• Quotation Marks: Enclose dialogue in double quotation marks.
• Dialogue Tags: Use words like “said” or “asked” only a little, and put them outside the quotation marks.
• New Paragraphs: Start a new paragraph each time a different character speaks.

5. Scene Breaks

• Indicators: Use asterisks (***) or a single hashtag (#) centered on a line to indicate a scene break.
• Spacing: Add an extra line of space before and after the scene break indicator.

6. Submissions

• Digital: Follow specific submission guidelines provided by the publisher, which may include file format (e.g., .doc, .docx, .pdf).
• Print: Use high-quality white paper, print on one side only, and include a cover letter if required.

Example Layout:

The Lost Treasure

[Contact Information]

Word Count: 2,500

“It was a dark and stormy night,” Sarah said, her voice trembling.

“Are you sure we should be doing this?” Mike asked, glancing nervously at the towering shadows.

Good Short Story vs. Great Short Story (Table of Comparison)

Best Resources for Writing Short Stories

Mastering the craft of short story writing requires continuous learning and practice.

Here are some of the best resources that can help you hone your skills and elevate your storytelling.

Final Thoughts: How to Write a Short Story

Writing a short story is a journey of creativity and discovery. Each step you take brings you closer to crafting a narrative that resonates with readers. Keep experimenting, learning, and most importantly, writing. Here’s to your next great story!

Related Posts:

• How To Write A Fantasy Short Story (Ultimate Guide + Examples)
• How to Write a Sad Story: 33 Best Tips + Examples
• How To Write A Character Driven Story [17 Tips & Examples]
• 500 Things to Write About When You Are Fresh Out of Ideas
• How To Write a Superhero Story (Ultimate Guide + Examples)

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What Makes a Good Story? 15 Elements Your Story Needs (and 3 to Avoid!)

by Fija Callaghan

Reading a great story can feel a little bit like falling in love. You lose track of time, you hurtle headfirst towards a new adventure, and you start seeing a whole new world ahead of you. When a story is written particularly well, you forget that you’re even reading at all.

But even though we know when a novel or short story has us by the throat, it can be challenging to understand which elements are working and how to apply them to our own writing. What makes a story “good”? Why do some stories stay with us long after the book is closed, while others leave us feeling unsatisfied?

We’ll guide you through everything you need to know about getting the most out of your own story, as well as some pitfalls to avoid.

What makes a good story?

Good stories not only explore nuanced themes and make good use of literary devices , but they also feel natural and organic to the reader, so that every plot point and character choice feels like an inevitable result of the events and choices that have come before. When the reader reaches the ending, they should feel as though the story couldn’t have ended any other way.

A bad story, by contrast, often feels forced. You can sense the author’s hand guiding the characters around like puppets, and strikes of good and bad luck appearing in order to further the plot.

One of the great unsung tricks to develop your writer’s eye is to read some bad stories and try to puzzle out what, exactly, makes them that way. Instead of simply casting them aside because you don’t like them, ask yourself: at what point did I lose interest in these characters? Was there anything that didn’t make sense to me, or that didn’t feel authentic to the story? What would I do differently if I were writing this myself?

We’ll help you answer these questions with our useful story elements below.

What makes a good short story?

A short story is all about searing honesty and compression. With less space to explore than the novel form, a short story generally covers a finite period of time and one character’s singular experience. Like any successful story, however, it should have the basic key elements: characters, setting, plot, conflict, and a memorable voice.

A good short story, whether “literary” or fantastical, will concisely reveal an empathetic truth about the human condition. It uses a microcosmic experience to raise big questions for the reader and convey a powerful message.

For more advice on creating a big impact in a small space, be sure to check out our lesson on writing effective flash fiction !

What makes a good novel?

Unlike a short story, the novel form is all about complex, dramatic journeys in which the main character grows, erodes, or changes their perspective over time. A great novel will have a strong, compelling opening, a fully realized world, and layers of conflict that push the protagonist to their limits.

A novel also allows for subplots, in which supporting characters face their own conflicts and dramatic arcs. Subplots give the writer a chance to enhance their novel’s overall message, or theme.

The best novels will have vibrant, lifelike settings and a protagonist whom you want to follow across their entire journey.

12 essential elements of a good story

Let’s take a closer look at each of these story elements and why they’re so important, so you can start writing a powerful novel or short story of your own.

1. A compelling hook

Your story’s “hook” is its trademark selling point that makes a reader want to pull your book off the shelves and take it home and love it forever. It makes a promise to the reader that they’re in for a very special experience.

For example, your story’s hook might be that your protagonist finds himself stranded on a struggling lifeboat with a ferocious man-eating tiger (this would be The Life of Pi , by Yann Martel). Or, maybe your protagonist decides to open a decadent, sensual chocolate shop in the middle of a conservative, religious French village ( Chocolat , by Joanne Harris).

Compare these to something like “Two people meet at a party and fall in love.” It doesn’t make your story stand out from the crowd, nor does it challenge you creatively. However, “Two people meet while being held hostage during a robbery and fall in love” might give you a bit more to work with.

2. A strong voice

Often what draws us into a compelling story is the writer’s strong, confident narrative voice . Think about writers like Ernest Hemingway, Jane Austen, Raymond Chandler, Douglas Adams, or Angela Carter; they all have distinctive styles that characterize their work.

Right from the opening lines, the reader should get a sense of this narrative voice. It should make them feel like they’re in the presence of a confident, engaging storyteller, and want to read on.

3. A good beginning

While some good stories may take a while to find their rhythm, you can’t count on a reader (or a publisher, or a literary agent) to offer up their patience and attention for nothing. The most successful stories hook their readers from the very first page. This is why agents will often say that the opening pages are the most important part of any manuscript.

To hold a reader’s attention immediately, try opening your story in medias res (or in the midst of the action), rather than opening with a lot of preamblatory exposition.

4. Memorable characters

Writing a compelling story is inextricably linked to engaging character development . The main characters should feel lifelike to the reader, and they should have strengths and weaknesses that we recognize as being innately human—even if your characters aren’t human in the narrowest sense of the word.

Character development is particularly important in a longer work like a novel, especially if the novel covers a substantial amount of time. The protagonist should face unprecedented conflict, learn something new about the world along their journey, and ultimately emerge the better for it (or worse, if your story is a tragedy).

Don’t neglect your secondary or tertiary characters , either. This space is endlessly useful for creating characters that really hook readers’ attention. If you consider large ensemble storylines like the Harry Potter series or Buffy the Vampire Slayer , the most interesting, memorable characters are often the ones hanging out along the sidelines and making a statement in their own ways.

5. A vivid setting

A powerful, well-developed setting is what really brings a good story to life. Even a bad story can be made palatable if the setting is awesome enough. Often what draws readers to a new book is the promise of living in a thrilling, beautiful, treacherous world.

Think ancient, magical libraries, the gritty urbanism of Raymond Chandler and Dashiell Hammett, the cottagecore countryside of English cozy mysteries, the dark majesty of Mirkwood Forest, the glitter and sensuality of a circus tent, or the brine and sea spray of a swashbuckling adventure.

Don’t forget that setting also informs the way your characters behave and the choices they make. In this way, your story’s world is interconnected with everything that happens along the way.

6. The right point of view

As you experiment with writing stories, you’ll find that some fall more naturally into one point-of-view style than the others. The basic points of view (or PoVs) writers use are first person, second person, third person, and fourth person. Each of these has something different to offer, with its own benefits and drawbacks.

If you find that something in your story isn’t quite working in the way it should, try changing up its PoV. When your story is told in the right way through the right voice, it will naturally settle into place.

7. A confident structure

Good writers know that stories work best when they follow an instinctive narrative structure like the three-act structure , the five-act structure , or Freytag’s pyramid . Readers won’t always know this—at least not cognitively, not by name—but they are able to recognize when the pacing of a novel is off. This usually happens because of a staggering structure.

This doesn’t mean you can’t upend or invert your story’s structure by putting the end at the beginning or intercutting two parallel narratives in a creative way. But these choices should be made from an informed, confident architectural perspective rather than from sloppiness or lack of craftsmanship.

(Reminder: Picasso painted realism for years before he painted weird cubic surrealist stuff.)

8. Multilayered conflict

Conflict is what gets a story on its feet and propels it forward. A good writer can find ways to blend external conflict —or problems that arise due to outside forces—with internal conflict —or problems that arise from within.

You can create conflict in a number of ways, from having your main characters come to loggerheads over irreconcilable ideas, to having them face a destructive natural force like a hurricane, to having your protagonist overcome a moral or ethical quandary within. You can even write a story with all three of these!

Without conflict, your characters are just shlupping around living their ordinary life—there’s no story .

9. Action and reaction

From conflict comes a shifting dynamic of action and reaction. One of the common elements of a weak story is the way a character doesn’t take on any personal agency over the course of the plot. Instead, they passively let situations wash over them, waiting for the storm to pass.

While the inciting incident of a story is usually an external event that causes your character to react , there should immediately be a countering action —your characters make a choice or put some new pivotal moment into motion. The first half of a novel will generally include more reacting (this section is called the rising action), while the second half will include more acting .

A good story has a balance of action and reaction, with the character taking actionable steps to move the story forward (for better and for worse).

10. Tension and suspense

Even though “suspense” is its own genre, any type of story can benefit from moments of seat-edge tension. In a romance, this might be something like “Is he going to be brave enough to tell her the truth about his feelings? Or will she marry the rich loser who’s secretly cheating on her?” In a fantasy, this might be “Will the heroes reach safety before the bloodthirsty beasties catch up with them?” And of course genres like mystery, thriller, and action-adventure are laden with heartstopping suspense.

These moments are essential when it comes to holding the reader’s attention and keeping them turning the page. To make your writing even more powerful, look for ways to enhance the tension in your story’s key turning points.

11. Atmosphere

Atmosphere is the overall sensation a reader gets from reading your work. This is created largely through a story’s setting, mood, and tone . Victorian gothic novels are famous for their distinctive atmospheres; a lighthearted contemporary romance novel or a sci-fi eco-thriller would have very different atmospheres to offer the reader.

A well-developed atmosphere that uses all five senses is one of the best tools for keeping readers engaged with the world of your story. It elevates a story from a chain of narrative events to a true experience.

12. A powerful theme

Theme is the core message behind any narrative work. It’s the underlying idea that gives a story meaning and makes it matter to the reader. Stories will almost always have a theme regardless of whether or not the writer put it there on purpose; they emerge naturally out of the character development and conflict which the characters face. However, a writer can use a range of literary devices to enhance the theme even more.

An insightful theme can elevate a narrative into a powerful social or interpersonal idea. Some potential themes might be the strength of the community, the value of being true to oneself, or the concept of “found family” vs. blood family.

13. A dramatic question

A dramatic question is the overarching throughline that gives a story a sense of unity and completion. We’re putting it near the end of this list because your story’s dramatic question may not become clear until a bit later in your writing process. Then, you can use it to enhance the earlier section of your story through revision.

Dramatic questions can be things like, “Will the two star-crossed lovers overcome their family’s rivalry and live happily ever after?” Or, “Will the hero overcome their self-doubt to become the leader their village needs?” Everything that happens in your story should go towards answering this question one way or the other. Once the question has been answered definitively, the story has reached its ending.

Which brings us to…!

14. A satisfying ending

The right ending can make or break a narrative. If an ending is muddled, confused, or unsatisfying, readers aren’t going to remember the rich characterization or the concise worldbuilding. They’re going to remember reaching the end and thinking, “Well that wasn’t what I was hoping for.” Don’t be that writer.

Endings, whether of full-length novels or short stories, should feel like a natural culmination of every choice the characters have made. Even if you’re creating a startling twist ending (such as you’ll often find in murder mysteries and psychological thrillers), the reader should be able to look back over what they’ve read and think, “Ah of course, it all makes perfect sense now.”

Some writers like to start with the end in mind, while others discover it as they go. You can do whichever works for you as long as the ending answers your story’s dramatic question and wraps up your characters’ journeys in a satisfying way.

15. Honesty and truth

Finally, the element that separates an emotionally resonant story from a lackluster story is verisimilitude , or authenticity and truth. Your audience should see aspects of your character’s life echoed in their own lives—the feelings one goes through at milestone moments, the fears and hopes that are innate to the human condition.

This is important to all genres of literature, but especially to fantasy and science fiction. This is because when the reader is immersed in fantastical worlds filled with barely imagined beings, the honesty and humanity of the characters is what will impact them most. Not everyone will understand what it’s like to be left adrift on a distant space station by a mutineering crew, but they’ll probably be able to empathize with the feeling of being abandoned by people they thought they could trust.

To get the most out of your story, look for ways to hone in on the universality of being, even in the most unlikely places.

3 Traps that can drag down a good story

Now that we understand a bit more about what makes a good story, what are some pitfalls to avoid? Here are some common mistakes new writers struggle with that can unravel some of your rockstar storytelling efforts.

1. Stilted dialogue

Dialogue is one of the trickiest skills for a new writer to master. When dialogue feels unrealistic, overly expository, or forced, it can pull a reader out of the world of your story.

To avoid stilted dialogue, try reading your characters’ speech out loud to see if it sounds authentic. You can also practice by copying down conversations you overhear in places like cafés, parks, and other public gathering places. This will help develop your ear for natural speech rhythms. Pay attention to what people say, what they’re not saying, and where their dialogue and body language contradict.

2. Distracting grammatical errors

It can be challenging for a reader, and even more so for a literary agent or publisher, to fully immerse in a story that’s riddled with typographical errors, poor spelling, and grammatical mistakes. This might include things like head hopping (unintentionally moving from one character’s perspective to another), or accidentally fluctuating between first-person and third-person point of view.

A single spelling mistake won’t sink a promising manuscript, but a lot of careless or uninformed errors will create a distracting obstacle between you and the reader. (This is why it’s always a great idea to get constructive feedback from beta readers and writing groups !)

3. Poor narrative structure

As we saw briefly earlier in this article, successful stories follow a strong story structure. Even if we’re not aware of it on a cognitive level, readers feel when a story is beginning to drag on too much (because your first act is going on too long when you’re second act should have already begun), or when too much is happening all at once so that the pacing feels erratic . This is especially apparent in film and TV.

Using a predetermined narrative structure doesn’t mean your story will be formulaic or rote. It means that it will naturally fall into the patterns and rhythms our minds have come to expect from good storytelling. When these patterns are broken, we instinctively recognize that something in the story isn’t working the way it should.

Write your very best story possible

Writing a good story isn’t insurmountable, but it does take some practice, inspiration, and hard work. The trick is to keep your reader engaged from the very first line to the last page. Make every single character and scene in your story count, so that your words make the reader look up at the world in a new way.

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How do writers develop good story ideas? Sometimes, coming up with a story idea is the hardest part about writing fiction. Figuring out what to write about can be frustrating, as the desire to create meets the uncertainty surrounding where to begin.

Writers are often taught how to write their stories, but not how to develop good story ideas. Luckily, the best fiction prompts are already in your head. Let’s answer a common question for fiction writers stuck on the blank page: What should I do if I want to write fiction but have no story ideas?

• What Goes Into a Good Story Idea?
• Start With the Six Elements of Fiction
• Start With a Story You Want to Read
• Modify a Story Idea That Already Exists
• Start With a Creative Writing Prompt
• Find Inspiration in Wordplay
• Let Yourself Experience Boredom
• Start From Real Life

Finding What to Write About: What Goes Into a Good Story Idea?

There’s no strict definition of a “good story idea.” In fact, many good stories are good because of the way they’re written. You might have heard someone say that every idea has already been written, and while this approach to creative writing is a bit cynical, it’s true that many stories can be reduced to similar narrative arcs .

A striking example of this is the Shakespeare play Hamlet and the Disney movie The Lion King. These two stories have many differences, but they have the same story premise: an orphan prince must avenge the death of his father, to the chagrin of a shady uncle and an unstable family.

Both works of fiction share the same premise, but audiences perceive them differently since they have different writing styles, intended audiences, and storytelling purposes.

Thus, there’s no clear anatomy of a good story idea. As a general rule, however, your idea for a story should answer the following questions:

• Who is your main character?
• What does your main character want?
• What prevents the main character from getting what they want? (What is the conflict ?)

The rest is up for you to decide. With this in mind, let’s consider different starting points for how to come up with story ideas.

7 Ways to Come Up With Great Story Ideas

When you ask yourself “ What should I write about?”, starting with one of these methods will go a long way to help you develop good story ideas.

1. Start With the Six Elements of Fiction

The blank page can be overwhelming. As you consider the infinite possibilities of language, it’s easy to get so lost in the details that you lose sight of a clear idea. If you’re the type of writer who gets overwhelmed by the whole process, try coming up with story ideas through a piecemeal approach, by considering the six elements of fiction:

• Plot : the “what happens” of your story
• Characters : whose lives are we watching?
• Setting : the world that the story is set in
• Point of View : from whose eyes do we see the story unfold?
• Theme : the “deeper meaning” of the story, or what the story represents
• Style : how you use words to tell the story

You can read in-depth about each of these in our article on the six elements of fiction.

For example, you might benefit by just starting with a character. Think about different character details, from their physical traits to the things they most desire. From there, you can think about what’s getting in the way of this character’s success, and craft the plot and world around them.

Or you can start with setting. Create the world you want to write in, whether that world is realistic, magical, or somewhere off Earth entirely. Then, think about the limitations of this world and how it both helps and hurts its people; from there, you can craft your characters and plot.

You might even start with style. If you want your story to use certain language, style can act as a scaffolding to story. For example, Toni Morrison wrote her novel Jazz because she wanted to write a story that spontaneously rises and falls in energy and emotion, much like jazz music does. The result is a story that traverses a slice of the early-20th-century African-American experience through Black culture and music, using style to guide and write the story itself.

2. Start With a Story You Want to Read

Toni Morrison said it best: “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”

Think about a story you’ve always wanted to read. This doesn’t have to be a story that’s revolutionary and wholly unique; start with what you want to read in fiction. For example, maybe you like reading stories that bend genres , and you want a story that combines mystery, romance, historical fiction, and science fiction, but you haven’t read anything like it.

The reason you haven’t read it is because you haven’t written it! Take some time to think about a story you want in the world — whether that’s a story you needed when you were younger, a story that other people need to hear, or a story you’ve always wanted told. Then write it. 

3. Modify a Story Idea That Already Exists

No, you can’t publish your version of The Great Gatsby where every character and detail is the same, except it’s set in Oshkosh, Wisconsin. However, you can start a story from literature that already exists.

In fact, many great works of literature started as, to use a modern term, fanfiction. Shakespeare’s Othello was inspired by a poem called “ The Moorish Captain ”—he even used the same names and borrowed themes of love and vengeance. Alexandre Dumas wrote The Three Musketeers as fanfiction to a memoir of a French musketeer titled Mémoires de Monsieur d’Artagnan . Finally, William Golding was inspired to write Lord of the Flies after reading the children’s book The Coral Island , a story about three marooned boys from England.

If you’re afraid to call a story “fanfiction,” think of it as a way of improving a story you already love. Make it your own, change your characters, and develop new story ideas. You might just write the next classic!

4. Start With a Creative Writing Prompt

Chances are, you’ve been told to use writing prompts, but not how to use writing prompts. The best way to write from a prompt is to freewrite from the story idea, then edit from there.

For example, let’s say you’re given this prompt: Write a story about a psychic psychiatrist . If you choose to use this prompt, but don’t know where to begin, do a timed freewrite where you “free associate” all of your ideas onto the page. Write for five minutes about what the word “psychic” makes you think of. Give another five minutes to “psychiatrist.”

Then, comb through your freewrite and let your journaling inspire some story ideas. Perhaps you wrote down something about a crystal ball in a psychiatrist’s office, or you imagined a circus tent filled with prescriptions. Let your great story ideas unfold naturally, then write from there.

If you’d like some writing prompts to get you started, here are 24 exercises we think you’ll love.

5. Find Inspiration in Wordplay

Sometimes, words themselves inspire. Drawing creativity from puns , word play , alliterations, and onomatopoeias can create the most unique and interesting stories.

Take our last prompt, for example. Both words in the phrase “psychic psychiatrist” start with “psych,” yet they have vastly different meanings. Psychiatrists are academics, whereas psychics are mystics. What story can you find in the duality of science versus magic? Are they more similar than we realize? Find moments of tension or ambiguity in language, and go from there.

6. Let Yourself Experience Boredom

Most people dislike boredom. However, as creatives, we should embrace it. Why? Because boredom actually boosts creativity.

Our brains prefer a certain level of stimulation. When we feel boredom, our brains are telling us that we’re understimulated. Often, we turn to entertainment when we’re bored—our phones, books, TVs, significant others, etc.

When we don’t turn towards external stimuli, however, our brains produce their own stories and ideas to stay stimulated and entertained. Thus, boredom actually encourages creativity, and if we let our minds wander without external distractions, we might come across great story ideas that need to be written.

7. Start From Real Life

Our last tip is to start from real life experiences. Many stories—including stories of fantasy and sci-fi—create convincing worlds because they’re modeled after real life. You don’t need to write about your personal experiences themselves, but you can draw from them to write poignant fiction.

For example, Stephen King wrote The Shining after staying in a notoriously haunted hotel that left him with nightmares. That hotel and those nightmares inspired the hotel of The Shining, which is arguably a character within the novel itself.

You can also pull from popular news and events. Agatha Christie wrote her novel Murder on the Orient Express after reading about the kidnapping and murder of Charles Lindbergh’s son.

Finally, you can pull from historical events and even write historical fiction. Chimamanda Ngozi Adichie does this in her novel Half of a Yellow Sun , which explores the rise and fall of Biafra, a short-lived African nation in the late 1960s.

As Mark Twain once said, “Truth is stranger than fiction.” Start from real life and see where your story idea goes.

Develop a Great Story Idea With a Writing Community

The best writing ideas are developed through collaboration and feedback. If you’re looking for an extra set of eyes on your story ideas or fiction drafts, look no further than the Writers.com community. We’ve been in the writing business for over 25 years, and with a strong team of creative writing instructors, we can help make the seed of a story blossom.

Learn more about our upcoming fiction courses , and us on Facebook  Draw inspiration from our community of writers, and get to work on your next great fiction idea!

Sean Glatch

15 comments.

Loved your content Sean <3 very well-written! Creativity comes from all sources, but if you’re setting out to write your book for the first time, you need to figure out the best story idea that everyone will remember. Check this out How to Come Up With Great Story Ideas

Cheers, Caroleann

I completely agree with what you have written. I hope this post could reach more people as this was truly an interesting post.

This is incredible advice. Happy to have found it. Thank you!

this helped a lot thanks !

Great work guys

Thanks its help me writing my scripts for my game

May God bless you for sharing!❤️💝💝

This article helps lots! Thank you!

I used these ideas to form my first ever story and submitted it to the Yong Writers Award, Bennington College… Thank you so much, Sean.

Cheers, Lord Heat

[…] Writers.com. (2020). 7 Ways to Come Up With Great Story Ideas. [online] Available at: https://writers.com/how-to-come-up-with-story-ideas . […]

Thank you so much for this!!! This was genuinely very fun to read, btw

Fruitful and helpful information. Thanks a lot! I helped me revising my sixth novel.

Sean: – For about two years I’ve been thinking about bits for a story but the most creative action I’ve had is filling the crumpled paper bin with pages proving at best to be great complement to my fireplace kindling. I keep seeing the words “Keep on Writing” but my story is still wandering around with the other unwritten ideas inside my head. Actually quite similar to a box of paperclips where one or two, or several may come out but never enough to string together in any usefull fashion! Am going to re-read and try again. Sean, again tks for putting the “7 Ways…” out there.

Best of luck, Robert!

[…] and here’s another one: https://writers.com/how-to-come-up-with-story-ideas and another: https://kindlepreneur.com/how-to-come-up-with-book-ideas/Some suggestions that I […]

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150+ Story Starters: Creative Sentences To Start A Story

The most important thing about writing is finding a good idea . You have to have a great idea to write a story. You have to be able to see the whole picture before you can start to write it. Sometimes, you might need help with that. Story starters are a great way to get the story rolling. You can use them to kick off a story, start a character in a story or even start a scene in a story.

When you start writing a story, you need to have a hook. A hook can be a character or a plot device. It can also be a setting, something like “A young man came into a bar with a horse.” or a setting like “It was the summer of 1969, and there were no cell phones.” The first sentence of a story is often the hook. It can also be a premise or a situation, such as, “A strange old man in a black cloak was sitting on the train platform.”

Story starters are a way to quickly get the story going. They give the reader a place to start reading your story. Some story starters are obvious, and some are not. The best story starters are the ones that give the reader a glimpse into the story. They can be a part of a story or a part of a scene. They can be a way to show the reader the mood of a story. If you want to start a story, you can use a simple sentence. You can also use a question or an inspirational quote. In this post, we have listed over 150 story starters to get your story started with a bang! A great way to use these story starters is at the start of the Finish The Story game .

If you want more story starters, check out this video on some creative story starter sentences to use in your stories:

150+ Creative Story Starters

Here is a list of good sentences to start a story with:

• I’ve read about a million stories about princesses but never thought I could ever be one.
• There was once a man who was very old, but he was wise. He lived for a very long time, and he was very happy.
• What is the difference between a man and a cat? A cat has nine lives.
• In the middle of the night, a boy is running through the woods.
• It is the end of the world.
• He knew he was not allowed to look into the eyes of the princess, but he couldn’t help himself.
• The year is 1893. A young boy was running away from home.
• What if the Forest was actually a magical portal to another dimension, the Forest was a portal to the Otherworld?
• In the Forest, you will find a vast number of magical beings of all sorts. 
• It was the middle of the night, and the forest was quiet. No bugs or animals disturbed the silence. There were no birds, no chirping. 
• If you wish to stay in the Forest, you will need to follow these rules: No one shall leave the Forest. No one shall enter. No one shall take anything from the Forest.
• “It was a terrible day,” said the old man in a raspy voice.
• A cat is flying through the air, higher and higher, when it happens, and the cat doesn’t know how it got there, how it got to be in the sky.
• I was lying in the woods, and I was daydreaming.
• The Earth is a world of wonders. 
• The fairy is the most amazing creature I have ever met.
• A young girl was sitting on a tree stump at the edge of a river when she noticed a magical tree growing in the water.
• My dancing rat is dressed in a jacket, a tie and glasses, which make him look like a person. 
• In the darkness of the night, I am alone, but I know that I am not. 
• Owls are the oldest, and most intelligent, of all birds.
• My name is Reyna, and I am a fox. 
• The woman was drowning.
• One day, he was walking in the forest.
• It was a dark and stormy night…
• There was a young girl who could not sleep…
• A boy in a black cape rode on a white horse…
• A crazy old man in a black cloak was sitting in the middle of the street…
• The sun was setting on a beautiful summer day…
• The dog was restless…”
• There was a young boy in a brown coat…
• I met a young man in the woods…
• In the middle of a dark forest…
• The young girl was at home with her family…
• There was a young man who was sitting on a …
• A young man came into a bar with a horse…
• I have had a lot of bad dreams…
• He was a man who wanted to be king…
• It was the summer of 1969, and there were no cell phones.
• I know what you’re thinking. But no, I don’t want to be a vegetarian. The worst part is I don’t like the taste.
• She looked at the boy and decided to ask him why he wasn’t eating. She didn’t want to look mean, but she was going to ask him anyway.
• The song played on the radio, as Samual wiped away his tears.
• This was the part when everything was about to go downhill. But it didn’t…
• “Why make life harder for yourself?” asked Claire, as she bit into her apple.
• She made a promise to herself that she would never do it.
• I was able to escape.
• I was reading a book when the accident happened.
• “I can’t stand up for people who lie and cheat.” I cried.
• You look at me and I feel beautiful.
• I know what I want to be when I grow up.
• We didn’t have much money. But we knew how to throw a good party.
• The wind blew on the silent streets of London.
• What do you get when you cross an angry bee and my sister?
• The flight was slow and bumpy. I was half asleep when the captain announced we were going down.
• At the far end of the city was a river that was overgrown with weeds. 
• It was a quiet night in the middle of a busy week.
• One afternoon, I was eating a sandwich in the park when I spotted a stranger.
• In the late afternoon, a few students sat on the lawn reading.
• The fireflies were dancing in the twilight as the sunset.
• In the early evening, the children played in the park.
• The sun was setting and the moon was rising.
• A crowd gathered in the square as the band played.
• The top of the water tower shone in the moonlight.
• The light in the living room was on, but the light in the kitchen was off.
•  When I was a little boy, I used to make up stories about the adventures of these amazing animals, creatures, and so on. 
• All of the sudden, I realized I was standing in the middle of an open field surrounded by nothing but wildflowers, and the only thing I remembered about it was that I’d never seen a tree before.
• It’s the kind of thing that’s only happened to me once before in my life, but it’s so cool to see it.
• They gave him a little wave as they drove away.
• The car had left the parking lot, and a few hours later we arrived home.
• They were going to play a game of bingo.
• He’d made up his mind to do it. He’d have to tell her soon, though. He was waiting for a moment when they were alone and he could say it without feeling like an idiot. But when that moment came, he couldn’t think of anything to say.
• Jamie always wanted to own a plane, but his parents were a little tight on the budget. So he’d been saving up to buy one of his own. 
• The night was getting colder, and the wind was blowing in from the west.
• The doctor stared down at the small, withered corpse.
• She’d never been in the woods before, but she wasn’t afraid.
• The kids were having a great time in the playground.
• The police caught the thieves red-handed.
• The world needs a hero more than ever.
• Mother always said, “Be good and nice things will happen…”
• There is a difference between what you see and what you think you see.
• The sun was low in the sky and the air was warm.
• “It’s time to go home,” she said, “I’m getting a headache.”
• It was a cold winter’s day, and the snow had come early.
• I found a wounded bird in my garden.
• “You should have seen the look on my face.”
• He opened the door and stepped back.
• My father used to say, “All good things come to an end.”
• The problem with fast cars is that they break so easily.
• “What do you think of this one?” asked Mindy.
• “If I asked you to do something, would you do it?” asked Jacob.
• I was surprised to see her on the bus.
• I was never the most popular one in my class.
• We had a bad fight that day.
• The coffee machine had stopped working, so I went to the kitchen to make myself a cup of tea.
• It was a muggy night, and the air-conditioning unit was so loud it hurt my ears.
• I had a sleepless night because I couldn’t get my head to turn off.
• I woke up at dawn and heard a horrible noise.
• I was so tired I didn’t know if I’d be able to sleep that night.
• I put on the light and looked at myself in the mirror.
• I decided to go in, but the door was locked.
• A man in a red sweater stood staring at a little kitten as if it was on fire.
• “It’s so beautiful,” he said, “I’m going to take a picture.”
• “I think we’re lost,” he said, “It’s all your fault.”
• It’s hard to imagine what a better life might be like
• He was a tall, lanky man, with a long face, a nose like a pin, and a thin, sandy moustache.
• He had a face like a lion’s and an eye like a hawk’s.
• The man was so broad and strong that it was as if a mountain had been folded up and carried in his belly.
• I opened the door. I didn’t see her, but I knew she was there.
• I walked down the street. I couldn’t help feeling a little guilty.
• I arrived at my parents’ home at 8:00 AM.
• The nurse had been very helpful.
• On the table was an array of desserts.
• I had just finished putting the last of my books in the trunk.
• A car horn honked, startling me.
• The kitchen was full of pots and pans.
• There are too many things to remember.
• The world was my oyster. I was born with a silver spoon in my mouth.
•  “My grandfather was a World War II veteran. He was a decorated hero who’d earned himself a Silver Star, a Bronze Star, and a Purple Heart.
• Beneath the menacing, skeletal shadow of the mountain, a hermit sat on his ledge. His gnarled hands folded on his gnarled knees. His eyes stared blankly into the fog. 
• I heard a story about a dragon, who was said to be the size of a house, that lived on the top of the tallest mountain in the world.
•  I was told a story about a man who found a golden treasure, which was buried in this very park.
• He stood alone in the middle of a dark and silent room, his head cocked to one side, the brown locks of his hair, which were parted in the middle, falling down over his eyes.
•  Growing up, I was the black sheep of the family. I had my father’s eyes, but my mother’s smile.
• Once upon a time, there was a woman named Miss Muffett, and she lived in a big house with many rooms.
• When I was a child, my mother told me that the water looked so bright because the sun was shining on it. I did not understand what she meant at the time.    
•  The man in the boat took the water bottle and drank from it as he paddled away.
• The man looked at the child with a mixture of pity and contempt.
• An old man and his grandson sat in their garden. The old man told his grandson to dig a hole. 
• An old woman was taking a walk on the beach . The tide was high and she had to wade through the water to get to the other side.
• She looked up at the clock and saw that it was five minutes past seven.
• The man looked up from the map he was studying. “How’s it going, mate?”
• I was in my room on the third floor, staring out of the window.
• A dark silhouette of a woman stood in the doorway.
• The church bells began to ring.
• The moon rose above the horizon.
• A bright light shone over the road.
• The night sky began to glow.
• I could hear my mother cooking in the kitchen.
• The fog began to roll in.
• He came in late to the class and sat at the back.
• A young boy picked up a penny and put it in his pocket.
• He went to the bathroom and looked at his face in the mirror.
• It was the age of wisdom and the age of foolishness. We once had everything and now we have nothing.
• A young man died yesterday, and no one knows why.
• The boy was a little boy. He was not yet a man. He lived in a house in a big city.
• They had just returned from the theatre when the phone rang.
• I walked up to the front of the store and noticed the neon sign was out.
• I always wondered what happened to Mary.
• I stopped to say hello and then walked on.
• The boy’s mother didn’t want him to play outside…
• The lights suddenly went out…
• After 10 years in prison, he was finally out.
• The raindrops pelted the window, which was set high up on the wall, and I could see it was a clear day outside.
• My friend and I had just finished a large pizza, and we were about to open our second.
• I love the smell of the ocean, but it never smells as good as it does when the waves are crashing.
• They just stood there, staring at each other.
• A party was in full swing until the music stopped.

For more ideas on how to start your story, check out these first-line writing prompts . Did you find this list of creative story starters useful? Let us know in the comments below!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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How to Write Short Stories That Captivate Readers

Image by Tithi Luadthong on Depositphotos

Every fiction writer should try their hand at short stories. Even if your passion lies with novels, shorter works can offer unparalleled skill development and emotional encouragement. That’s because:

• They allow us to experiment without long-term commitments.
• They force us to streamline and simplify.
• They make it easier to finish, thereby granting a sense of accomplishment.
• They offer frequent fresh starts, so we’re never held back by previous chapters or drafts.

But because so much advice is focused on novels, it can be difficult to discover the best practices for writing short stories. If you want your story to be engaging, you can’t simply stuff your favorite setting and characters into a small space. Let’s take a holistic look at how to write a short story that captivates readers while building our skills.

Find a Distinctive Premise

The way short stories engage readers is a little different than for novels. While all stories have access to the same entertainment toolbox , some tools work better on shorter or longer scales.

A novel has to sustain reader attention for a long time. Getting readers emotionally attached to characters is paramount because that endures. Making the plot tense enough is also important because the longer the story continues, the more the plot must heat up to keep reader attention.

Short stories are free to generate lots of excitement that will flame out quickly. That means the most important engagement tool is novelty. If you’ve ever seen a little story go viral online, novelty was responsible for that . It’s capable of creating lots of enthusiasm quickly; it just doesn’t last.

To give your short story novelty, you need a premise that’s fresh and fascinating . Don’t try to make it 100% original – that’s impossible – just make it stand out from the other stories people are seeing right now. Your premise also shouldn’t be completely out of left field or most readers will find it more bizarre than novel. There is a market for bizarre short stories, but if that’s not your passion, aim for a premise with broader appeal.

New twists on old tropes often work well, but you can also steer away from common tropes altogether. However, you want a premise that’s concise and iconic enough to be explained in a couple sentences. If you ever pitch your story to a publication, you’ll be glad of it.

Because you’re writing a short story, you also need to keep the scope down or it won’t fit. So look for a specific situation your protagonist could be in that grabs attention. Take the ideas below.

• Your superhero protagonist just had a drunken one-night stand with the supervillain. It’s morning and they have to do the walk/flight of shame without letting anyone find out what happened.
• Your alien protagonist is a collective entity, and their members are increasingly at odds with each other. The protagonist’s identity starts to fracture, forcing them to consider whether to split in two.
• Your fantasy hero falls under a curse that makes them unable to distinguish the difference between right and wrong. They must decide whether to finish their quest.

Short stories are also excellent for making an important point or commenting on real-world issues. Maybe your human protagonist pretends to be a breakthrough AI chatbot, thereby highlighting the expectations we have for the technology. However, the real world is complex, so beware of taking on too much. Write a short and powerful argument; don’t try to cover all the nuances of the topic.

Given that, let’s cover keeping your story simple.

Reduce Your Overhead

As soon as you know what your premise is, it’s time to boil it down to the bare essentials. That’s because it’s incredibly common for writers to make their stories too complex – even at novel size. However, at novel size we might skate by without proactively streamlining . With a short story, simplicity must be factored in to every step. It’s hard at first, but it will serve us well later.

Unfortunately, many novelists are encouraged to market their novels by selling short stories using the same world and characters. While it’s not impossible to make this work, it usually sets us up to fail. That’s because novels can afford to spend several chapters teaching readers what they need to know. It benefits a novelist to make the world and characters unique in ways that add complexity and require more reader dedication. Once readers get over the learning curve, it pays off.

In a short story, readers need to understand what’s happening right away, without learning so much.

Rely on Default Assumptions

To reduce complexity, short stories usually focus on a central distinctive element. Everything else is left at some default that exists in the reader’s mind.

So, if your story is about a weird alien who comes aboard a spaceship, that spaceship is straight out of a typical science fiction story. You can make it feel like a NASA ship or a futuristic ship that goes faster than light – scifi readers will be familiar with either.

If you design your own ship that’s nothing like the ships they’ve seen, you’re adding something the reader has to learn about. If your story is all about how unique this ship is, that’s worth it. If your story is about how weird the alien is, it’s probably not.

Use Familiar and Intuitive Names

The names and labels you choose also matter a great deal. If you are willing to use familiar terms for things, readers will understand the story faster.

Let’s say instead of a typical spaceship, your spacefaring characters live instead in a giant alien animal that flies through space. Scifi fans typically refer to such creatures as “space whales.” If you call the ship a “space whale,” many readers will get it instantly. But most stories use a more unique term that sounds less silly. This means readers require more explanation before they understand what the ship is.

Reduce the Number of Story Elements

Finally, you have to limit the number of things you add to the story. Characters are the big one. Three significant characters with names and personalities is the limit on what most short stories can handle. If you add more, you have less time for each character, and they start to become forgettable or interchangeable to readers.

If you want interchangeable characters, that’s fine; just be intentional. Maybe you have a horror story, and you’d like several extra characters to be brutally killed during your opening. Give each character a name that’s easy to remember and just one distinctive feature. Jenny carries the big gun. Wayne eats other people’s rations. If you want a whole ship’s crew in the background, describe what they’re doing, but avoid naming them or making them distinct.

To fit your story in a small space, you have to question what actually supports your story and what only distracts from it. Ask why you are adding something to the story, whether that thing is a person, place, gadget, or creature. Then strip everything down to the bare minimum the story needs.

Make a Small Plot

Short stories can get away with weaker plots than novels can, but that doesn’t mean you should neglect yours. Solid plotting makes your story more riveting. Plus, your ending won’t resonate unless the whole plot supports it. When readers finish your story, you want them to be so wowed they share it with others.

To create a plot, you need a problem that your protagonist tries to solve during the story. This problem should entail a looming disaster the protagonist needs to avoid by acting quickly. This evokes tension , a feeling that hooks readers and keeps them reading.

All of my example premises included a protagonist with a problem to solve. If your novel premise doesn’t include any problems, you need to work one in. Make sure it focuses on the high novelty idea you came up with. For instance, if you’ve thought of a fascinating magical creature, maybe:

• The creature is your protagonist, and they’re in a tough situation.
• The creature is causing problems for your protagonist.
• The creature gives your protagonist assistance with a problem.
• Your protagonist has to save the creature or assist it with a problem.

You don’t want a plot that’s about something else entirely while the creature just happens to be nearby.

In a 3,000-5,000 word short story, you don’t have time to depict a whole battle or extended adventure, not without summarizing. While summarizing can be used when necessary, it’s much less immersive, reducing the story’s emotional power. So, the plot should be brief enough that you don’t have to summarize important moments.

One tactic is to start the story closer to the climax. Instead of depicting a whole battle, you might only depict the final fight of that battle, which is between your hero and the enemy general. However, this method can create lots of complex backstory, putting a big information burden on the story. Can you tell readers everything they need to know about this battle in a couple simple sentences?

For this reason, just making the problem smaller in scope is usually more practical. Think of a problem that involves one to three people and can be reasonably solved in a day, even if your protagonist fails to solve it. Instead of a great battle, maybe your hero runs into an enemy while traveling alone. In most cases, short stories offer room for a few minor conflicts or failed attempts to solve the problem before they come to a climax. However, this may depend on how verbose you are as a writer.

Regardless, during the climax, the protagonist should do something that either wins the day or dooms them. If you’re going for a tragic ending, conclude by demonstrating the issue has reached a point of no return. Perhaps the cool creature has eaten and thoroughly digested the protagonist.

Of course, readers love twists, and, because they are exciting and sensational, twists work especially well for short stories. The trick is to foreshadow well and ensure that your surprise twist doesn’t deprive the story’s beginning of tension.

Let’s say you want the creature to eat your protagonist, but this should be a twist. Obviously, if the problem is that your protagonist needs to avoid being eaten, this outcome will be expected and you’ll have no twist. But if your protagonist thinks the creature is their friend, it won’t look like there’s any problem to solve early in the story, removing the tension.

Instead, maybe your protagonist adopts the creature as a pet but can’t figure out what to feed it. If you can keep readers from guessing that this pet wants to eat the protagonist, you’ll have a viable problem and a good twist.

If you’d like more guidance on plotting, see my step-by-step instructions for outlining a short story .

Develop Your Characters Just Enough

Some short stories devote more space to characterization than others. If you’re planning a story that’s introspective with a plot using an emotional problem, you may have time for nuanced character work.

But it’s also easy to overcomplicate the central character. Writers are frequently told to make their characters complex because that’s what works best in a novel. Readers spend tons of time with novel protagonists, so those protagonists need to stay interesting by continually revealing new aspects of their personality.

As a result, writers create lots of backstory and assorted trivia for their characters. You may know your character’s entire journey going from birth, to academy, to fame, and then exile. You might also give your character several different names or titles, two flaws, three vices, several old enemies, and half a dozen dear friends.

This quickly overwhelms a short story. Let’s say the plot calls for your protagonist to buy a new part for their spaceship. If they didn’t have so much backstory, you would just summarize how they acquire the part. Instead, you write how they sneak into the town where they’re exiled to meet with an old mechanic friend. It’s what they would do, after all. Then, to explain this context, you add exposition about how they were exiled, how they met their friend, and all of their history.

Do you expect every reader of your short story to have read a novel about your characters? If the answer is “no,” adding extra details like these just dilutes the story’s impact.

If you don’t have lots of time for characterization, all the sides of your protagonist’s personality can blur together, making them forgettable. The character’s complexity ends up making them weaker instead of stronger.

So, for a short story, it’s usually best to focus on two things:

• Making characters feel distinctive. Instead of spreading them too thin, focus on a few simple traits to make your character stand out in a short time. Maybe they’re a super stoic accountant who likes sweets, or a mercenary who tells tall tales to anyone who will listen. Avoid combining traits that are too obvious unless you want a stock character. For instance, “stoic badass warrior” is used so often it’s boring. But in a horror story, that might be a good character to die first.
• Making them behave like real people rather than cartoons. While characters should be distinctive, readers often react poorly when they’re over-the-top. The character’s dialogue and demeanor make a big difference here. Consider how the real people you know actually behave – especially when writing antagonists. Instead of creating a villain who cackles and smiles coldly , make them polite and a little condescending. Instead of adding a rival who hates the protagonist out of jealousy, create a personality clash between the characters.

If your story is very focused on your character’s personality or it’s 10,000 words long rather than 5,000, you may have room for more details about them. It’s the total number of words you have dedicated to each character that matters.

Choose Your Narration Style

Finally, it’s time to consider how you want to narrate the story. This includes choices like whether you are using first- or third-person point of view, whether your story is in present or past tense, and more.

Of course, if you favor a specific style, you can always do that. Not everyone likes to experiment with prose; some writers just want to focus on the story. However, there are a couple reasons to rethink your narration style when writing short stories.

If you want to work on mastering a new style or adapting your current one, it’s helpful to start with a short story. If you hate the new style, you won’t be stuck with it for 100,000 words. In many cases, making changes also means your narration will be inconsistent or stuck halfway between two styles. It’s much easier to do revisions and climb that learning curve with a short story. You might want to:

• Switch between close limited and omniscient. Most writers start by using distant limited narration by default, but we can often improve our prose by moving to a more immersive and intimate close narration or giving ourselves more freedom with omniscient narration. However, these changes take quite a bit of practice.
• Try out present tense. While less common, it makes the story feel more immediate and tightens your prose a little too. That makes present tense worth trying out. But if you’re used to past tense, it will probably sneak into your narration for a while.
• Move from third person to first person. While there are exceptions, most writers start with third person simply because it’s more common. But first person is preferred by some audience groups and pairs excellently with present tense. You can also try a first-person character retelling , which gives you more freedom while still staying in your protagonist’s viewpoint.

Besides practicing a new style, some styles work better with short stories because they are more experimental or more likely to distract from the story itself in longer works. An amusing narration style that gets old by the end of a novel could help a short story stand out. You might test out:

• An epistolary format. This is anything that mimics real-world documents or communications. Your story can be comprised of chat messages, emails, social media posts, newspaper clippings, letters, or all of the above. Surprisingly, this is excellent for both comedy and horror. While there are epistolary novels, the format usually has to be watered down in favor of immersion. Short stories can risk being gimmicky. For more, see my article on writing epistolary stories .
• Second person. Some people find second person off-putting, but it works great in some cases. In particular, it encourages readers to insert themselves into the story, making it fabulous for any type of branching or interactive narrative. Second person also encourages immersion and pairs well with present tense.
• Whatever weird experiments you are thinking of. Are you eager to write unreliable narration ? Are you tempted to change your narration style during your story? Are you itching to try future tense? When your editor said you can’t write stories without characters, did you take that as a challenge? Go ahead and give it a try. In a worst-case scenario, it will be out of your system.

If one short story doesn’t work out, that’s fine. It means you’ve learned something valuable without wasting years of your life on it.

When we start writing fiction, we often become so invested in a large project that we stake everything on it. But one book does not a career make. In the end, it’s you that matters, not the masterpiece on your hard drive. By writing a larger number of shorter stories, you can discover what you like to write, how you like to write it, and the work process that leaves you happy and motivated.

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More in Short Stories

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Writing in First-Person Point of View: Beyond the Basics

Lessons From the Sweet Writing of The Seven Sisters

How to Create Atmosphere in Your Writing

Lessons From the Convoluted Writing of Adrian Tchaikovsky

Five Ways to Estimate How Long Your Story Will Be

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Comments on How to Write Short Stories That Captivate Readers

Instead of depicting a whole battle, you might only depict the final fight of that battle, which is between your hero and the enemy general.

An interesting opportunity opened up here is to deal in stories where the need for agency clashes with realism. If you’re showing the whole battle, your hero’s agency demands they be at or near the good guys’ leadership – or at least you need to do more work if they aren’t – but that means a satisfying climax demands a final battle between the two forces’ leaders. Starting near the end of the battle gives you more leeway to have someone lower down the hierarchy be the one to face the enemy leader, because with the battle underway, they’re making more of their own decisions in the moment. Adjust as needed for non-battle plot lines.

It’s also worth noting that short stories can have an additional burden of comparison on them, since they often get published in magazines or anthologies alongside other stories of similar premises and themes. While comparison to other stories is something all writing faces, it’s that much more direct when a story is occupying the same physical volume or webpage as its competitors.

The main threat is loss of novelty. What might normally be a very unusual character, setting, or theme can be immediately undermined when published in a collection of stories that ALL share that trait, so you’ll need to push it further in some way to stand out. If a story is being published in a magazine known for social justice literature, it’s probably not enough to just write a slice of life where the main character experiences some casual marginalization.

The other is that the context of what kind of publication the story is appearing in can tip the story’s hand to its twist too early, as it’s providing a meta-textual clue to where the story is going. Hanging a story’s climax on a character turning out to secretly be a monster in disguise requires a different approach when it’s being published in a collection of monster stories than if it were standing alone.

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Cooking up a great prompt: Getting the most from Copilot

Prompts are how you ask Copilot for Microsoft 365 to do something for you — like creating, summarizing, editing, or transforming. Think about prompting like having a conversation, using plain but clear language and providing context like you would with an assistant.

1. Tell Copilot what you need

2. Include the right prompt ingredients

To get the best response, it’s important to focus on some of the key elements below when phrasing your Copilot prompts.

3. Keep the conversation going

Following up on your prompts help you collaborate with Copilot to gain more useful, tailored responses.

Helpful hints to keep in mind

Know Copilot’s limitations  Copilot is limited to your current conversation, so give lots of details.

Be professional Using polite language improves Copilot’s response.

Communicate clearly Pay attention to punctuation, grammar, and capitalization.

Use quotation marks ​​​​This helps Copilot know what to write, modify, or replace for you.

Start fresh Avoid interrupting and type “new topic” when switching tasks.

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• Mental Health

7 Things to Say When Someone Gaslights You

I magine you have a serious talk with your partner—yet when you bring it up a couple weeks later, they say: “We never had that conversation! You must be thinking of something else.” Or your boss gives you an assignment but omits crucial information, later berating you for falling short and claiming you were provided with the exact instructions you know you never received. Maybe you keep hearing that you’re overreacting, too sensitive, or misinterpreting things.

All are possible examples of gaslighting. The (frequently misused) term describes “the act of when someone is talking to or communicating with you, making you feel like your reality is being questioned,” says Laura Sgro, a therapist in Los Angeles who specializes in helping people navigate dysfunctional families or relationships. Over time, it can take a serious toll on mental health: “A lot of times people feel like they’re losing their grip on reality,” Sgro says. “What that can look like is a lot of self-doubt, and perhaps internalizing your own feelings and needs and not communicating them.” Anxiety and depression can follow.

Gaslighting exists on a spectrum, Sgro adds, and it’s not always possible—or safe—to engage with the person doing it. That’s because their goal is to win, not to problem-solve, she says, so you won’t get anywhere. But sometimes, especially if the gaslighting isn't a behavioral pattern, you can effectively shut down the conversation and prevent it from happening again. We asked experts what to say, and why it works.

"We seem to have different memories of that conversation. Here's what I remember happening."

Asserting your reality without blaming or accusing can go a long way, says Deborah Gilman, a psychologist in Pittsburgh. “This approach disrupts the gaslighter’s attempt to control the narrative,” she adds. By calmly stating your experience, “you plant a seed of doubt in their manipulation and show you won't be easily swayed.” She advises speaking clearly and confidently, while making eye contact. Gaslighters thrive on emotional responses, Gilman stresses, so stick to the facts and avoid getting defensive. If the other person tries to twist your words, simply restate your perspective: "Yes, that's part of what happened, but what I'm focusing on is…”

Read More: Gaslighting, Narcissist, and More Psychology Terms You’re Misusing

"I'm not comfortable with how you're characterizing the situation. Let's talk about [original topic] instead."

Gilman likes this way of setting a boundary and redirecting the conversation. “It takes control back,” she says. Plus, it directly addresses the other person’s behavior. If they continue gaslighting you, repeat the boundary: “I already said I’m not comfortable with this. Can we move on?” Becoming a broken record, she notes, helps ensure that what you’re saying resonates, while putting a stop to further arguing.

“We may not agree, but my feelings are still valid.”

If traffic signals regulated conversation, this response would be a “screeching red light,” Sgro says. As she puts it: “Where do you go from there?” Ideally, the other person will use it as an opportunity to look inward and reflect on the fact that their partner is feeling invalidated, which can temper the argument. Plus, “this approach really calls out that we’re not trying to be right,” Sgro says. “We’re just trying to express the way that we each feel.”

“Let's take a step back and write down what happened from both our viewpoints.”

When you’re not feeling heard, the best solution is often to take a break for a few minutes. Natalie Rosado, a licensed mental health counselor in Tampa, suggests taking it one step further and using your time apart to write down your perspective on what happened to spark the disagreement. While it's impossible to reason with some people who gaslight, others are open to having a conversation and arriving at a resolution—just not, perhaps, in the heat of the moment. Spending time together reviewing what you each wrote can be eye-opening. Plus, it serves another purpose: “You’re able to go back and review things that you've written down during previous incidents, so you can recall situations or conversations and have tangible evidence,” Rosado says. “It's a way to combat some of those thoughts when you’re wondering if you're losing your sanity or questioning your reality.”

“I feel like we're not on the same page. Can we involve a neutral third party to help us understand each other better?”

If gaslighting starts to become a pattern, you might benefit from working with a therapist —either together or separately. The goal isn’t necessarily to improve the relationship, Rosado notes. “More than anything, it’s to provide psychoeducation and support for the person who’s in a relationship with the gaslighter,” she says. “It's an additional person who can be an objective party—someone who can help them gauge their experiences.” It’s always good, she adds, to have a second set of eyes, especially on unhealthy relationship dynamics.

Read More: How to Tell if Someone Is Lying to You, According to Experts

“Wow, that's an interesting way to remember things! Let's try to stick to the facts.”

Using humor can help take the power away from the gaslighter and make it less likely that they'll continue to try to manipulate you, says Jenny Maenpaa, a licensed clinical social worker in New York. She advises keeping your tone lighthearted and flashing a quick smile. Ideally, the other person will laugh and move on to a different topic of conversation. If they continue fixating on their version of events, Maenpaa suggests responding: "That's interesting. Maybe we can look at [evidence like texts or photos] to refresh our memories?”

“I've noticed a pattern in our conversations where my recollections are often questioned. Can we focus on finding solutions rather than debating memories?”

Rosado thinks of this response as “soaring above the content of the argument.” Instead of getting into a power struggle over the details of the incident, she says, it allows you to adopt a 360-degree view. “What you’re trying to do is say, ‘Let’s move past exactly how we remember that situation, and figure out possible ways forward,’” she says. “A way to do that would be to identify, ‘What would be a goal of mine in this relationship moving forward?’ and then, ‘What would be a goal of yours?’” It’s a constructive way to ensure you’re both on the same page—and that gaslighting doesn’t cast a shadow over your future relationship.

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How to figure out feelings and express yourself through writing - advice for children from The Week Junior

Making words work for you

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Have you noticed how some stories and characters in the books you read can help you see things differently? This is the magical power of words. They can lead you to a whole new way of experiencing the world around you.

How does writing help?

Learning to talk about your thoughts and feelings is a big part of life. From writing messages to your friends to making plans together, to answering questions at school, and talking with your family, words are amazing tools for communicating all sorts of things.

Writing isn’t just an activity that you do at school. It’s something you can do by yourself for your benefit. Keeping a diary (or positivity journal ) is a great way to get creative and talk to yourself in the private pages. It’s a place you can be totally honest without worrying what anyone else thinks.

Research shows , this can help you to improve your confidence, reduce anxiety and boost your mood. Working things out on the page can also be a great way of solving problems , which has the added benefit of making you feel good.

Express yourself

Sarah Ratermann Beahan is a teacher who helps people express their emotions through writing. “When we have big emotions – sadness, anger, frustration, excitement – we can feel it in our bodies. Our hearts beat faster, we feel like we want to cry or stomp our feet. It’s hard to know what to do with ourselves in those moments,” she explains.

“Writing about our feelings, situations and experiences can help us manage those big emotions. Writing the story of our experience helps us figure out what we are feeling, a process often called 'naming'. When we name our experience, we can figure out what to do with it.”

Don’t worry about the rules

When you’re writing for yourself, the focus is more on what you think and feel, rather than getting things right or sounding clever. Sarah says: “It’s more important to let your story and feelings flow. This is a place where you don’t have to worry about the rules of writing! This writing is for you alone, and the process of putting it on paper is more important than how clear or correct it is.”

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Talking to your diary

Writing for just 10-20 minutes a couple of times a week is a great way to help you to understand your feelings. Try these ideas:

• Write about your day – what happened, how did it make you feel, what emotions came up?
• Describe something that you’re proud of – what did you accomplish and why was this important to you?
• What is something you’d like to change – what would you do differently and why, what would you like to do next and what’s one step you can take towards that?

Rainbows and clouds

Rainbows can’t happen without clouds. In the same way, challenging experiences – which happen and pass by like clouds – can help you appreciate the good things in life. Write about a challenge you experienced today (your cloud). Write about the best thing that happened to you today (your rainbow). Is there anything positive that can come out of your cloud?

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This feature was originally published in June 2024 in The Week Junior, which is also owned by Future Publishing.

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Whether you want to keep kids entertained or carve out just a few minutes of peace on holiday, these are the parent-approved toys you need to take with you

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Thomas L. Friedman

Joe Biden Is a Good Man and a Good President. He Must Bow Out of the Race.

By Thomas L. Friedman

Opinion Columnist, reporting from Lisbon

I watched the Biden-Trump debate alone in a Lisbon hotel room, and it made me weep. I cannot remember a more heartbreaking moment in American presidential campaign politics in my lifetime, precisely because of what it revealed: Joe Biden, a good man and a good president, has no business running for re-election. And Donald Trump, a malicious man and a petty president, has learned nothing and forgotten nothing. He is the same fire hose of lies he always was, obsessed with his grievances — nowhere close to what it will take for America to lead in the 21st century.

The Biden family and political team must gather quickly and have the hardest of conversations with the president, a conversation of love and clarity and resolve. To give America the greatest shot possible of deterring the Trump threat in November, the president has to come forward and declare that he will not be running for re-election and is releasing all of his delegates for the Democratic National Convention.

The Republican Party, if its leaders had an ounce of integrity, would demand the same, but it won’t, because they don’t. That makes it all the more important that Democrats put the country’s interests first and announce that a public process will begin for different Democratic candidates to compete for the nomination — town halls, debates, meetings with donors, you name it. Yes, it could be chaotic and messy when the Democratic convention starts on Aug. 19 in Chicago, but I think the Trump threat is sufficiently grave that delegates could quickly rally around a consensus nominee.

If Vice President Kamala Harris wants to compete, she should. But voters deserve an open process in search of a Democratic presidential nominee who can unite not only the party but also the country, by offering something neither man on that Atlanta stage did on Thursday night: a compelling description of where the world is right now and a compelling vision for what America can and must do to keep leading it — morally, economically and diplomatically.

Because this is no ordinary hinge of history we are at. We are at the start of the biggest technological disruptions and the biggest climate disruption in human history. We are at the dawn of an artificial intelligence revolution that is going to change EVERYTHING FOR EVERYONE — how we work, how we learn, how we teach, how we trade, how we invent, how we collaborate, how we fight wars, how we commit crimes and how we fight crimes. Maybe I missed it, but I did not hear the phrase “artificial intelligence” mentioned by either man at the debate.

If there was ever a time that the world needed an America at its best, led by its best, it is now — for great dangers and opportunities are now upon us. A younger Biden could have been that leader, but time has finally caught up with him. And that was painfully and inescapably obvious on Thursday.

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